Brighton copper Roy Grace seems to have been with us for ever. Since Peter James introduced him in 2005 there have been sixteen episodes in the career of the resolutely honest and decent man who shares none of the character faults of some of his fictional contemporaries. Yes, there was the protracted mystery of his missing wife – now solved, thank goodness – but Grace has few demons; certainly none that involve drink, drugs, dodgy tastes in music or sexual fallibility. Neither is Roy Grace, perceptive and intuitive though he may, cursed with second sight or prone to supernatural whimsies.
So what keeps him as a permanent resident in the crime fiction best-seller charts? It hasn’t hurt that Peter James has pretty much patented the use of that potent four-letter word DEAD in his titles. Simple, Looking Good, Not … Yet, At First Sight are just a few of the the inventive titles James has used. I’ll answer my own question with a simple reply. Peter James is a bloody good writer. End of.
Strangely though, Find Them Dead sees Roy Grace rather in the background. He binds the narrative together by his presence, of course he does, but he mostly takes a back seat in this tale of drug dealers, bent lawyers and jury-nobbling. He has returned to Sussex after a spell working with the Metropolitan Police in London. The sheer depth and depravity of London’s crime has been an eye-opener, but the south coast is not without its villains.
A Brighton solicitor called Terence Gready – what a wonderful Dickensian name – has been arrested on suspicion of being near the top of a multi-million pound drug ring. His favourite modus operandi has been importing the pharmaceuticals packed into bodywork cavities of fake classic cars. His main man on the ground has also been arrested and Gready is in grave danger of spending the rest of his life in jail.
The spine of Find Them Dead concerns the ordeal of Meg Magellan, a middle-aged widow who has been summoned for jury service in the trial of Terence Gready. The bent solicitor is not quite at the apex of his organisation; his bosses believe that his downfall would also implicate them,and so they they target the jury – Meg in particular – in whose hands Gready’s fate lies.
Meg’s daughter is on a gap-year jaunt to Ecuador, and it is by threatening her that the bad guys hope to persuade Meg to emulate Henry Fonda’s Davis in the 1957 classic Twelve Angry Men. If Meg can persuade her fellow jurors that Gready is innocent, then all will be well. If she fails, then Laura will never leave Ecuador alive.
James ratchets up the tension with the true zeal of a torturer. As Grace – and his long term offsiders Norman Potting and Glenn Branson try to get to the bottom of who knows what in the case, we tread a tightrope of anxiety where it is never clear what the next step will bring.
Find Them Dead is published by Macmillan and is out now.