fullybooked2017

THE ST MICHAEL’S ROAD MURDER . . . The madness of a daughter (part 1)

Gladys Wright was born in Louth in 1894. Her father, Edward Wright was a schoolmaster, and the census of 1911 has the family living at Egmont – No. 4 South Street, Louth. Edward Wright went on to become Headmaster of St Michael’s School, where his wife Alice also taught.

In December1916, Gladys married a young man named Victor King, in Richmond, Surrey. Their marriage was to be short lived, however. Victor was Second Lieutenant in The Machine Gun Corps, and on 29th September, he was killed during the Third Battle of Ypres, better known perhaps as the Battle of Paschendaele. His name is one of 34,000 others inscribed on the Tyne Cot Memorial to the Missing, which indicates that if he was given a battlefield burial, his grave was later lost. A grimmer option is that his body was simply destroyed by shellfire.

Like so many other young widows, Gladys had the rest of her life to live, and at some point between the end of the Great War and the beginning of World War Two, she met and married a man called von Hirschberg. It seems that they tried to begin a new life in what was then Rhodesia, where the von Hirschberg family had lived for decades. Whatever happened to the marriage was never recorded publicly, but by World War Two, Gladys was back in England and serving in the Auxiliary Territorial Service – the ATS – a volunteer unit for women. After the war, the ATS became the WRAC, but Gladys chose not to continue with service life and, after another brief spell in Rhodesia, returned to Louth to live with her widowed mother Alice in her house in St Michael’s Road.

Gladys, now in her 50s, was a keen amateur actress and a member of the Louth Playgoers group. The only surviving photograph of her dates from 1949, when she played the role of Mrs Winslow in Terence Rattigan’s 1946 play, The Winslow Boy. One of the strange ironies of this story is that the gentleman playing Mr Winslow in the play was George Todd. When he wasn’t learning his lines, Todd was better known as Superintendent Todd of Louth police. He and his co-star were to meet again a year later in rather different circumstances.

Part two of this story will go live at 6.00pm on Sunday 21st February

February 20, 2021 0

WHAT WILL BURN . . . Between the covers

As the title suggests, What Will Burn is all about fire. It begins with an old woman, badly beaten and then set alight. There are passages which hark back to the late sixteenth century, and describe the dreadful end of women who were accused of witchcraft and burnt at the stake. A man apparently spontaneously combusts as he sits in his basement flat. It ends with a grim parallel to those scenes when one of the book’s main characters, suffers a similar fate in a grim parody of those historical executions.

So, what has all this to do with James Oswald’s Edinburgh copper, Detective Chief Inspector Tony McLean? Or, to be more accurate, Detective Inspector McLean, as he returns to duty busted down a rank after a lengthy investigation into misconduct.

His ‘welcome back Tony” case is that of the agonising death of Cecily Slater, an elderly member of an aristocratic family, who has lived alone in a crumbling cottage in the woods above Edinburgh. Her charred remains have gone unnoticed for some time, until an estate worker who runs the odd errand for the old woman makes a grisly discovery.

McLean also becomes involved with a controversial campaign called Dad’s Army. They are not the avuncular dodderers from Walmington-on-Sea, but a group of embittered men who, for one reason or another, have been denied access to their children. They are led – and empowered – by a lawyer called Tommy Fielding, a man who who has a seemingly pathological hatred of women, and is undeterred by the fact that many of his clients have been separated from their children due to allegations of serious sexual abuse.

All good police procedural series need a repertory company of regular characters, and the Tony McLean books are no exception. There’s Grumpy Bob, guardian of the cold case records down in the basement, Detective Constable Janie Harrison – now Acting Detective Sergeant Harrison, the lugubrious Detective Constable ‘Lofty’ Blane. McLean himself is a fascinating character. Thanks to a legacy, he has the luxury of being financially independent of his job, but loves the work. He also has the mixed blessing of being someone who is sensitive to things paranormal, and beyond the ken of the Police Scotland operational handbook. Away from the station, there is the strange character of Madame Rose, a transexual psychic who can always be relied upon to provide a sense of things “not dreamt of in our philosophy”.Last but not least, there is Mrs McCutcheon’s cat. We never see the owner, but the moggie is a permanent resident in McLean’s house.

There is a new member of the cast in this novel, in the person of Chief Superintendent Gail Elmwood, freshly signed from the Metropolitan Police to head up Tony’s team. Let’s just say that she is not your conventional senior police officer.

