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THE WARWICKSHIRE TRIPLE MURDER . . . Violent death visits Baddesley Ensor (1)

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Asked to name  counties associated with England’s coal mining heritage, many people would say, “Yorkshire and Nottinghamshire.” The more knowledgeable might add Lancashire and, perhaps, Kent, but few would be aware that until relatively recently there was an important mining industry in North Warwickshire. One of the most significant centres was the village of Baddesley Ensor (below), near Atherstone. Mentioned as ‘Bedeslei’ in the Domesday Book, the village has a long and fascinating history, but the events of a day in late August 1902 are the focus here.

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The 1901 census tells us that the Chetwynd family, comprising John (56), wife Eliza (60), Joseph (22) and Eliza (19) lived at 177 Watling Street Road, in what was known as Black Swan Yard. Not far away, on the same road, a young man called George Place, described as a coal hewer, lodged with William Aston and his wife Martha. At some point later that year George Place and the younger Eliza became, as they say, “an item” – to the extent that Eliza became pregnant. On 14th August 1902, Eliza gave birth to a baby boy. Much had happened prior to this. On 19th March John Chetwynd died leaving the two Elizas and the his as-yet-unborn grandson to manage on the income of young Eliza’s brother Joseph Chetwynd who, inevitably, was another coal miner. It seems that George Place had moved in with the family, and had become informally engaged to Eliza, but his contribution to the the family finances must have been minimal, as Eliza had served him with what was known as an Affiliation Summons – a kind of paternity order, what we know as a Child Support maintenance enforcement.

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George Place was not a Warwickshire man. He was born in 1874 in Radford, an outer suburb of Nottingham. His was a large family, even by the standards of the day. He was the elder of nine children. In 1891, at the age of 17, he was listed as living at 72 Saville Street, Radford, working as a cotton spinner. Whether he became a miner by choice or through necessity, we will never know, but fate brought him further south into the Warwickshire coalfield.

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Observer

Having researched and written about many of these historical murder cases, the question of evil versus insanity comes up every time. The central question is simple: Would someone committing a murder in plain sight have to be unhinged to think they could get away with it? Another question: Can insanity be temporary, so that when a murderer is apprehended, he/she may seem perfectly sane? These days, of course, the distinction is largely irrelevant, as no murderer will lose their life as a result of a guilty verdict; the only variable is the kind of institution in which they will serve their sentence. What follows in this story will explain why I have raised the philosophical question.

As is often the case, there is a back story here, and the Nuneaton Observer (left) made much of the troubled relationship between George Place and the Chetwynd family.

Quite why George Place felt so aggrieved at being asked to contribute to the upbringing of the little boy he had fathered we shall never know. When the summons making him responsible for his eleven day old son was served on Place, he threatened that all the Chetwynds would get out of him would be a bullet. This sounds like empty rhetoric, uttered for dramatic effect, but what followed was truly horrific

IN PART TWO

Three bullets. Three lives
A date with the hangman

THE APARTMENT UPSTAIRS . . . Between the covers

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Author Lesley Kara returns to the world she excels in describing – the apparently mundane suburban milieu where the streets and houses  serve as a  stage where families and friends act out a drama riddled with lies, secrets and deception.

Scarlett Quilter, a forty-something accountant, lives in the ground floor apartment of a suburban London house. She has a debilitating illness but is able to work from home. The titular ‘apartment upstairs’ was once occupied by her aunt, Rebecca, a former school teacher. Rebecca made a wrong romantic choice late in life by forming a relationship with a man called Clive Hamlin. Hamlin murdered Rebecca, and then committed suicide, so we know from the start that the apartment upstairs has deeply sinister connotations for Scarlett, as well as for her younger brother Ollie (who has inherited the house) and her father, Peter.

The Quilters have entrusted Rebecca’s funeral arrangements with a firm called Fond Farewells, which is run by Dee Boswell and her business partner Lindsay. Dee and Lindsay had a shared friend called Gina Caplin, who mysteriously disappeared ten years earlier, and they have both supported a campaign to find out the truth about what happened to their friend.

