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BOOKS OF THE YEAR 2016 … The winner!

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THE FULLY BOOKED BEST BOOK OF 2016

We already have selections for Best Dialogue, Best Historical Novel, and Best Psychological Thriller. Next up came the awards for Best Non-UK Novel, Best Police Procedural and Best PI Novel. Now, though, it’s drum roll time, and this is the book which, for me, was the outstanding publication of 2016.

Strange Tide by Christopher Fowler

The Peculiar Crimes Unit is a kind of lost property facility for London’s Metropolitan Police. Orphan crimes, unsolved murders, unexplained disappearances – in short, investigations which would cost the cash-strapped Met Police valuable man hours are left on the doorstep of the PCU. Its two senior detectives, Arthur Bryant and John May are impossibly ancient but have an irreplaceable knowledge of London’s unique criminal history. The odd couple, particularly the apparently shambolic Bryant, have an almost visceral connection to the countless misdeeds committed on the capital’s ancient streets and lanes.

strange-tideBut all is not well. Arthur Bryant is physically sound enough, but his encyclopaedic mind is starting to betray him. He is suffering episodes of serious dislocation. He causes havoc in what he thinks is an academic library when he’s actually in the soft furnishings department of British Home Stores. While soaking up the ambiance of a Thames-side crime scene, all he can sense are the sights, sounds and smells of the early 20th century docks. John May and the more sprightly members of the PCU have to keep Arthur virtually under lock and key, for his own protection.

While trying to stop Arthur from wandering off and doing himself a mischief, the PCU team are investigating a bizarre death. A disturbed young woman has been found – drowned – chained to a concrete block on what had been an artificial Edwardian beach on a neglected section of the riverbank. She was several months pregnant, but her insouciant chancer of a boyfriend is innocent of both her demise and her impregnation. Why was there only one set of footprints leading towards the corpse?

As well as being among Britain’s best current crime writers, Fowler also carries the torch passed on by the great English humourists. With his gentle, quirky but needle sharp observations of the sheer daftness of the way we live now, he links hands with such writers as George and Weedon Grossmith, JB ‘Beachcomber’ Morton,  John Betjeman, Israel Zangwill and Colin Watson.

Behind the gags, the knowing cultural references, the ingenious plotting and the clever characterisations, we have Fowler’s unique take on London itself. No living writer save, perhaps, in their different ways, Peter Ackroyd and Iain Sinclair, knows London quite like Christopher Fowler. In other books in the series he has turned his expert eye on the theatres, the city’s lost rivers, and its medieval legends. The star of the show in Strange Tide is the River Thames itself. The crime is eventually solved, Arthur’s malaise is mostly cured, but the powerful river remains the city’s lifeblood. In a telling paragraph, Fowler reveals the deep, dark, blue centre of what he is about.

“…the metropolis is ultimately changeless. Its people remain the same because London is a state of mind. They do not make London. London makes them.”

Strange Tide is published by Doubleday.

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HOUSE OF BONES … Between the covers

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Imagine, if you will, a roomful of marketing executives, PR gurus and recruitment consultants all clustered round a flip chart. Too terrible to contemplate already? Bear with me, as this only imaginary. Their task? To come up with crime fiction’s next female superstar private investigator. A Jack Reacher in a skirt, a John Rebus in a Kylie Jenner-endorsed little black dress, maybe? Never in all their hours of creative brainstorming would they have come up with Annie Hauxwell’s Catherine Berlin. She is as cranky as hell, rather bedraggled, and just a few months short of her concessionary bus pass. Oh, yes, I almost forgot. She is an addict – her drug of choice, or perhaps necessity, is heroin, but she will make serious inroads into a bottle of Talisker if the China White is not available. Or – and this is in extremis – a few codeine will have to do.

house-of-bonesIt’s always fun to come late to an established series that has many established followers, if only to see what all the fuss is about. I had covered Catherine Berlin in writing brief news grabs, but House of Bones was to be my first proper read. There is a wonderfully funereal atmosphere throughout the book. Sometimes this is literal, as at the beginning:

 “Catherine Berlin followed a hearse through the grand arch of the City of London Cemetery and Crematorium. She wondered how long it would be before she passed under it feet first.”

