
THE FULLY BOOKED BEST BOOK OF 2016
We already have selections for Best Dialogue, Best Historical Novel, and Best Psychological Thriller. Next up came the awards for Best Non-UK Novel, Best Police Procedural and Best PI Novel. Now, though, it’s drum roll time, and this is the book which, for me, was the outstanding publication of 2016.
Strange Tide by Christopher Fowler
The Peculiar Crimes Unit is a kind of lost property facility for London’s Metropolitan Police. Orphan crimes, unsolved murders, unexplained disappearances – in short, investigations which would cost the cash-strapped Met Police valuable man hours are left on the doorstep of the PCU. Its two senior detectives, Arthur Bryant and John May are impossibly ancient but have an irreplaceable knowledge of London’s unique criminal history. The odd couple, particularly the apparently shambolic Bryant, have an almost visceral connection to the countless misdeeds committed on the capital’s ancient streets and lanes.
But all is not well. Arthur Bryant is physically sound enough, but his encyclopaedic mind is starting to betray him. He is suffering episodes of serious dislocation. He causes havoc in what he thinks is an academic library when he’s actually in the soft furnishings department of British Home Stores. While soaking up the ambiance of a Thames-side crime scene, all he can sense are the sights, sounds and smells of the early 20th century docks. John May and the more sprightly members of the PCU have to keep Arthur virtually under lock and key, for his own protection.
While trying to stop Arthur from wandering off and doing himself a mischief, the PCU team are investigating a bizarre death. A disturbed young woman has been found – drowned – chained to a concrete block on what had been an artificial Edwardian beach on a neglected section of the riverbank. She was several months pregnant, but her insouciant chancer of a boyfriend is innocent of both her demise and her impregnation. Why was there only one set of footprints leading towards the corpse?
As well as being among Britain’s best current crime writers, Fowler also carries the torch passed on by the great English humourists. With his gentle, quirky but needle sharp observations of the sheer daftness of the way we live now, he links hands with such writers as George and Weedon Grossmith, JB ‘Beachcomber’ Morton, John Betjeman, Israel Zangwill and Colin Watson.
Behind the gags, the knowing cultural references, the ingenious plotting and the clever characterisations, we have Fowler’s unique take on London itself. No living writer save, perhaps, in their different ways, Peter Ackroyd and Iain Sinclair, knows London quite like Christopher Fowler. In other books in the series he has turned his expert eye on the theatres, the city’s lost rivers, and its medieval legends. The star of the show in Strange Tide is the River Thames itself. The crime is eventually solved, Arthur’s malaise is mostly cured, but the powerful river remains the city’s lifeblood. In a telling paragraph, Fowler reveals the deep, dark, blue centre of what he is about.
“…the metropolis is ultimately changeless. Its people remain the same because London is a state of mind. They do not make London. London makes them.”
Strange Tide is published by Doubleday.


It’s always fun to come late to an established series that has many established followers, if only to see what all the fuss is about. I had covered Catherine Berlin in writing brief news grabs, but House of Bones was to be my first proper read. There is a wonderfully funereal atmosphere throughout the book. Sometimes this is literal, as at the beginning:
This is the tale of a ghastly pair of opportunists in Victorian London. Frederick Manning turned a blind eye to his wife, Marie, while she dispensed her favours to a rich customs official, Patrick O’Connor. The pair prepared a grave for him under their kitchen floor, and having murdered him, tried to escape with all his money. Inevitably, they were caught, and provided yet another job for William Calcraft, the Lord High Executioner.
The sounds and sweet airs might have been provided by Haydn Woods’ A Brown Bird Singing or, if you were more disposed towards the art of Edith Sitwell, William Walton’s setting of her poetry – Façade. The discordant sounds of the thousand twangling instruments could have come from several sources; possibly the thousands of impoverished ex-servicemen sold short by the country they had fought for; perhaps, however, the isle which was most full of noises was that of Ireland, and in particular the newly formed Irish Republic.
Sir Henry Wilson was a former General in the British Army, and his contribution to events in The Great War divides opinion. Some have him firmly in the ‘Butchers and Bunglers’ camp, a stereotypical Brass Hat who send brave men off into battle to meet red hot shards of flying steel with their own mortal flesh. Others will say that he was part of the combined military effort which defeated Germany in the field, and led to the surrender in the railway carriage at Compiègne in 1918. Whatever the truth, Wilson was never a field commander. He was much more at home well behind the front line, hobnobbing with politicians and strategists. 