All is not sweetness and light between Dee and Lindsay. Lindsay has abused the trust placed in her by the friend of a dead man – think treasured possessions and eBay. She is caught out but manages to placate the grieving customer in a way which leaves Dee fuming. The contrast between the two women is cleverly drawn. Lindsay is more confident, perhaps even reckless and, in contrast to Dee, is knowingly certain of her sexuality.

When Scarlett discovers that her late aunt was connected to the missing girl, Gina, things start to get interesting. Lesley Kara lays a trail of particularly juicy red herrings which include the possibility that the truth about Gina’s disappearance might lie very close to Scarlett’s home, in a ‘Fred West patio’ kind of way.

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Lesley Kara always enjoys directing her readers up the proverbial garden path in terms of plot, and here she serves up a couple of turns which are more like double somersaults than twists. The clues are there for more suspicious readers, but they are far from obvious.

The Apartment Upstairs is a dark journey into a world where a violation of trust is made even worse because it is happening between close friends and family members.  It is published by Bantam Press and is available now. For more on Lesley Kara, click on the image (below)

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‘I WILL HAVE HER BEFORE THE NIGHT IS OUT” . . . A brutal murder in 1903 Lincoln (2)

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SO FAR: Lincoln, May 1903. Sarah and Leonard Patchett have a troubled marriage. She works as a housekeeper in Lincoln, while he is a bricklayer in Gainsborough. At the end of May, he has traveled to Lincoln to see her. They have a daughter, Rachel, a few weeks short of her second birthday, and she lives with her mother at the house of John King in Spencer Street. Sarah is John King’s housekeeper. On the evening of Tuesday 26th May, Patchett has pleaded with his wife to come back to him, but she only agrees to walk with him to the railway station where he says he will catch a train back to Gainsborough.

After the evening of 26th May, Sarah Patchett is never seen alive again. The last sighting of her was recording in a court statement:

“Mr. J. H. Gadd, livery stable proprietor, stated that about seven o’clock on the night of Tuesday, May 26th, he was driving to his field in Boultham Lane in the company with one of his men. His man called his attention to a man and woman standing at the gate to the second field in Boultham Lane. The woman looked sad and distressed, and the man was in a leaning position with his foot on the lower bar of the gate. As he passed, the man turned round, and he caught full view of his face. On Saturday he identified the body the deceased as that of the woman saw the gate the previous evening.”

Sarah Patchett’s body was found in a field just west of the Boultham Park carriage road on the morning of 29th May. She had been strangled. When a coroner’s inquest was convened at Bracebridge, the details are still chilling over a century later:

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It might be of interest to show where Sarah Patchett was murdered. As far as I can tell, her body was found about 100 yards from the Boultham Board School on the west side of what was then the private carriage road leading to Boultham Hall. Now, of course, the ground where her body lay for three days (red circle) is long since built over. The graphic below may be helpful.

Then and now

Leonard Patchett was arrested and held in custody. When he was searched, a letter from his wife was found in his jacket. I have made a facsimile (below)

Dear Leonard

At the coroner’s inquest, the magistrates’ court and the subsequent Assizes at Lincoln, Patchett insisted he was innocent and, to be fair, the evidence against him was purely circumstantial. Unguarded remarks he made after his wife’s death painted a very different picture, however. When asked, back at the Gainsborough building site, if he was going up to work on the scaffold, he said, “The next scaffold I will be on will be the scaffold at Lincoln with a rope around my neck.”

What did he mean when he said to Mrs Iremonger, “I will have her before the night is out”? Did he mean he would come and  take his daughter, Rachel, or was it a threat to the life of his wife ?