One of the corpses in the narrative – and there are several – is found in the crypt of St Bride’s, Fleet Street, and later in the novel Berlin gatecrashes a society funeral and allows her few remaining heart strings to be tugged when she hears the evocative words of her mother’s favourite hymn:

“Where is death’s sting? Where, grave, thy victory?
I triumph still, if thou abide with me.”

 The dark, end-of-days mood of the book is underlined by the dismal weather. I was reminded of the old soldiers’ song from The Great War, sung to the tune of ‘Holy, Holy, Holy, Lord God Almighty.’ They sang:

“Raining, raining, raining: always bloody well raining:
Raining all the morning, and raining all the night.”

Hauxwell gives us London rain, cold, dispiriting, grey and naggingly pervasive. She also gives us Hong Kong rain, which is hot, loud and has the intensity of special effects in a disaster movie. Berlin’s London milieu is bleak. She treads the streets of Limehouse, Wapping, and Leyton. These eastern parts have modern millionaire housing developments and expensively imagined conversions of a Victorian past, but that past is never far away, like a cold sore disguised with cosmetics. The river is also a baleful presence in what becomes a nightmarish environment.

Berlin is hired by Burghley LLP:

“ a boutique outfit established by spooks and former Whitehall types. They offered discreet investigative and intelligence services. Deep pockets essential.”

Her task? To investigate the strange case of a teenage boy who has been arrested for assault. He is Chinese, and attends an exclusive public school. All fees are provided by an apparently charitable organisation which takes Chinese orphans and gives them a sociological blood transfusion, the plasma being supplied by the British aristocracy. The problem is, though, Philip Chen’s alleged victim has disappeared, and only exists on grainy footage from a CCTV camera. Who is he? Where is he? What provoked the violent assault?

Berlin rapidly becomes aware that Philip’s most visible patron is a prodigiously wealthy and well connected member of the House of Lords, Jack Haileybury. He sits, spiderlike, in a web of his own creation, which is actually a converted warehouse in Wapping. He has expensive tastes, both in narcotics, oak-aged single malt whisky and, more troubling, teenage boys.

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Sometimes aided and sometimes hindered by a manic and rather disturbed policeman, DC Terence Bryant, Berlin hacks her way through the long grass of the British establishment to uncover an abomination which dwarfs some of the recent real-life exposures of what celebrities get up to. She travels to Hong Kong, and then mainland China in pursuit of the truth, but when she finally has it, she is made to wish she had looked the other way. The title? It becomes horribly appropriate only in the last few pages of the novel, but to say more would be to spoil your experience of Annie Hauxwell’s dark and compelling piece of English Noir.

House Of Bones is available in Kindle or as a paperback.

THE MINIVER PLACE MURDER …Podcast

mpm-headerThis is the tale of a ghastly pair of opportunists in Victorian London. Frederick Manning turned a blind eye to his wife, Marie, while she dispensed her favours to a rich customs official, Patrick O’Connor. The pair prepared a grave for him under their kitchen floor, and having murdered him, tried to escape with all his money. Inevitably, they were caught, and provided yet another job for William Calcraft, the Lord High Executioner.

THE MINIVER PLACE MURDER

THE MURDER OF SIR HENRY WILSON

The Britain of summer 1922 was, in some ways, similar to the island in The Tempest:

“the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears..”

abbsThe sounds and sweet airs might have been provided by Haydn Woods’ A Brown Bird Singing or, if you were more disposed towards the art of Edith Sitwell, William Walton’s setting of her poetry – Façade. The discordant sounds of the thousand twangling instruments could have come from several sources; possibly the thousands of impoverished ex-servicemen sold short by the country they had fought for; perhaps, however, the isle which was most full of noises was that of Ireland, and in particular the newly formed Irish Republic.

wilsonSir Henry Wilson was a former General in the British Army, and his contribution to events in The Great War divides opinion. Some have him firmly in the ‘Butchers and Bunglers’ camp, a stereotypical Brass Hat who send brave men off into battle to meet red hot shards of flying steel with their own mortal flesh. Others will say that he was part of the combined military effort which defeated Germany in the field, and led to the surrender in the railway carriage at Compiègne in 1918. Whatever the truth, Wilson was never a field commander. He was much more at home well behind the front line, hobnobbing with politicians and strategists.

