
Elin Warner is an English police officer. We meet her and boyfriend Will as they ride in an over-crowded car on a funicular railway. They are travelling to Le Sommet, a luxury hotel high in the Swiss Alps, where Erin’s brother Isaac and his girlfriend Laure are about to celebrate their engagement. We soon learn a few background details. Elin has been on sick leave for many months, after a serious incident. Her mother has just died of cancer, and she and Isaac have been estranged for many years.
Le Sommet has a distinctive history, as it is a former sanatorium, where tuberculosis victims were sent in pre-vaccine days in the hope that the clean mountain air would ease their suffering. Its transformation into a five star holiday destination was masterminded by a prestigious firm of Swiss architects, one of whom mysteriously disappeared at the site in the early days of the project. No trace of him has ever been found.
Pretty much as soon as Elin and Will arrive, a fierce snow storm cuts off Le Sommet from the rest of the world, and they wake after their first night in the hotel to the news that Laure has disappeared.
After a few chapters, I pictured Le Sommet as a rather diabolical cross between The Overlook Hotel where Jack and Wendy Torrance spent such an eventful winter (“Here comes Johnny….!“) and the Hotel California (“You can check out any time you like, but you can never leave…“)
Unlike the residents of the hotel, we know that there is someone out there, a killer who has an agenda. Revenge, maybe? Or perhaps a psycho with neither rhyme nor reason, other than their insanity?
There is another undertow tugging at us as we move through the chapters, and it is Elin’s suspicion that Isaac had something to do with the death of her younger brother Sam years earlier. The tragedy was deemed to be accidental, but what if the unthinkable had happened, and it was a case of fraternal jealousy taken a step too far?
When the body count starts to rise, Elin’s professional training kicks in and, after phoning the local police for permission, she takes charge of the investigation. With no access to forensic support or police databases, she has to make do with what she has – basically her own instincts as a copper. She suspects that whatever is motivating the killer lies in the history of the hotel. Sarah Pearse (right) exploits the conventions of the locked-down/cut-off-from-the-outside-world thriller for all she is worth, and we have hidden passage ways, disused tunnels, murderers in sinister masks, and the general sense that most of the key figures in the plot are hiding secrets of one sort or another.
This is a convincing debut novel, and the author doesn’t give us a moment’s downtime in terms of tension. If there is such a thing as Anxiety Porn, then The Sanatorium is a fine example of the genre. Sarah Pearse also leaves us with an Epilogue which takes one of the assumptions made by Elin – and us readers – and turns it on its head.
The novel came out as a Kindle on 4th February (Transworld Digital) and will be available as a Bantam Press hardback from 18th February. You can find out more about the author by clicking this link.














arker is given an apology, and asked to help with the hunt for Donna Lee Kernigan’s killer. He soon learns that the Jurel Cade, a special investigator for Burden County, has been involved in the investigations – or lack thereof – into the earlier deaths. The Cade family are rich, influential and undoubtedly corrupt. They have also managed to entice Kovas, a massive defence procurement company, to build a plant in the vicinity, a deal which will put food on tables, dollars in wallets and hope in hearts for the long neglected locals. A few murdered black girls mustn’t be allowed to embarrass the PR machine that deals with the Kovas public image.
onnolly writes like an angel, and there is never a dead sentence, nor a misplaced word. Occasionally, within the carnage, there is a wisecrack, or a sharp line which sticks in the memory:




ate Marshall lectures in criminology at a university in the south west of England, but when she speaks to her students it is not as an academic, making judgments based purely on the research of others; neither does she approach the subject as an outsider, albeit one who is well read and well prepared. Fifteen years earlier, when she was a humble detective constable with London’s Metropolitan Police, she brought to justice one of the country’s most prolific and perverted serial killers. In doing so, she paid a heavy price; only skilled surgeons prevented her death from terrible injuries, but her career – and personal reputation – were both beyond saving.
Fifteen years on, the former police officer dubbed The Nine Elms Cannibal is serving multiple life sentences in a secure mental institution, and Kate Marshall, if not exactly dining out on her experiences, uses her involvement in the case as part of the course she delivers. She lives alone and while not exactly lonely, she is a changed woman from her days as part of London’s police force. She battles alcoholism, but with the support of Alcoholics Anonymous and, in particular, a local AA member called Myra, Kate sips her iced tea and pretends it contains a hefty shot of Jack Daniels.
ith her research assistant Tristan Harper, Kate tries to reassemble the pieces of an increasingly complex puzzle, but it is not until events take a spectacular turn that she comes face to face with both the apprentice New Elms Cannibal – and his master – in a fast and furious finale which is not for the faint of heart.