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On Monday 6th July, Leonard Patchett was tried for murder at LIncoln, before Mr Justice Ridley (left). Patchett insisted he was innocent but the jury did not agree. The newspapers reported the inevitable conclusion:

“The jury took twelve minutes to consider their decision, and returned into Court with a verdict of “Guilty.” The prisoner heard the sentence apparently unmoved, and in reply to the question as to whether he had anything to say why sentence of death should not passed, replied firmly: “No, but I am perfectly innocent.” The Judge then put on the black cap and said he was bound to agree with the verdict the jury had given. It had been clearly established that the prisoner’s was the hand that strangled the unfortunate woman. The judge recommended him to try to make his peace with Almighty God during the few days of life that remained to him. Sentence of death was then passed. Prisoner received the solemn sentence without the slightest feeling, and then calmly turned round, and walked down the steps to the cells. His sister, who was in an adjoining room, fainted on hearing the sentence. The execution will take place in Lincoln Gaol.”

And so it did:

Execution

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Sarah Ann Patchett was buried in Canwick Road cemetery, while the body of her husband joined those of other hanged murderers in the little graveyard within the walls of the Lucy Tower at Lincoln Castle. There is one link to this terrible tale which takes us into relatively recent times (albeit fifty years ago). Rachel Ceciia Patchett was raised in various children’s homes and, by then known as Rachel Patchett-Smith, married James Newman in 1934. She died in 1972, and was buried at St Peter’s, Pilning, Gloucestershire. My thank to Mandy Freeman for the information about Rachel.

FOR MORE LINCOLNSHIRE MURDER CASES, CLICK THE IMAGE BELOW

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‘I WILL HAVE HER BEFORE THE NIGHT IS OUT” . . . A brutal murder in 1903 Lincoln (1)

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I have been researching and retelling the stories of historic murders for  a long time now, and the overwhelming majority of these cases involve a man murdering a woman. There is rarely what one might call a motive, in the sense that the killer planned his act with the intent to gain an advantage. Occasionally, as with the Spalding Poisoner, the man plans the killing because he has another lover, but all too often, as is the case here, the murder is an act of rage, jealousy, with the sub-text of “If I can’t have you, then no-one will.”

The life of Sarah Ann Smith seems to be punctuated with misfortunes. Thomas Hardy, in Tess of the D’Urbervilles memorably imagined that our lives were manipulated by some unseen hand, moving us around like chess pieces for their own amusement.

“.. and the President of the Immortals (in Aeschylean phrase) had ended his sport with Tess.

The 1881 census has 9 year-old Sarah Ann Smith living in Greetwell Gate, Lincoln, with her parents John and Ann, and her two brothers. In 1891 she was working as a domestic servant in  a house on what was then called Asylum Road. The census that year was taken on 5th April, and in the summer of that year Sarah married Henry Healey Fletcher. Seven years later, on 17th February 1898 their son, Harold Fletcher was born. Sarah’s joy was to be short lived, because with twelve months both baby Harold and husband Henry would be dead. Henry Fletcher, an ironstone miner, hanged himself when rumours began to circulate that Sarah was having an affair with their lodger.

As in the case of Tess, the President of the Immortals had one last cruel joke to play on Sarah. She met and was wooed by a young bricklayer called Leonard Patchett, and in January 1900 they married in St Andrew’s church in Lincoln (picture below). Demolished in 1968, it was one of many Gothic revival churches designed by the celebrated Louth architect James Fowler.

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Leonard Pratchett was what used to be called ‘a wrong ‘un’. He was handy with his fists, especially with women, as his criminal record shows.

Criminal record

It wasn’t long before Sarah became fed up with Leonard’s casual brutality, and left him. There followed a sequence of uneasy reconciliations – and the birth of a daughter – Rachel Cecilia. The early summer of 1903 saw Sarah working as a housekeeper for a man named John King, a former military man who now worked as an insurance agent. He lived at 36 Spencer Street, Lincoln. Leonard, meanwhile was working in Gainsborough.