When the war ended, he was promoted to Field Marshall, and made a baronet. With Ireland beset by all manner of plots and factional fighting, he resigned his army post and was elected as MP for the Ulster constituency of North Down. He had made it very clear that he despised the Irish Republican movement, and had written in June 1919 that “Ireland goes from bad to worse” and that “a little bloodletting” was needed. His view of the British government’s attempts to deal peaceably with the Irish Problem is summed up by his belief that such peace moves were a “shameful & cowardly surrender to the pistol” by a “Cabinet of Cowards”. Ironically, his own demise was brought about by the pistols of two IRA killers.

In the early 1920s, there was one common activity which retired army generals shared, and it was to travel far and wide across the country, sanctifying by their presence the hundreds of war memorials bearing the names of the 704,803 men who had perished while under their command in the recent conflict. Thus, on the morning of Thursday 22nd June, 1922, Wilson had traveled by cab to Liverpool Street Station, where he had been invited to unveil the memorial to the men of The Great Eastern Railway who had died in the war. Having done his duty, and addressed the crowd of relatives and well-wishers, he returned to his house in Eaton Place in London’s Belgravia.

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As the taxi pulled away, Sir Henry was attacked by two men, Reginald Dunne and Joseph O’Sullivan. He was shot nine times, and the killers made their escape, only to be arrested shortly after. Newspapers made much of the possibility that Sir Henry had drawn his ceremonial sword in his own defence, and had cried, “You cowardly swine!” as he was attacked, but only he and his assailants could verify that, and they are long gone from us.

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 Wilson’s murder outraged popular opinion in England, and polarised views on the situation in Ireland. It was a widely held belief that the murder had been carried out on the orders of the Republican firebrand Michael Collins. Collins himself, incidentally, had only a few more weeks to live, as in the August of 1922, he was murdered, probably by rival Irish factions. Wilson’s funeral was a public affair attended by Lloyd George and the cabinet. French Generals Foch, Nivelle and Weygand came to pay their last respects, as well as many of his former British army colleagues including French, Macready, Haig and Robertson. The Field Marshal was buried in the crypt of St Paul’s Cathedral.

 And Sir Henry’s killers? They were duly tried and convicted of his death and hanged at Wandsworth prison on 10th August 1922, and buried in the prison grounds. As befits the adage that one man’s terrorist is another man’s freedom fighter, the remains of both Dunne and O’Sullivan were repatriated to the Irish Republic and given a heroes’ burial in 1967. A final irony in a case that is positively dripping with it, is that both men had fought for King and Country, with great gallantry in the war that had made Sir Henry Wilson such a prominent public figure.

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A PILGRIMAGE … In search of William Tyler and Ralph Joscelyne

In the 1830s, the problem of burying the dead had reached crisis point in London. The rapidly increasing population meant that existing graveyards and crypts were – literally, in some cases – full to bursting. One such example was the nightmarish Enon Chapel in Clement’s Lane. An unscrupulous clergyman had come up with a scheme for bargain burials. These may have been at a knock-down price, but they were not burials. The body of your loved one would simply be tipped into the crypt below the chapel, to join countless others. The enterprising minister was also of accused of recycling the wood from the coffins to sell to the poor for kindling. The crypt was only separated from the chapel above by a flimsy wooden floor, through which all kinds of noxious gases and vile insects would pass, to plague the worshipers as they sat down in the pews to praise the Lord. Even more bizarre was the conversion of the chapel to a dance hall, where customers could literally dance on the dead.

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Eventually, the authorities decided that enough was enough, and began the business of commissioning seven huge new cemeteries outside if the inner city boundaries. Highgate and Kensal Green are the best known of these, principally due to the numbers of famous people buried within, but it was to one of the lesser known of ‘The Magnificent Seven’ that I traveled, on a pilgrimage to visit the graves of two people who certainly made the headlines in their day, but are largely forgotten now.