As the reviewers’ cliché has it, the body count gets higher. Readers expecting a conventional solution to the criminal activity in What Will Burn will search in vain. James Oswald takes this book to a new level of dark imaginings, intrigue, human venality and sinister happenings which, if they don’t scare you, it perhaps means that you are in a persistent vegetative state. What Will Burn is published by Wildfire, and is out today, 18th February.

I am a confirmed and long-standing fan of the Tony McLean series. To read reviews of earlier novels, click here.

February 17, 2021 0

THE SANATORIUM . . . Between the covers

Elin Warner is an English police officer. We meet her and boyfriend Will as they ride in an over-crowded car on a funicular railway. They are travelling to Le Sommet, a luxury hotel high in the Swiss Alps, where Erin’s brother Isaac and his girlfriend Laure are about to celebrate their engagement. We soon learn a few background details. Elin has been on sick leave for many months, after a serious incident. Her mother has just died of cancer, and she and Isaac have been estranged for many years.

Le Sommet has a distinctive history, as it is a former sanatorium, where tuberculosis victims were sent in pre-vaccine days in the hope that the clean mountain air would ease their suffering. Its transformation into a five star holiday destination was masterminded by a prestigious firm of Swiss architects, one of whom mysteriously disappeared at the site in the early days of the project. No trace of him has ever been found.

Pretty much as soon as Elin and Will arrive, a fierce snow storm cuts off Le Sommet from the rest of the world, and they wake after their first night in the hotel to the news that Laure has disappeared.

After a few chapters, I pictured Le Sommet as a rather diabolical cross between The Overlook Hotel where Jack and Wendy Torrance spent such an eventful winter (“Here comes Johnny….!“) and the Hotel California (“You can check out any time you like, but you can never leave…“)

Unlike the residents of the hotel, we know that there is someone out there, a killer who has an agenda. Revenge, maybe? Or perhaps a psycho with neither rhyme nor reason, other than their insanity?

There is another undertow tugging at us as we move through the chapters, and it is Elin’s suspicion that Isaac had something to do with the death of her younger brother Sam years earlier. The tragedy was deemed to be accidental, but what if the unthinkable had happened, and it was a case of fraternal jealousy taken a step too far?

When the body count starts to rise, Elin’s professional training kicks in and, after phoning the local police for permission, she takes charge of the investigation. With no access to forensic support or police databases, she has to make do with what she has – basically her own instincts as a copper. She suspects that whatever is motivating the killer lies in the history of the hotel. Sarah Pearse (right) exploits the conventions of the locked-down/cut-off-from-the-outside-world thriller for all she is worth, and we have hidden passage ways, disused tunnels, murderers in sinister masks, and the general sense that most of the key figures in the plot are hiding secrets of one sort or another.

This is a convincing debut novel, and the author doesn’t give us a moment’s downtime in terms of tension. If there is such a thing as Anxiety Porn, then The Sanatorium is a fine example of the genre. Sarah Pearse also leaves us with an Epilogue which takes one of the assumptions made by Elin – and us readers – and turns it on its head.

The novel came out as a Kindle on 4th February (Transworld Digital) and will be available as a Bantam Press hardback from 18th February. You can find out more about the author by clicking this link.

February 13, 2021 0

SERPENTINE . . . Between the covers

No-one could ever accuse Jonathan Kellerman of not being industrious. It seems like only the other day that I reviewed The Museum of Desire (it was 9th November last year, in fact), but now Dr Alex Delaware and Milo Sturgis are back again in the hills and canyons of LA, solving another mystery. A quick bio. for readers new to the series. Delaware is a practicing child psychologist who often (this is the 36th book in the series) helps LAPD detective Milo Sturgis with cases. Delware lives with a woman who repairs stringed instruments, while Sturgis has a partner, and has come through the dark years when being gay was something of a no-no in police ranks. The plot is as wonderfully convoluted and labyrinthine as ever. So (takes a deep breath), here goes.

Sturgis has reluctantly taken on the coldest of cold cases. His orders have come down from some very well-connected people in the political and civic life of LA, and so he has been pulled off all other work. The mystery? What is the truth behind the death of a woman decades earlier, found in the wreckage of her burnt out Cadillac at the bottom of a canyon bordering Mulholland Drive? Careless driving? Might have been, were it not for the fact that she had also been shot in the head.