Towards the end of May, Leonard Pratchett took a train to Lincoln, with the intention of patching up his troubled marriage to Sarah. He sought her out at John King’s house, and on the evening of Tuesday 26th May, he asked her to walk with him to the station, from where he was going to catch the train back to Gainsborough. Earlier that evening, Sarah had been out when Patchett came looking for her, and he got into a conversation with a Mrs Emma Iremonger, next door neighbour to John King. It seems that Mrs Iremonger was looking after Rachel, who was a couple of months short of her second birthday. The exchange was reported in the press sometime later:

Emma Iremonger

John King later testified that he was uneasy about Sarah going off with her husband that evening, and asked her not to go, but she declined to take his advice. He waited up until 11.00pm that night, and when she still hadn’t returned by morning he contacted the police. Wednesday and Thursday passed without any sighting of Sarah Patchett.

The next events in this tale unfold in a part of Lincoln that is completely unrecognisable today, and it is only by looking at maps side by side that we can get some sense of the landscape in 1903. What is now Boultham Park Road was, in 1903, a private carriage road leading to Boultham Hall, and on either side there were open fields. North of the drain in 1903 was the Wellington Iron Foundry, where some of the first WW1 tanks were built. One of the employees at the foundry was a young man called Arthur Froggatt. They worked long shifts in those days, starting early and finishing late. The men were allowed a break for breakfast around 8.00 am, and on the morning of Friday 29th May, Arthur had walked across the footbridge over the drain to breath some fresh air after the intense heat and fumes of the foundry. He had only walked a little way down the carriage drive, when he saw something untoward. Again this is from a newspaper report taken down verbatim at a court hearing:

Discovery

IN PART TWO
Arrest
A revealing letter
Trial and execution

BAD FOR GOOD . . . Between the covers

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This hard-hitting police thriller is set in an English city renowned for its sea air, Regency buildings and – latterly – the Green-ness of its politics. It has also been a surprisingly popular setting for crime novels. Think Pinkie Brown, Roy Grace and Colin Crampton. We are talking, of course, about Brighton. Now we have a new character on the scene, in the shape of Joanne Howe, Detective Superintendent with Sussex police.

BFG coverThe plot hinges around a series of dire events in the life of Jo Howe’s boss, Detective Chief Superintendent Phil Cooke. Already trying to keep his mind on the job while his wife is dying of cancer, fate deals him another cruel blow when his son Harry, a promising professional footballer, is murdered, seemingly a casualty in a drug turf war. He steps down, but then comes into contact with a shadowy group of apparent vigilantes, who tell him that Harry was not the clean-cut sporting hero portrayed in the local media – he was heavily into performance enhancing drugs. The vigilantes – whose business plan is to provide a highly illegal alternative police force, where customers pay for the quick results that the Sussex Constabulary seem unable to provide – blackmail Phil into standing in the election of Police and Crime Commissioner. He is forced to agree, and is elected.

Meanwhile, things go from bad to worse for Jo Howe and her team. As they try to get to the bottom of Harry Cooke’s murder, an arrest goes badly wrong, and one of her Detective Inspectors – Bob Heaton – kills the suspect with his baton. He is jailed. Howe realises that there is some kind of vigilantes-for-profit group at large and she organises a sting operation at a local pub. When the bad guys flee the scene the ensuing pursuit goes pear-shaped, an officer is badly injured and the targets escape. Then the vigilantes fire bomb the pub in retaliation, the landlord dies and Howe has a furious dressing down from her chief constable. All is not what it seems, however, and Graham Bartlett lets us know that people very high up in the senior ranks of the police are as crooked as the proverbial dog’s hind leg.

The vigilantes are operating under the banner of an ostensibly respectable security outfit, but both they and the police seem equally clueless as to the identity of Harry Cooke’s killer. Bob Heaton’s boyfriend Chris – aka ‘Crush’ – works for the security firm, and Jo Howe persuades Bob – now released from jail but jobless – to infiltrate the organisation. Harry Cooke’s killer is finally identified, and the race is on to see who can get to him first, the police or the vigilantes.