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You can read the story of The Tottenham Outrage elsewhere on the site but, briefly, on Saturday 9th January 1909, two Latvian anarchists ambushed the wages delivery for the Schnurmann Rubber Factory on Chestnut Road in Tottenham and made off with the loot, firing at their pursuers with sophisticated automatic pistols. Both criminals died as a result of their efforts, but a policeman and a young boy were killed in the chaotic chase.

The cold blooded murder of PC William Tyler caused a national outcry, and his funeral was a public event on a grand scale. The deaths of police officers in the course of their duties have always been thought shocking in Britain and, happily, they remain rare events. PC Tyler was laid to rest in Abney Park Cemetery in Stoke Newington. Fortunately for the visiting explorer, his simple but imposing memorial is near the path, and is easily found. The number carved on the pediment is, of course, his police number.

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Just a few feet away from Tyler’s grave is a rather humbler cross which marks the grave of an even more tragic casualty of the madness of 9th January 1909. Like countless others before and since, young Ralph Joscelyne had a Saturday job. His was to help a local baker deliver bread to the families in that part of Tottenham. As the Latvian gunmen tried to shoot their way to safety, a stray shot hit Ralph as he tried to hide behind his employer’s cart in Mitchley Road. The ten year-old was cradled in the arms of a bystander, but was pronounced dead by the time he reached hospital.

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On 29th January 1909, the funeral cortège for Joscelyne and Tyler passed along a 2.5 mile route lined by 3,000 police officers and an estimated crowd of 500,000. The lengthy procession included white-plumed horses drawing Joscelyne’s coffin and black-plumed horses drawing Tyler’s coffin, draped in a Union Flag, which were escorted by hundreds of policemen, a police band, men from the local fire brigade, men from the Scots Guards and Royal Garrison Artillery, and tramway employees. A volley of guns was fired at the conclusion of the funeral.

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fullsizerenderRalph Joscelyne’s mother, Louise, was to raise another seven children, but she kept the pair of boots Ralph was wearing on the day he was killed. When she died in 1952, the boots were buried with her. In more recent times, both Joscelyne and Tyler have been commemorated. WIlliam Tyler has a plaque on the wall of Tottenham police station, while Ralph Joscelyne is remembered in a memorial outside a church in Mitchley Road. There is an abiding irony that the corner of Tottenham where the robbery occurred and the resultant chase began is exactly where the catastrophic riots of 2011 started. An initially peaceful protest by relatives of Mark Duggan, a gangster shot by police, did not get the required response from officers within the police station. It then, as they say, “all kicked off.”

Ralph’s memorial in Abney Park was paid for by fellow scholars at his school, Earlsmead, which still stands in Broad Lane, Tottenham (below) and distant relatives of the unfortunate lad have, as mentioned earlier, ensured that his death will not be forgotten against the backdrop of more recent troubled times in London.

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According to some Tottenham residents, however, the boy has not completely left us. This, from the pages of a local newspaper:

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HOME … Between the covers

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Coming new to an established series happens more often than you might think to book reviewers, and so it is with this book. It has taken me ten previous novels to catch up with Harlan Coben’s Myron Bolitar. You may have been there from the beginning, which was in 1995 with Deal Breaker, and if so, bear with me for a moment. Myron Bolitar is a forty-something former top basketball player, whose career was cut cruelly short when his knee was ruined in an on-court incident. He used his sporting fame to start up an agency representing sports stars, but later expanded his client base to include other celebrities.

Home starts with a metaphorical ‘bang’ in the form of a very literal ‘slash’. The as yet un-named narrator is in the insalubrious London district of King’s Cross and we know only that he is searching for two missing boys, abducted from their American home ten years since. They were six at the time, but our narrator has been given an anonymous tip that one of them is now working as a rent boy in London. The boy seems appears to be plying his trade in a city underpass, along with a variety of other bodies for sale. When the teenager is attacked by three street hoodlums, the narrator intervenes. With a cut-throat razor. The teenager, however, escapes into the hurly burly of King’s Cross railway station, complete with its Harry Potter and Hogwarts connection.

Three dead bodies, and a ‘phone call later, we learn that we have been listening to the voice of Windsor Horne Lockwood III, a billionaire playboy, with a psychotic streak. ‘Win’ is the long term best friend of Myron Bolitar, and related to one of the missing boys. We soon meet Myron himself, as he is recovering from a bout of energetic sex with his fiancée, Terese, in Win’s New York apartment, which is in none other than the celebrated Dakota building.

