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May 2026

A RIVER RED WITH BLOOD . . . Between the covers

This is the twenty-third in a series that began in 1999, with Every Dead Thing and here, our man investigates the apparent drowning of a troubled teenager, Scott Thierault, who had absconded from an institution set up to provide ‘hard love’. His father, a career criminal serving a jail term, hires Parker out of a mix of deep parental guilt, and a sense that something is ‘just not right’. In an apparently unconnected thread we meet three men who call themselves ‘The Game’. They were once a quartet, but that is another story. Kenney, Teal and The Saint are sexually sadistic serial killers. They target prostitutes, vulnerable addicts and other women who are on ‘the wrong side of society’. Their kills are planned with military precision, forensic awareness, and scrupulous attention to local CCTV capability.

We don’t have to wait long before learning the link between the players of The Game and Parker’s new case. When he does his preliminary research into the death of Scott Theriault Parker discovers that another Maine teenager, Mallory Norton, went missing at about the same time.


Meanwhile, in a Detroit bar, Teal and Kenney are wondering if their partner The Saint has gone rogue, and may be responsible for whatever has happened to Mallory Norton. We learn about The Spero, the institution from which Scott Theriault absconded. The building itself seems to be cursed. It had been built by the Cistercians in the 1950s, but by the 1990s they had given up on the insect ridden summers and bitter winters, and moved out. It became a National Guard training HQ but, likewise, those tough guys couldn’t hack it. The present owners bought it for a song, and it must be said that Spero School LLC are categorically not a ‘not for profit’ educational provider.


We are less than halfway through the book when we learn two things; the identity of The Saint, and what happened to Scott Theriault. Also, a spiritualist medium called Sabine Drew is at work in the county, attempting to ‘get a sense’ of what happened to Scott and Mallory. Unfortunately for Kenney and Teal, their last victim, a woman they took to be a prostitute, was something else altogether, and now they have some very dangerous people, with limitless resources, on their track.

Parker’s connection to the world of the supernatural is, of course central to the series, and you either get it or you don’t. Way back in the day, Parker’s wife and daughter were brutally murdered, and now Jennifer, his daughter, occasionally appears to him as some kind of dark angel, not malevolent, but often the harbinger of bad things which are about to happen to her father.


The best thing about the Charlie Parker novels is the peerless prose, sometimes poetic, often violent, but always – always – beautifully addictive. A close second, though, comes the reliable repertory company of subsidiary characters. There’s Moxie Costin, Parker’s lawyer: sharp as a tack, as slick as oil, but actually a deeply moral man. As for the Fulci brothers, Tony and Paulie, they are barrel-shaped human wrecking balls: men who are easy with violence but, once again, with a strange ethical perspective. Then we come to Parker’s longstanding confreres, Louis and his life partner Angel. Louis is, again, a man of violence, his nature tempered by his memories of racial intolerance in The South: Angel; scruffy, Latino, but with an intense intelligence nurtured in a criminal past. Readers, we are in impressive company.


There are two endings to the story, neither of which contradicts the other; the first is purely human and criminal, while the second definitely belongs in another world altogether. A River Red With Blood will be published by Hodder and Stoughton on 7th May. Reviews of earlier novels in the series can be found here.

WITCH HUNT . . . Between the covers

Detective Superintendent Grace O’Malley, of London’s Met Police, is not going to feature in a Sunday evening TV prime time cosy crime series any time soon. She rides a Harley, is rude and abrasive and, for good measure, her husband has a penchant for BDSM sex with students looking to supplement their income. In another part of the city (it is Halloween) we have Juliette Boucher, a TV journalist. She receives a bizarre phone call from a man who calls himself the Witchfinder General. He tells her to be on Westminster bridge just before midnight, where she will witness something beyond newsworthy.

And spectacular it is. And gory. A motor launch comes into view, and it is on fire. On it is standing a woman. She burns, too. Then, there is a series of explosions, and the boat sinks. Here’s the thing. It was the so-called Witchfinder General who phoned Grace to tip her off about her husband’s sexual proclivities. When the police try to trace the owner of the boat, they find that it was sold by a retired civil servant to a man called – wait for it – Matthew Hopkins.


For younger readers, the real Matthew Hopkins was a Protestant zealot who, around the time of the English Civil War, toured the eastern counties of the country – Essex, Suffolk, Norfolk, Cambridgeshire and Huntingdonshire – in search of those he called witches. It is estimated that he had over two hundred women – mostly guilty of nothing more than being herbalists or natural healers – violently put to death.
The man who has named himself after this monster is clearly very clever, has sources inside the police force, and is hell-bent on recreating a reign of terror. His first victim, the woman in the boat? Veronica Crosse, a TV medium and celebrity speaker.


The authors have added another (potentially corrosive) spice to their recipe, and one that is not directly connected to the man who has modeled himself on a 17th century serial killer. Grace’s husband Dominic is himself a copper, but not just any old plod. He is Assistant Commissioner Dominic Boswell, of New Scotland Yard.

We are introduced to a bizarre clergyman named Moses Blackmore, who is the incumbent of a tiny parish near Yeovil. He wears a long black coat, a string tie and has a long silver beard. His human flock (he is also a farmer) are less of a congregation than a cult, and are in thrall to Blackmore’s fire and brimstone brand of protestant fundamentalism. While the police procedural aspect of the book had, this far, been impeccably convincing, I realised that there would be a horror-fantasy element to the narrative, too. That is not a problem. I am a huge fan of John Connolly’s Charlie Parker novels, in which he effortlessly blends the PI genre with the supernatural. It’s just that these days, the Church of England simply does not allow an old fashioned vicar to run a single parish. In real life, Moses Blackmore would be in charge of at least four or five other nearby parishes. And, most likely, he would be a woman.