Screen Shot 2022-06-19 at 20.35.27Graham Bartlett (right) was a police officer for thirty years and mainly policed the city of Brighton and Hove, rising to become a Chief Superintendent and its police commander, so it is no accident that this is  a grimly authentic police procedural. It is also very topical as, away from the violence and entertaining mayhem, it focuses on the seemingly insoluble problem of the divide between the public’s expectations of policing, and what the force is actually able – or willing – to deliver. Bartlett doesn’t over-politicise his story but, reading between the lines – and I may be mistaken – I suspect he may feel that, with ever more limited resources, the police should not be so keen to divert valuable time and resources away from their core job of catching criminals. My view. and it may not be his, is that effusive virtue signaling by police forces in support of this or that social justice trend does them – nor most of us –  no favours at all.

Bad From Good is an excellent debut novel. I hope it heralds a long running series, and I eagerly await the follow-up. Published by Allison & Busby, the book is out in all formats on 23rd June.

THE KILLING OF BETSY BROWN . . . Horror comes to Whittlesey (3)

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SO FAR – Cambridge, 1863. Whittlesey man John Green has been convicted at the Cambridge Winter Assizes of murdering Elizabeth ‘Betsy’ Brown on the night of 11th/12th March, in the maltings behind the George and Star inn.

There was to be a final chapter in this horror story. While waiting for his rendezvous with Hangman Calcraft, Green asked to be allowed to make a full confession. It is highly unlikely that he was literate, so his solicitor, a Mr J. W. Wilders took his dictation, in the presence of the prison governor. It was grim stuff.

“Smedley and I locked up the malting on the night of the 11th March, about eight o’clock, and went together to the George and Star public-house, and I went into the store-room with Samuel Boyce to remove some forms up into the dancing room. At the time Boyce was taking the forms out of the store-room I drew a bucket full of gin from a puncheon in the same store-room. I then hid the pail of gin in corner behind some wood in the George and Star yard. I then went into the tap-room, where I saw Smedley, and told him what I had got.

Smedley and I then went together and took it to the malting and the malting door. I carried it, and he unlocked the door leading to the malting. When we got into the furnace room Smedley kept watch while I poured the gin into a stone jug covered by a whicker basket. We then sat down and drank a little, and then returned to the George and Star. Smedley said, “We won’t lock this (meaning the kiln door), as we may return again.: But we will lock the big gates.’

Smedley and I returned to the dancing room at the George and Star, and remained there until twelve o’clock, and I did not see Smedley afterwards. I then went down stairs into the tap-room and had some beer, and also some conversation with Elizabeth Brown and Ann MacDonald. About one o’clock in the morning the deceased, Mac Donald, and myself, went outside the George and Star door and had some conversation.

Elizabeth Brown said to me, “Can we get into the malting ?” and I said, “Yes, I have got a bottle of gin there,” and she replied, “Then let’s go.” She asked MacDonald to go with us, saying, “we shall have plenty to drink,’ and she said “No, one woman with one man is plenty;” and we  then left MacDonald and went round Mr. Waddelow’s by the Church wall, through the little gate into the George and Star yard which adjoins the malting premises, and got on to the cow crib over the wall on to the kilderkin into the malting yard in the manner described at my trial, and went into the kiln through the door which Smedley and I had left unlocked.

William-calcraftShe (Brown) was at that time smoking a long pipe, and when we got into the furnace room, I drew a quart pitcher full of gin out of the bottle, and sat down on the settle and drank most of it, if not all of it, both of us smoking. We had sat down for half hour, when I wanted to have connection with her, but she would not. I pulled her off the settle. She kicked and knocked about, and got hold of my hair, and I tried and tried as long as I could to have connection with her, and when she would not, I hit her on the body with my fists, and she fell on the floor. I then kicked her on the body more than once. She did not scream out. I then felt so bad that I did not know what to do, as I felt I had killed her. I stooped down and got hold of her and shook her, and I found that she was really dead. I then drank hearty of some gin.

There were some sacks lying on the settle which I took off and put round her, and set fire to them,  putting a shovel full of hot cinders on the sacks. I sat down on a block against the furnace and watched the burning. After I had watched the burning for about an hour, I got up and drank some more gin and stirred up the burning sacks. I then sat down again and went off to sleep, I expect. When I woke and got up from the block, I was so stifled with the smoke that I did not know where to go, and at last I found the door in the coke place leading into the yard, and got out and over the wall and went running home.”