Patrick Moore and Rhys Baldwin were on a ‘playdate’ at Patrick’s home, in the care of the Moore’s Finnish au pair, when masked men burst into the house, overpowered and tied up the young woman, and made off with the two boys. That is the history. The present? Myron is summoned to London to add his investigative skills to Win’s savagery. After some spectacular rough and tumble involving a larger-than-life human monster called Fat Gandhi, Patrick Moore is rescued and brought back to New Jersey.

That, however is very far from that. Patrick is restored to something resembling the home he was snatched from a decade earlier, but what of Rhys? Win and Myron begin to smell a rather malodorous rat, and there are more questions than answers. What does Patrick remember of the fateful day? Is he actually Patrick, or is there some scarcely imaginable scam being carried out?

Myron finally learns the the truth about the the two boys, but you may well share the former basketball ace’s bafflement along the way. Eventually, Coben lets him into the secret with a dazzling and totally unexpected revelation, rather than having him painstakingly gather evidence. I didn’t see the solution coming, but when it did, it was like being hit by a train.

This is a brilliant tale, and will be all the more dazzling to anyone like myself who is new to the series. Having yin and yang partnerships is nothing new in crime fiction, but it can seldom have been more audaciously used as with Coben’s sweet and sour pair. Win provides an unlimited supply of violence to complement Myron’s empathy and compassion. The closest comparison I can think of is that of the wise-guy persona of Robert B Parker’s Spenser, and his lethal friendship with the implacable Hawk. Home is one of those books that may well grab you by the throat and keep you mesmerised until you have reached the last page. Dogs will go unwalked. Pans will boil over on the stove. ‘Phones will go unanswered. You have been warned.

Follow the link to see buying options for Home.

WW2 HISTORICAL CRIME FICTION (4) – The Dead of Winter

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Rennie Airth, a South African by birth, now lives in Italy, but I mention these details only because his descriptions of wartime England in The Dead of Winter are so evocative that it is hard to believe that the writer did not experience the conditions at first hand. More of this in a while, but first, the story.

air_raid_wardens_wanted_-_arp_art-iwmpst13880We are in the weeks leading up to Christmas 1944, deep in what would prove to be the last winter of a war which, thanks to the Luftwaffe, had brought death and destruction to the doorsteps of ordinary people in towns and cities up and down the country. German aircraft no longer drone over the streets of London; instead, the Dorniers and Heinkels have been replaced by an even more demoralising menace – the seemingly random strikes by V1 and V2 rockets. Despite the fact that the rockets need no visible target to aim at, the ubiquitous blackout is still in force. An Air Raid Precaution Warden, whose job has become as redundant as that of those manning anti-aircraft batteries, makes a chilling discovery. He stumbles – literally – on the body of a young woman. Her neck has been broken by someone clearly well-versed in killing, and the only clue is a number of spent matches lying by the body.

The dead woman is soon identified. She is Rosa Nowak, a Polish girl who has sought refuge in Britain, and has been working on a farm in Kent. What was she doing in London? Visiting her aged aunt, apparently. The police struggle to find a motive for the killing. It wasn’t sexual, it wasn’t robbery, so who on earth stood to gain from the murder? The investigation is led by Chief Inspector Angus Sinclair, a senior detective who might have retired years ago, were it not for the manpower shortage in the Metropolitan Police caused by the war.

With one of those wonderful coincidences which only ever seem to happen in crime novels, Sinclair learns that the farm where Rosa had been working is none other than that owned by a former colleague – John Madden. Rennie Airth introduced us to the former Inspector in River of Darkness (1999) and we followed his progress in The Blood Dimmed Tide (2004). Madden served with distinction in The Great War, but the conflict has left him with scars, more mental than physical and, despite marrying, for the second time, a country doctor who he met in River of Darkness, he still grieves for the deaths of his first wife and their young daughter.

ration-bookThere is more than a touch of The Golden Age about this novel, but it is much more than a pastiche. Although the killing of Rosa Nowak is eventually solved, with a regulation dramatic climax in a snow-bound country house, Rennie Airth allows us to breathe, smell and taste the air of an England almost – but not quite – beaten down by the privations of war. Many of the characters have menfolk away at the war, including Madden himself and his wife Helen. Their son is in the Royal Navy, on the rough winter seas escorting convoys. The contrast between life in the city and in the country is etched deep. In the city, restaurant meals are frequently inedible, the black market thrives unchecked due to depleted police manpower, and even the newsprint bearing cheering propaganda from the government is subject to rationing. Travelling anywhere, unless you are fiddling your petrol coupons, is arduous and unpleasant.

