Sometimes, in the world of popular music, there are people of genius who make a huge contribution to a particular sound or style, but stay out of the limelight. One such was the great guitarist Steve Cropper, whose riffs and sound made the recordings of so many Stax artists come to life. He did, at least, get a part in The Blue Brothers (playing himself) but how many can put their hand up and say they have heard of Martin Quittenton?
Think of that glorious series of hits that Rod Stewart had – Maggie May, You Wear It Well, Farewell – and you are hearing Martin Quittenton. That mix of twelve-string guitar, violin and mandolin was of his creation. Stewart wanted him to join The Faces, but their back-stage antics held no joy for Quittenton, and he eventually faded from the scene and lived as a recluse on Anglesey. Of the thousands of radio plays Maggie May gets every year, I’ll wager that not one in a hundred features the original introduction – an Elizabethan style guitar piece, played by MQ and named, for some reason, Henry. Here’s the original, and then below that is my notation.It’s not identical to Quittenton’s but, as they used to say, it’s close enough for jazz.
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