John Green was hanged at 9.00 am on Saturday 2nd January, 1864. The hangman was William Calcraft (above left)

Execution

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THE KILLING OF BETSY BROWN . . . Horror comes to Whittlesey (2)

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SO FAR – March 1863. The remains of the body of Elizabeth ‘Betsy’ Brown have been found in the furnace room of Thomas Whyles’ maltings in Whittlesey. A young man named John Green has been arrested on suspicion of her murder.

The customary sequence of events in these sad affairs began. First, the coroner’s inquest. It was here – and the subsequent verbatim accounts in the newspapers – that the true horror of what had happened to Betsy Brown became known to the citizens of Whittlesey and thousands more across the region.

The first medical man on the scene at Whyles’ maltings had been a man called Robert Crisp, a surgeon. This was his testimony, and it is not for the faint-hearted.

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The police, who had been holding John Green in custody since his arrest on the morning of 12th March also testified that his clothes bore the smell of smoke, and a small patch of his hair was singed by coming into contact with extreme heat. The coroner’s jury took little time in finding Green guilty of murder, which he denied, insisting that he had gone home and was in bed by midnight. He was remanded in custody, and sent for trial at the next Assizes in Cambridge.

By the time of Betsy Brown’s murder County Assize courts were held three times a year, and named Spring, Summer and Winter. These were serious affairs for serious misdemeanours, which were anything from theft of valuable items up to murder. They were presided over by circuit judges who were senior members of the legal profession. Normally, John Green would have been tried at the Summer Assizes, as the preliminary court hearings came just too late for the Spring Assizes, but another complication to to the case meant a delay.

This complication was the police’s concern that John Green’s friend, William Smedley (Wyles’ head maltster) was involved in the death of Betsy Brown. As a key holder to the premises, he certainly conspired to make the premises available to Green for what he, Green, hoped would be a night of passion with Betsy Brown. But was he involved more deeply? In the event Smedley was also arrested, and it wasn’t until 18th December that the pair came to stand trial.

Screen Shot 2022-06-15 at 20.14.00The presiding judge was Sir Samuel Martin QC (1801-1883), Anglo-Irish Baron of the Exchequer (left). The first thing he did was to dismiss all charges against William Smedley. He said:

“Gentlemen, the two prisoners are charged upon an indictment — one (Green) with having of malice aforethought murdered Elizabeth Brown ; the other (Smedley) with having harboured the said Green, knowing him to have committed the murder. Now as to Smedley, there is no evidence against him worthy of your consideration. This is a question of law to be decided by the judge, and I at once tell you you must acquit the man. And further, I feel bound to say there was no pretence for ever putting the man upon his trial. It is the first time in my experience a man has been put upon his trial in this way with another charged with murder. Having this strong opinion, I feel bound to express it, and I repeat he ought not to have been put upon his trial here.”

Smedley was free to go, but John Green was not so fortunate. The jury took a mere ten minutes to find him guilty. The newspapers of the day had  a great sense of drama and theatre when reporting such things, and this what one reporter wrote:

Judgment

IN PART THREE
A confession, and the full horror is revealed

THE KILLING OF BETSY BROWN . . . Horror comes to Whittlesey (1)

Artists impression

In 1863 The George and Star inn was, as it is today, the biggest in Whittlesey. It changed its name by dropping the Star several years after the events described in this story. Behind the inn was a maltings owned by Thomas Whyles, described in the 1861 census as ‘Corn merchant and miller.’ His house was in Church Street. Two other town residents acted out their parts in this drama. Elizabeth Brown was known as ‘Betsy’. The newspapers gave her age as 36, but the 1861 census gives us two Elizabeth Browns, one aged 24 living in Scaldgate, and another aged 39 in Private Road. You can take your pick as to which was ‘our’ Betsy Brown. Both were described as labourers, but  if truth be told, the Betsy who features in this story supplemented her income by being, as my grandmother used to say, ‘no better than she ought to be’. She was described as ‘a tall dark woman with coarse features, high cheek bones and black hair : she had led an abandoned life for some time.’