“Though inured like all by now to the rigours of wartime travel, to the misery of unheated carriages, overcrowded compartments and the mingled smell of bodily odours and stale tobacco, he was still recovering from his trip down from London that afternoon when for two hours he had sat gazing out at a countryside that offered little relief to the eyes weary of the sight of dust and rubble, of the never-ending vista of ruined streets and bombed-out houses …..”

There is an element of the modern police procedural about the book, but such is the quality of Airth’s writing that we willingly forgive him for John Madden’s occasional flashes of insight which redirect the well-intentioned but bumbling coppers in their search for the killer of Rosa Nowak.

In addition to the two previous John Manning novels, our man returns in The Reckoning (2014) and is set to make another appearance in 2017 with The Death of Kings.

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CARNAGE ON PARADE … The atrocities of 20th July 1982

Hyde Park HeaderThere is, perhaps, a legitimate debate to be had over what to call killings which are carried out in the name of a political cause. No-one in their right mind would label the millions of soldiers who died in the two world wars of the 20th century as murder victims. The wearing of a uniform, and the acceptance of the King’s shilling has always legitimised the act of pulling the trigger, firing the shell, or dropping the bomb.

But what about guerilla activities? What about resistance movements? When does a killing become a murder? Is one man’s freedom fighter another man’s terrorist? I am far from unique in being unable to resolve those conundrums. The men who assassinated Reinhard Heydrich on a Prague boulevard in June 1942 have been hailed as heroes. What about the Irishmen who killed eleven British soldiers in a few hours on the streets of London in July 1982? They wore no uniform and carried no flag, but in their hearts their targets were legitimate.

My view? Emotionally, I am drawn to the view that soldiers engaged in ceremonial duties in a nation’s capital are not fair game. Therefore, I am treating the events of 20th July 1982 as murder. Cold blooded murder, pure and simple.

London, 20th June, 1982. The weather was warm, but unsettled, with a promise of showers. A troop of The Household Cavalry, the ceremonial guardians of the English monarch, were calmly riding along South Carriage Drive in Hyde Park, on their way to the ceremony known as The Changing Of The Guard. Unknown to them, a blue Morris Marina car, parked alongside their route, was packed with gelignite and nails. At 10.40 a.m. the device was triggered, presumably by a nearby operative. The result was carnage.

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The road was littered with flesh,  of the three guardsmen who were killed instantly (that telling euphemism which denotes catastrophic injuries) – and that of horses. The three soldiers who died at the scene were Lieutenant Anthony Daly, Trooper Simon Tipper and Lance Corporal Vernon Young. Corporal Raymond Bright was rushed to hospital, but died on 23rd July. The men are pictured below, left to right.

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The SunJust a couple of hours later, as emergency services struggled to deal with the mayhem in South Carriage Drive, the terrorists struck again. It seems barely credible that in another part of the city, life was going on as normal. Remember, though, that these were the days before mobile ‘phones and social media, the days when news was only transmitted in print, by word of mouth and on radio and television. The regimental band of The Royal Green Jackets was entertaining a small crowd clustered round the bandstand in Regent’s Park. They were playing distinctly un-martial music from the musical ‘Oliver!’ when, at 12.55 pm, a massive bomb went off beneath the bandstand. The blast was so powerful that one of the bodies was thrown onto an iron fence thirty yards away, and seven bandsmen were killed outright. They were: Warrant Officer Graham Barker, Serjeant Robert “Doc” Livingstone, Corporal Johnny McKnight, Bandsman John Heritage, Bandsman George Mesure, Bandsman Keith “Cozy” Powell, and Bandsman Larry Smith.