The woman pulling the strings is Ellie Barker, a millionaire former businesswoman, and daughter of Dorothy Swoboda the lady in the canyon. She was only three at the time, has no recollection of her mother, and never knew her natural father, having been brought up by her stepfather, Stanley Barker.

Anton Des Barres was a wealthy industrialist who made his money manufacturing high quality surgical equipment. After his second wife died, he became something of a womaniser, inviting young women back to his mansion where he and his children still lived. Delaware and Sturgis learn that Dorothy was one of Des Barres’s ‘harem’. They also discover a strange coincidence. Arlette Des Barres, the man’s second wife died after a fall from her horse in the rugged country near where Dorothy died. Stanley Barker was found dead, possibly as a result of a fall, in the same area.

Historic deaths are one thing, but when Ellie Barker’s boyfriend is shot, Delaware and Sturgis are faced with the uncomfortable thought that whatever the truth behind Dorothy’s murder, it is far from being dead and buried. It is alive and well, and extremely dangerous.

The title of the book refers to a piece of jewellery, which Delaware and Sturgis eventually discover is deeply significant. Actually, the pair make many assumptions about the case, and most of them prove to be wrong, which only adds to the credibility as investigators. They are not super-sleuths; they are mortal, fallible – and consequently completely convincing. It is only in the final pages that they – and we – learn the truth about the life and death of the woman who called herself Dorothy Swoboda, and it is dark stuff indeed.

Cynics might turn up their noses at this book and dismiss it as “formula fiction”. Fair enough, and, as the saying goes, “opinions are like (insert anatomical detail) – everyone has one”. What such critics find hard to cope with, I suggest, is that writers like Kellerman are rather like alchemists, in that they take base metal – cops, bad guys, slick dialogue, zooming around in cars, and turn it into gold – conviction, reading pleasure, empathy with the characters and a sense of “can’t wait for the next novel“. That is pretty impressive, at least in my book.

Serpentine is published by Century, and is out now.

February 8, 2021 1

THE POSTMAN DELIVERS . . . Katz, Perks & Spain

I haven’t done a ‘Postman Delivers’ feature for ages, mainly because during our annus horibilis of 2020, books have come in dribs and drabs. Maybe today’s “thump, thump, thump” of books hitting the doormat are a sign of better things to come, in all sorts of ways. Let’s hope so.

A GOOD MAN by Ani Katz

Fans of dark domestic drama should love this. The ‘good man’ in question is Thomas Martin. He was the perfect family man, husband, father son and brother. He had a dream job and a lovely home. But when disaster strikes, and dreadful suffering is inflicted on those he loves, he is forced to conduct the most forensic examination of his own personality, motivation and actions. Ani Katz is a writer, photographer and teacher. She was born and raised on the south shore of Long Island, and holds a MFA in photography from Columbia College, Chicago, and a BA from Yale. She lives in Brooklyn. A Good Man is published by Windmill/Penguin Random House. It came out in hardback in January last year and the paperback will be out on 11th February.

THE WHISPERS by Heidi Perks

I reviewed – and loved – an earlier Heidi Perks novel back in 2019, when Come Back For Me was published. Her latest novel tells the story of Anna Robinson, a woman with the perfect family, and everything in the world going for her. One night she goes out to have some fun with four old friends. And never returns. Why would she do this? What has happened to her? Are the rumours at school gates true?

Heidi Perks lives by the sea in Bournemouth with her husband and two children.She graduated from Bournemouth University with a BA (Hons) in Retail Management, and then enjoyed a career in Marketing before leaving in 2012 to focus on both bringing up her family and writing. The Whispers is published by Cornerstone Digital/Century and will be available from 18th March as a KIndle, and 15th April in paperback and hardback.

THE PERFECT LIE by Jo Spain

Jo Spain is, in my opinion, one of the most gifted writers we have. She is based in Dublin, and not content with creating a hugely popular police procedural series featuring Detective Tom Reynolds, she writes scripts and screenplays for television and cinema, and also managed to write superb standalone thrillers. The Perfect Lie belongs to the latter category, but moves the action from Ireland to America’s east coast. Erin Kennedy lives in Newport, Long Island with her detective husband Danny. Her idyllic life turns into a nightmare when he jumps to his death from their fourth-floor apartment.