Just a few streets away,  in what was known then as Inham’s End, 24 year-old John Green – who worked for Thomas Whyles –  lived with his wife Martha and daughters Mary and Harriet. He was described thus in a newspaper report. “He is a married man with three children; is 25 years of age, rather tall, with dark hair and pale face, has no whiskers, and is of slight but muscular build.”

John Green 1861

On the evening of Wednesday 11th March, John Green was drinking in the tap room of the George and Star, along with – amongst others – a man called Smedley, who was head maltster for Thomas Whyles – and Betsy Brown. Smedley was to play – literally – a key role in this affair, as he had a key to the maltings, and John Green, as the night’s drinking intensified was paying court to Betsy Brown and, aware of her reputation, needed somewhere private to take her, should she go along with his plans.

At some point in the evening, Betsy Brown’s mother, perhaps having some kind of premonition or sixth sense that her daughter was in danger, arrived at the inn and tried to persuade Betsy to come , home, but she refused. About half past midnight, Green, Betsy Brown and a woman called Ann MacDonald left the inn, and Green said, pointing to the maltings, “Come along, we shall have some beer.” MacDonald, well aware of what Green’s intentions were, replied, ““No, one woman with one man is plenty;”

At this point, it is necessary to explain briefly what happened in a maltings. The process of malting grain for beer and whisky making involves three main steps. The first is soaking the barley – also known as steeping – to awaken the dormant grain. Next, the grain is allowed to germinate and sprout. Finally, heating or kilning the barley produces its final color and flavor. The kiln was used to produce hot air which would be passed under the bed of grain so that it dried out evenly. In Whyle’ maltings the place where the kiln stood was referred to as the furnace room.

At about six o’clock on the morning of Thursday 12th March, John Green was seen by a man called Robert Cunnington, Green was heading towards his home. When Smedley arrived at work a little later, he entered the furnace room to be greeted by a horrific sight. Against a door was a body with the head resting against the door. The door was burning, and there was smoke issuing from the lap and chest of the body. Smedley’s first reaction was to get water and pour it on the body, but it was too little too late. Other workers – including Cunnington – arrived. The body was removed to the pump room, and Smedley expressed a fear that the body was that of his “silly mate” Green, but Cunnington informed him that he had recently seen Green, alive and well, heading for his home.

The Police were fetched and immediate enquiries revealed that if the body was not that of John Green, it must be that of Betsy Brown. The  body was only recognized by keys found in the pocket of the what remained of the dress, and a ring of buffalo-horn worn by her. Remarkably, John Green turned up for work as usual that morning, and after a cap similar to the one he generally wore was found near the spot where Betsy Brown’s body body was discovered, he was arrested. Superintendent Smith later gave this account:

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I went into the pump-room shortly after seven o’clock on the morning of the 12th, the finding of tinder of burnt sacks, part of woman’s crinoline petticoat, from which I drew a piece of cane, and the state in which I found the window. About a quarter to eight I went with Mr. Whyle to the top floor, where Green was turning the kiln. Mr. Whyle told him to halt for a minute. Green looked towards us, and turned very pale and confused.

I said to him, “What time did you leave the malting last night ?’ and he replied ” Sir, sir, about half-past eight, sir.” I asked him what time he went home, and he replied, ” I went into the George and Star, and had a pint of beer with my mate, and was at home and in bed by eleven o’clock.“, I said, Did you see anything of Elizabeth Brown last night ?” and he paused, and said “I did see her in the George and Star tap-room, but never saw her afterwards.”