Keith Powell’s mother, Mrs Patricia Powell was later to say:

“On the day (20th July 1982) at 1pm – I was rinsing a cup at the sink in my classroom – I suddenly felt very ill and mentioned it to a colleague – saying I’d no idea why I felt so ill. On the way home I went to the music store to purchase the score of Oliver – No idea why I wanted it suddenly nor did I have any idea this was what the band was playing. Got it – went to the bus station and saw on the placards news about the bombs in London – I knew instantly that he was dead. This was confirmed later that evening.”

Keith Powell’s comrades gave him his nickname because of the celebrated rock drummer Colin Powell, who played with bands such as Black Sabbath, the Jeff Beck Group and Whitesnake. No-one was ever convicted of the Regent’s Park atrocity, but responsibility was claimed by the IRA. In 1987, Gilbert “Danny” McNamee, an electronics engineer from Northern Ireland, was jailed for 25 years after being found guilty of building the radio-controlled bomb used in the Hyde Park attack.

He was released from prison in 1998 under the terms of the Good Friday Agreement, and later that year the Court of Appeal overturned his conviction on the grounds that it was unsafe. Another suspect, John Anthony Downey, was to be tried for his part of the Hyde Park bombing as recently as 2014, but his trial collapsed when it was revealed that he was one of those Republican activists who had been sent a ‘comfort letter’ by the British government, promising them immunity from prosecution. Following the 1998 Good Friday Agreement, which brought something resembling peace to Northern Ireland, there was an ongoing issue over what to do about IRA suspects who were still “on-the-run”. As part of the peace deal, IRA terrorists serving prison terms were granted early release but that could not apply to those on the run. A deal was reached between the Tony Blair government and Sinn Fein to carry out an exercise whereby checks would be carried out and for those who were no longer wanted by police, they would be sent a letter informing them of that fact.

XU*7493716Downey (right) may or may not have been implicated in the Hyde Park murders. Only he knows for certain. At least he had the decency to cancel a party planned in his honour when he was released. He said:

“The party had been planned as a simple get-together of family, friends and neighbours who supported me after my arrest. Some elements of the media are portraying the event planned for tonight as triumphalist and insulting to bereaved families. That was never what it was about.”

There was a macabre and tragic postscript to the Hyde Park murders. One of the horses, named Sefton, survived the attack despite terrible injuries. The horse became something of a media celebrity, which is not surprising given the British public’s sentimental obsession with animals. Sefton’s days of celebrity were, at least, harmless. Not so the fate of his rider on that day, Michael Pedersen. He survived the attack physically, but suffered irreparable hidden mental damage. In 2012, after two failed marriages, he drove himself and his two children, Ben and Freya, to a remote lane near Newton Stacey in Hampshire, stabbed them to death, and then took his own life.

Memorials

JACK THE RIPPER … In fiction

To write anything new or meaningful about the facts surrounding what is probably the world’s most celebrated – and baffling – unsolved murder mystery is virtually impossible. Despite this, it doesn’t stop writers of every stripe trying. Sometimes the results can be worthy. On other occasions, they can be simply embarrassing. One of the poorer efforts cost Patricia Cornwell a good part of her considerable fortune to try to convince the world that Jack The Ripper was none other than Walter Richard Sickert, the celebrated painter. Very few people outside the close circle of the creator of Kay Scarpetta resisted the temptation of a facepalm moment. So, no-one knows the identity of Jack The Ripper, and I imagine Ladbrokes (other bookmakers are available) would give you very long odds against anyone ever discovering his (other genders are available) identity.

 Instead of going over old ground, in both a literal and figurative sense, I have taken a look at a trio of novels which, in different ways, have been influenced by the events of that terrible autumn in 1888. For all any of us know, these books may contain every bit as much truth as their factual counterparts.

 The Curse Upon Mitre Square, A.D. 1530 – 1888 by John Francis Brewer (1888)
This was little more than a blood and thunder pamphlet. Its main – and perhaps sole – distinction is that it was actually published before the final canonical victim, Mary Jane TCUMS.jpgKelly, met a bloody end in her Millers Court hovel. Of Brewer, we know very little, but his style can best be illustrated with a brief extract.