In the traumatic months that follow his death, Erin learns that Danny was not the ‘regular guy’ everyone thought he was. If those revelations weren’t bad enough, she is then arrested and charged with his murder. Her previous life has morphed into something spectacularly dreadful – The Perfect Lie. Click this link to learn more about Jo Spain and her books.The Perfect Lie is published by Quercus and will be available in all formats from 13th May.

February 6, 2021 0

THE NIGHT HAWKS . . . Between the covers

Elly Griffiths, (left) whose real name is Domenica de Rosa, has created an endearing heroine in the person of Ruth Galloway, an English archaeologist who, over the course of a dozen novels, has managed to find herself at the centre of murder mysteries where the corpses are considerably more recent than the ones she normally excavates. She is a senior lecturer at the fictional University of North Norfolk, and the novels are set in and around the north and west of Norfolk. Griffiths uses real locations like King’s Lynn, Blakeney and Sheringham, and has also constructed a reliably entertaining cast of supporting players, principally Ruth’s once-upon-a-time lover, a refreshingly old fashioned married police detective called Harry Nelson. They have a child, Kate, who lives with Ruth, while Harry remains more-or-less happily married to Michelle, with whom he also has children.

In the thirteenth book in the series, The Night Hawks, we have the characters who long time readers of the series will recognise, including the middle aged druid who calls himself Cathbad. His real name is Michael Malone, but he can usually be relied upon to bring to bring a touch of the supernatural – imagined or otherwise – to the proceedings. The Night Hawks in this tale aren’t remotely sinister, despite their name. They are group of men whose hobby is traversing the ancient Norfolk landscape with their metal detectors, searching for buried artifacts. They operate at night, because it is quieter and they are less likely to be disturbed.

They get the story started with a classic Elly Griffiths trope – the finding of a Bronze Age hoard, including an ancient skeleton, alongside a body that is much more recently deceased. While the older gentleman can wait his turn to be studied and catalogued, the young man’s body is whisked off to King’s Lynn for the attention of the police pathologist.

Shortly after the grim discovery, the police are called to a remote farmhouse a few miles inland, where there are reports of gunshots being heard. This time, there is no doubt about the identity or the cause of death of two dead people found inside Black Dog Farmhouse. Dr Douglas Noakes and his wife Linda are dead from gunshot wounds, and it appears to be a clear case of murder-suicide. This clear cut diagnosis becomes rather more tenuous when questions are raised about firearms technicalities, despite an apparent suicide note being found.

The plot becomes pleasantly complicated from this point on. The late Dr and Mrs Noakes had two children, from whom they had become estranged, but was the separation bitter enough to provoke murder? Noakes was not a GP, but a research scientist, and it seems that he had been working with a Cambridge lab developing vaccines. Was this why one of the rooms at Black Dog Farmhouse was kitted out like a doctor’s surgery, complete with bed? The dead young man – the twentieth century one – is eventually identified as Jem Taylor, a 25 year-old from Cromer, who had only recently been released from prison.

There is another murder. This time the victim is a member of The Night Hawks, a retired teacher with connections to several of the people in the story. He has been battered over the head with a lump of rock, and his death further complicates matters.

Elly Griffiths has great fun by introducing some ‘spookery’ by way of a local legend – that of Black Shuck. Tales of a ghostly hellhound are spread far and wide through English folklore, and this Norfolk version is equally menacing. Like all literary amateur sleuths, Ruth Galloway’s involvement with active police investigations is pretty implausible, but delightfully so. The odd relationship between Ruth, Harry Nelson and his wife makes for an intriguing read, and added to the impeccably researched location details, The Night Hawks provides a thoroughly enjoyable and gripping few hours of entertainment. The book is published by Quercus and will be out on 4th February.

February 3, 2021 1

END OF THE LINE . . . Between the covers

This is the fourth in Robert Scragg’s popular police procedural series featuring London DI Jake Porter and his trusty Sergeant, Nick Styles. The story so far: Porter still grieves for his wife Holly, killed in a hit-and-run incident a few years earlier. The driver remains unidentified, and it preys upon Porter’s mind. He has cautiously begun a new relationship with fellow cop Evie Simmons. Styles is married, with a young child, and is intensely loyal to his boss.

The book starts in gory style. Ross Henderson, a young left wing activist, has a YouTube channel on which he posts regular videos denouncing his bête noire, a movement called the English Welfare Party. The EWP are right wing Nationalists vehemently opposed to immigration. As Henderson is setting up his latest live video stream from an abandoned magistrates’ court, proceedings are interrupted by a group who appear to be Islamic extremists. Live and on screen, the young man is killed using the jihadists’ favourite method – decapitation. By the time the police arrive,the killers are long gone, but the shocking video has been seen by millions on social media.