I took the prisoner into custody shortly before nine o’clock. He was then working a cistern below. I put my hand on his shoulder and said, “John Green, I apprehend you on suspicion of having caused the death of one Elizabeth Brown, found burning the kiln-house of this malting.” Prisoner shrunk down, and said ” Oh, pray don’t, pray don’t.” I assisted him over the wall, and took him to the police station. His whole frame trembled as he walked along. At that time I observed a piece of skin had been recently knocked off the ridge of his nose. Green said, “I did not know it was there.” There was also a small scratch on the bottom lip. I searched him, and from his trousers pocket took a canvas purse, now produced, which had then a very strong smell of burning.”

IN PART TWO
The full horror is revealed to the Coroner
A confession
An appointment with Mr Calcraft

HOT HOUSE . . . Between the covers

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Mari E is an LA private investigator,  distinctly low-rent to judge by her business premises, a converted container in a down-at-heel part of the city. Her premises neighbours are mostly scammers and grifters of one kind or another. She is a former government agent. She has been hired by an federal appellate judge to find out who is blackmailing him. Whoever it is wants her off the case and has been threatening her with anonymous notes. She is also certain she is being followed. For back-up she hires a partner, former LAPD detective, and now a PI himself, Derek Abernathy. He is very smart, though, and soon works out that Mari E leads a double life.

“So I have two jobs, what’s the big deal? A girl’s gotta make a living, right?”
“Jobs? More like lives,” he hissed back, pointing outside towards the parking lot.
“Mari E, as you call yourself, drives a fifteen year-old dented Honda and wears a weathered hoodie artificially inseminated with the smell of smoke and vanilla cologne. Mar-ISSA, on the other hand, drives a freaking Porsche and buys her eight-hundred-dollar Ferragamo shoes in Beverly Hills, which she wears to her Culver City art gallery!”

Hot+House+Final+CoverThat is just a quick sample of the whip-crack dialogue in the book, which fizzles and sparks like electricity across terminals. Very soon Mari and Derek realise that the blackmailed judge is also connected to the unsolved murder of a French duel-passport student, Sophie Michaud, and the fate of two women journalists who investigated the case, one of whom is dead and the other missing.

Mari has her own crusade, which is related to her being shot while on a case twelve months or so previously. Her father resolved to take his own revenge on the European crime boss responsible, but neither has been seen since. She realises that if she can discover who killed Sophie, the rest of house of cards will come tumbling down. Big problem, though. She discovers that Sophie was not just one person. Yes, physically she was one body, but psychologically two separate beings lived under that particular roof, and were even known by different names – Sophie and Sasha. One was a dreamy and talented creative artist, while the other was a calculating sexual schemer who used information about potential blackmail victims with the ruthless logic of a criminal Marie Kondo.

Good crime writers can be lyrical when they need to be, and if there were any doubt that LIsa Towles is a genuine California Girl, this passage dispels it.

“There were some places where the quality of the light is always good, and others where it’s never quite right. Too bright to see an incoming text, too dark to find your keys in the bottom of your bag. Besides California, I’d lived in three other states, and somehow the light in LA had a quality that didn’t exist anywhere else. Sometimes the sun was so high and bright, it bled out all detail leaving a luminous silvery cloak over the sand and surf. Then at dusk, that same beachfront hides in climbing shadows, with only small details visible beneath the streetlamps. It was the unsinkable promise of light and dark that anchored me to this place, this stretch of rugged coastline with its seagulls and secrets.”

LisaIn the end, the blackmailer of the judge is located, and the killer of Sophie/Sasha is brought to justice, but with literally the last sentence, Lisa Towles poses another puzzle which will presumably be addressed in the next book. Hot House is everything a California PI novel should be. It has pace, great dialogue, totally credible characters and a pass-the-parcel mystery where Lisa Towles (right) has great fun describing how Ellwyn and Abernathy peel back the layers to get to the truth. Sure, the pair might not yet stand shoulder to shoulder with Marlowe, Spade and Archer, or even more modern characters like Bosch and Cole, but they have arrived, and something tells me they are here to stay.

Hot House is published by Indies United Publishing House, LLC, and will be available in the UK as a Kindle, audiobook and hardback from 15th June. The paperback was published in March. For my reviews of three earlier novels by Lisa Towles, just click on the cover images

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