“With a demon’s fury the monk then threw down the corpse and trod it out of any recognition.
He spat upon the mutilated face and,
with his remaining strength, he ripped the body open and cast the entrails round about.”

As the title suggests, Brewer focuses on the murder of Catherine Eddowes in Mitre Square, and his plot, such as it is, contends that the killer is none other that a spectral avenger, a mad monk no less, who haunts Mitre Square, allegedly the site of an ancient monastery. Surprisingly, or perhaps not, given the almost unassuaged thirst for Ripper material both in Britain and across The Atlantic, Brewer’s feverish account is still available in print. Whoever Brewer was, it is unlikely that his estate benefits from sales of the modern reprints. As you will see from the graphic, one later edition of the book was teamed up with another account, slightly more thoughtful, called The Lodger by Marie Belloc-Lowndes (1913)

Novelist_Marie_Adelaide_Belloc_LowndesBelloc-Lowndes (right) was the older sister of the prolific writer and poet Hilaire Belloc, but she avoided her brother’s antimodern polemicism, and wrote biographies, plays – and novels which were very highly thought of for their subtlety and psychological insight into crime, although she preferred not to be thought of as a crime fiction writer. In The Lodger, Mr and Mrs Bunting have staked their life savings on buying a house big enough to take in paying guests, but just as their dream is on the verge of crumbling, salvation comes in the form of the mysterious Mr Sleuth, who knocks on the door and takes a room, paying up front with many a gold sovereign. As Mr and Mrs Bunting count their money – and their blessings – London is gripped with terror as a killer nicknamed ‘The Avenger’ stalks the streets searching for blood. The Buntings’ peace of mind evaporates as they suspect that their lodger is none other than The Avenger. Such is the quality of The Lodger that it has been filmed many times, most notably by Alfred Hitchcock in 1927. It would be remiss of me not to quote the famous bloodcurdling imprecation at the end of the book, directed at the hapless landlady.

“Your end will be bitter as wormwood and sharp as a two-edged sword.
Your feet shall go down to death, and your steps take hold on hell.”

Lodger Composite

WILSON-obit-web-videoSixteenByNine1050Colin Wilson, who died in 2013, (left) was the kind of man with whom the British establishment, certainly in the 1950s and 60s, was most deeply ill at ease. He was, as much by his own proclamation as that of others, intellectually formidable. He burst on the literary scene in 1957 with The Outsider, a journey through an existential world in the company of, among others, Camus, Nietzsche, Kafka, Sartre, Hermann Hesse and Van Gogh. His novel that concerns us is Ritual In The Dark. Published, after a long gestation, in 1960, it examines how The Ripper legend transposes itself onto the London streets of the late 1950s. It must be remembered that many of the murder sites were still more or less recognisable, at that time,  to Ripper afficionados. The tale involves three young men, Gerard Sorme, Oliver Glasp and Austin Nunne. Sorme goes about his life well aware of the significance of past deeds, but also knowing that a present day killer is out and about, emulating the horrors of 1888. Wilson could be said to be one of the pioneers of psychogeography, a linking of past and present much used by modern writers such as Iain Sinclair and Peter Ackroyd. Sorme says,

RITD“I am lying here in the middle of London, with a population of three million people asleep around me,
and a past that extends back to the time when the Romans built the city on a fever swamp.I can’t explain what I felt. It was a sense of
participation in everything. I wanted to live a million times more than anybody has ever lived.”

 As it slowly dawns on Sorme that the killer is one of his close associates, he is forced to examine the nature of loyalty, guilt and responsibility. He learns that the deliverer of violent death can, by night, be a mysterious cloaked figure carrying a black bag, but by day can blend into the queue at the Post Office and go home on the number 59 ‘bus with complete impunity.


Other Ripper novels to explore include:

White Chappell, Scarlet Tracings (1987) by Iain Sinclair
The Last Sherlock Holmes Story (1978) by Michael Dibdin
Pentecost Alley (1996) by Anne Perry
A Study in Terror (1966) by Ellory Queen
Mercedes Marie: The story of Mary Jane Kelly (2016) by Fusty Luggs

 

 

 

 

 

 

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