At the same time that Porter and Styles are assigned to the case, Porter hears that there is something of a breakthrough in his personal hunt for the person who killed his wife. Fingerprints from the abandoned vehicle that did the damage have finally been matched to that of a minor criminal, Henry Kaumu. All good then, except that Kaumu is lying in an intensive care unit, comatose and swathed in bandages after being battered around the head with a baseball bat, wielded by an angry homeowner whose house Kaumu was trying to burgle. Porter learns that Kaumu is an employee of Jackson Tyler, a notorious London gangster. Because the case is so personal, Porter is forbidden to take any part in it and so he goes ‘rogue’ to try to find the identity of the person who was driving the fatal car. His clashes with Tyler are painful and unproductive, until he receives information from an unlikely source.

Porter’s four year search for the person who killed his wife finally ends in a violent encounter on a suburban industrial site, and the hunt for Ross Henderson’s killer takes one or two wrong turns, but eventually Porter gets his man. Or does he? There is a clever twist at the end which I didn’t see coming. Robert Scragg clearly has a strong political stance, but that’s fine – it’s his book, and readers can take it or leave it.

I have to be honest and say that I smelled a rat from the word go. Why would Islamists murder a left wing activist who would have held all the ‘correct’ views on such topics as immigration, Palestine and cultural diversity? It takes Porter & Co. rather a long time to realise they are being played, but maybe that’s just me being a curmudgeon. That caveat aside, this is a thoroughly entertaining police procedural from the author (right) with all boxes ticked, including coppers with difficult personal lives, senior officers welded to their desks, genuinely nasty villains, and authentic locations. The room containing fictional Detective Inspectors is a crowded one, but Jake Porter’s elbows are sharp enough to make sure he has room to move.

End of The Line is published by Allison & Busby, and is out now. To find reviews of the three earlier books in the series, click on the image below.

February 2, 2021 0

THE BURNING GIRLS . . . Between the covers

CJ Tudor gets the ball rolling by inventing a rather sinister legend and an equally disturbing little community in Sussex. Enter, stage left, a priest called Jack (short for Jacqueline) Brooks and her teenage daughter Flo. Jack’s previous ministry was in a run-down but vibrant parish in Nottingham, but after she became involved in one of those tragic social services failures – think Victoria Climbie, Baby P, Lauren Wright – her oleaginous Bishop, more concerned about PR than prayer, moves her down to Sussex.

We also learn fairly early on that Jack has another skeleton in her closet, but more of that – or, more accurately, him – later. Jack’s first encounter with Chapel Croft residents is the appearance of a barefooted bloodstained child wandering towards her outside the little chapel which gives the village its name. This startling apparition, however, is not from hell, but from a nearby farm where the girl came rather too close to a pig being butchered in the farm’s abattoir.

Jack’s sense of unease about the community increases as the pages turn. In no particular order, we have a former vicar who committed suicide, two teenage girls who disappeared from the village a few years earlier, a cadaverous and saturnine churchwarden. daughter Flo’s involvement with a strange young man called Wrigley who once tried to burn down his school and who suffers from a nervous condition which makes him twitch uncontrollably. Oh yes – there is also something rather nasty buried beneath the floor of the chapel.

As Jack tries desperately to do her job as a minister, she becomes tangled up in a sticky web which involves previous incumbents and how (and why) they died. The more she struggles, the closer the rather unpleasant spider that created the web comes; what we don’t know, however, is the name of the spider.

One of CJ Tudor’s many talents is to lead her readers up the garden path in terms of what we think is happening. I certainly thought I knew what was what, but rather like Prospero, Tudor has the gift of sorcery, and uses it to telling effect, turning Chapel Croft into an enchanted island which is certainly “full of noises”, not all of them being pleasant. Like all good writers, she saves the biggest surprise until the final pages.

One of my early reactions while reading this was to think that we have already had a female vicar and her teenage daughter interacting with things supernatural in Phil Rickman’s Merrily Watkins series, but by the time you have reached the last page of The Burning Girls, you will be aware that we are talking about two very different beasts. This novel is suitably creepy, will appeal to crime fiction fans and horror devotees alike, and in Jack Brooks, CJ Tudor (right) presents us with a plausible and very human central character. One of the best things about the book is that the legend of the stick figures and the dark history of Chapel Croft makes one want to put it on the list of places to visit once the wretched virus recedes. Sadly, however, Chapel Croft, its haunted little church and disturbing villagers are, to return to Prospero:

“..all spirits and are melted into air, into thin air.”