A little over a third of the way through, there is a dramatic raid and arrest in an upmarket London hotel but, of course, it’s the wrong man, and yet another example of the WFG playing the police like a Stradivarius. There is a second murder, this time of another elderly woman spiritualist, hanged from a church tower and then burned. The WFG (and his associates) cause the filmed scene to be played out on a big screen at a huge public gathering in London on Bonfire Night.

Grace eventually cracks the case (or so she thinks) and finds that the perpetrators are connected to some of the most powerful and influential people in government and public service. There is the mother of all twists in the final pages, but I don’t do spoilers, so you will have to find out for yourself. Witch Hunt is an imaginative and energetic canter through the fields of corruption, revenge, and madness, and it will be published by Severn House on 5th May.

MAXWELL’S ENIGMA . . Between the covers

Meiron Trow (left) and I attended the same school in Warwick, but he was a few years behind me, so it would be a lie to say we were school chums. We both went on to spend our working lives as teachers, and I share his endless cynicism about school leadership – and his boundless optimism about the decency of most of the youngsters who we taught.

Peter Maxwell, a history teacher on the south coast of England, is something of a Trow self portrait. The series began in 1994 with Maxwell’s House and now, ‘Mad’ Max returns. I am not a huge fan of modern so-called ‘cosy’ crime. Murder is abhorrent and a blight on society. Surrounding it with the cotton wool of village gossips, eccentric squires, glowing Cotswold limestone villages and inquisitive old ladies might have worked in the 1930s but for me, at least, it doesn’t work now.

What lifts the Mad Max novels is Trow’s deep sense of actual English history – and the humour. His pushbike is nicknamed White Surrey after Richard III’s charger; his son is Nolan, named after the ill-fated officer at The Charge of The Light Brigade. And then we have the throwaway cultural references. Admittedly, these will only work with readers of a certain age, but references to John Carpenter’s ‘The Fog’, Are You Being Served? and lines from ‘Sylvia’s Mother’ did make me smile.

After giving what he thought was an uncontroversial talk to a local history group, Maxwell is told that he has been reported to the local police and accused of a hate crime. New readers will soon be aware that Maxwell’s wife is a police officer. His first wife died in a car accident and he has married Jacquie relatively late in (his) life.

The hate crime accusations seems just the work of a crank, but then there is an explosion in a house in town, and a body is found in the wreckage. The connection? The destroyed house was No. 38 – the same as Maxwell’s home in another part of town. Thanks to that bosom friend of both police officers and crime novelists, deoxyribonucleic acid, the charred corpse from No. 38 gets a name or, to be more accurate, several names. David Vaughan, Drake Parker, Donald Parker, Drake Parkour, take your pick, was, as they say, known to the police. He was also known to a young woman called Meriel, the teaching assistant in the Science Department at Maxwell’s school. They had been together in the audience at Maxwell’s history talk.

Maxwell’s Enigma is witty, deftly written and thoroughly English. It is published by Joffe Books and is available now.

DEADLY FORCE . . . Between the covers

Being ‘late to the party’ in terms of long running crime fiction series is an occupational hazard for amateur reviewers. Yes, we try to cover the ‘big ones’ by such authors as Val McDermid (Tony Hill/Karen Pirie) Peter James (Roy Grace), Mark Billingham (Tom Thorne), John Connolly (Charlie Parker) or David Mark (Aector McAvoy) but there are only so many hours in the day, and sometimes we miss things. The Bill Slider books by Cynthia Harrod-Eagles are, judging by this book, one such, and a series that I regret not discovering years ago.
If I may, I will write briefly about the economics of publishing, as it is relevant here. Some crime writers are, relatively speaking, household names, and their books are found on the shelves of TESCO and ASDA. This will be a little while after launch date, and the price will be less than the Amazon tab. In another universe altogether, let us look at libraries. Usually run by County Councils outside of the big cities, these amazing institutions loan books, free of charge to members. Although we are talking pennies, authors receive royalties when their books are borrowed. Severn House is a publisher that specialises in crime books to be sold to libraries. Their Amazon prices reflect this. After all, who would pay £21.98 for Deadly Force, as good as it is? The answer is – buyers for libraries. I am not sure if that is what they actually pay, but that is what Amazon tells us. Of course your ‘free’ library book has already been paid for – by you – through your council tax. Nowadays, local libraries have had to become more ‘inclusive’ by providing computer and internet access to increase footfall, which is all the bean counters at County Hall understand. Incidentally, Severn House has now been taken over by Joffe Books, a very different kind of publisher.
Digression over, so back to the book. DI Bill Slider is an astute and amenable Met Police copper working out of Shepherd’s Bush. For out of towners , this is an area of west London, seedy but expensive in terms of housing, well served by London Transport. A body is found in a silted up canal. The corpse is quickly identified as that of Peter Bentley, an unremarkable policeman, working out of Notting Hill. He has been battered to death by someone who was probably, wielding a tire iron.
Slider’s enquiries are painstaking, but some facts emerge. Bentley is estranged from his wife, has a zero social media presence and, in his private life, wore an expensive diamond ear stud – which is missing from his corpse.Just about half way through the book, the story takes a delicious twist. The diamond earring is found and, long story short, it was a gift to Bentley from his lover, a wealthy 50-something former actress. Unfortunately for Slider and his team, this new information solves nothing, and only sends a middle-aged Polish couple into the court system for petty theft.
Then, from what seems like a complete dead-end, Slider’s persistence finds a thread of evidence and, when he tugs it, the fabric protecting the killer of Peter Bentley rapidly unravels and the killer – uncomfortably close to home – is brought to justice. This is a beautifully written and literate thriller that occasionally sparkles with sharp comedy. Deadly Force will be published by Severn House on 5th May.

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