The Burning Girls is published by Michael Joseph and is out now.

January 31, 2021 0

THE MURDER OF MINNIE MORRIS . . . The Walsoken Outrage (Part three)

THE MORTAL REMAINS OF MINNIE MORRIS were laid to rest in Walsoken Cemetery on the afternoon of Friday 19th July 1912. The newspapers reported:

The officiating clergyman was the Rev. G. A. A. Finch, of Loughborough, who is in charge of the parish whilst the Rector (the Rev. J. Young) is on his holidays. The first part of the service was conducted in the church. The funeral was largely attended, it being estimated that there were quite 300 fruit pickers -from all parts of the district present.

The scene was a very impressive one, for many of the pickers, who are generally so light-hearted, were greatly touched by the solemn ceremony, and numerous were those who were moved to tears as the coffin was lowered into the grave. The chief mourner was the mother of the girl and for her much sympathy had been shown in the parish, a collection on her behalf amounting to £1. The girl’s sweetheart, a London bricklayer, came down to see her body, but was unable to wait for the funeral. There were nearly a dozen floral tributes, one from the mother, and the others, from pickers. Most of the wreaths were made by a Mrs. Love, wife of the copperman at Mr. J. S. Batterham’s farm, where the girl had been working.

On the spot where the body of Morris was found, a cross has been cut in the turf and flowers have been laid on the cross. On Sunday hundred, of people visited Burrett Road to see the spot. The charge of murdering Morris which has been preferred against Robert Galloway. – of No. I Angola Mews, Babington-road, North Kensington, to be investigated at a special sitting of the Marshland Magistrates at Wisbech today (Friday).

The inquest on the body of Morris was conducted at the Bell Inn, Old Walsoken, on Wednesday 24th July. Presiding was the District Coroner (Mr. R. A. Wilkins). Supt. Powles represented the police. The morning was to be dramatic. The victim’s mother. Mrs. Springfield, was the first witness to be recalled, and when she entered the room she looked at Galloway, gasped for breath, and then crying said between her sobs:
“That is the villain.” Stating that her husband was outside ill. she signed the deposition. As she was rising from her seat she said:
“My sister said she would look after her; What this man wanted to kill my daughter for. I don’t know. She never did anyone any harm. He got into the company of the girl, and I quite understand he got jealous. Oh God love her.”
The Coroner: “Do not get excited.”
Mrs. Springfield: “It is cruel. Look at the man. (Then to Galloway): Look at me – look at her mother. (Lifting her hands as a warder stood in front of her, and between her and Galloway): I would if I dare. You scamp, you dirty dog, you villain.”

The witness, who was crying as she was speaking, then left the room. It transpired that the man who cut the cross on the spot where the body was found, and filled the cross with flowers, was James Long, an employee of Mr. Blunt. The Coroner said it was a very nice idea. and quite refreshing after the brutal things they had been listening to.

The grim wheels of the legal process ground ever onwards. The next stage in the process was the police court in Wisbech on 1st August. The findings were never in doubt, but Galloway’s behaviour remained bizarre. He had now decided to opt for an insanity plea.

Galloway remained under lock and key for the next three months, but in October he had to face the finality of justice. At the Norwich Assizes in October his belated attempt to plead insanity cut no ice with either the jury or Mr Justice Darling (right). He was sentenced to death and on the morning of Tuesday 5th November he had no option but to keep his appointment with Thomas Pierrepoint and his assistant George Brown. Newspaper reports said:

“He walked firmly to the scaffold, and death was instantaneous.”

Prior to 1887, Norwich prison – and its gallows had been within the walls of the castle, but Galloway’s last days would have been spent in the institution on Knox Road, and his remains presumably lie therein.

Minnie Morris’s body lies in a quiet corner of Walsoken cemetery, forgotten, unmarked and unvisited. Her family were poor, and unable to afford a headstone. Thanks to the efficiency of the District Council we know her last resting place, and I was able to put some flowers on the spot. If you click on the media player at the bottom of this feature, you will hear a lovely old hymn, written by Ira D. Sankey, which reminds us of our mortality.