Ralph Joscelyne’s mother, Louise, was to raise another seven children, but she kept the pair of boots Ralph was wearing on the day he was killed. When she died in 1952, the boots were buried with her. In more recent times, both Joscelyne and Tyler have been commemorated. WIlliam Tyler has a plaque on the wall of Tottenham police station, while Ralph Joscelyne is remembered in a memorial outside a church in Mitchley Road. There is an abiding irony that the corner of Tottenham where the robbery occurred and the resultant chase began is exactly where the catastrophic riots of 2011 started. An initially peaceful protest by relatives of Mark Duggan, a gangster shot by police, did not get the required response from officers within the police station. It then, as they say, “all kicked off.”



We are in the weeks leading up to Christmas 1944, deep in what would prove to be the last winter of a war which, thanks to the Luftwaffe, had brought death and destruction to the doorsteps of ordinary people in towns and cities up and down the country. German aircraft no longer drone over the streets of London; instead, the Dorniers and Heinkels have been replaced by an even more demoralising menace – the seemingly random strikes by V1 and V2 rockets. Despite the fact that the rockets need no visible target to aim at, the ubiquitous blackout is still in force. An Air Raid Precaution Warden, whose job has become as redundant as that of those manning anti-aircraft batteries, makes a chilling discovery. He stumbles – literally – on the body of a young woman. Her neck has been broken by someone clearly well-versed in killing, and the only clue is a number of spent matches lying by the body.
There is more than a touch of The Golden Age about this novel, but it is much more than a pastiche. Although the killing of Rosa Nowak is eventually solved, with a regulation dramatic climax in a snow-bound country house, Rennie Airth allows us to breathe, smell and taste the air of an England almost – but not quite – beaten down by the privations of war. Many of the characters have menfolk away at the war, including Madden himself and his wife Helen. Their son is in the Royal Navy, on the rough winter seas escorting convoys. The contrast between life in the city and in the country is etched deep. In the city, restaurant meals are frequently inedible, the black market thrives unchecked due to depleted police manpower, and even the newsprint bearing cheering propaganda from the government is subject to rationing. Travelling anywhere, unless you are fiddling your petrol coupons, is arduous and unpleasant.
There is, perhaps, a legitimate debate to be had over what to call killings which are carried out in the name of a political cause. No-one in their right mind would label the millions of soldiers who died in the two world wars of the 20th century as murder victims. The wearing of a uniform, and the acceptance of the King’s shilling has always legitimised the act of pulling the trigger, firing the shell, or dropping the bomb.

Just a couple of hours later, as emergency services struggled to deal with the mayhem in South Carriage Drive, the terrorists struck again. It seems barely credible that in another part of the city, life was going on as normal. Remember, though, that these were the days before mobile ‘phones and social media, the days when news was only transmitted in print, by word of mouth and on radio and television. The regimental band of The Royal Green Jackets was entertaining a small crowd clustered round the bandstand in Regent’s Park. They were playing distinctly un-martial music from the musical ‘Oliver!’ when, at 12.55 pm, a massive bomb went off beneath the bandstand. The blast was so powerful that one of the bodies was thrown onto an iron fence thirty yards away, and seven bandsmen were killed outright. They were: Warrant Officer Graham Barker, Serjeant Robert “Doc” Livingstone, Corporal Johnny McKnight, Bandsman John Heritage, Bandsman George Mesure, Bandsman Keith “Cozy” Powell, and Bandsman Larry Smith.
Downey (right) may or may not have been implicated in the Hyde Park murders. Only he knows for certain. At least he had the decency to cancel a party planned in his honour when he was released. He said:
Kelly, met a bloody end in her Millers Court hovel. Of Brewer, we know very little, but his style can best be illustrated with a brief extract.
Belloc-Lowndes (right) was the older sister of the prolific writer and poet Hilaire Belloc, but she avoided her brother’s antimodern polemicism, and wrote biographies, plays – and novels which were very highly thought of for their subtlety and psychological insight into crime, although she preferred not to be thought of as a crime fiction writer. In The Lodger, Mr and Mrs Bunting have staked their life savings on buying a house big enough to take in paying guests, but just as their dream is on the verge of crumbling, salvation comes in the form of the mysterious Mr Sleuth, who knocks on the door and takes a room, paying up front with many a gold sovereign. As Mr and Mrs Bunting count their money – and their blessings – London is gripped with terror as a killer nicknamed ‘The Avenger’ stalks the streets searching for blood. The Buntings’ peace of mind evaporates as they suspect that their lodger is none other than The Avenger. Such is the quality of The Lodger that it has been filmed many times, most notably by Alfred Hitchcock in 1927. It would be remiss of me not to quote the famous bloodcurdling imprecation at the end of the book, directed at the hapless landlady.
Colin Wilson, who died in 2013, (left) was the kind of man with whom the British establishment, certainly in the 1950s and 60s, was most deeply ill at ease. He was, as much by his own proclamation as that of others, intellectually formidable. He burst on the literary scene in 1957 with The Outsider, a journey through an existential world in the company of, among others, Camus, Nietzsche, Kafka, Sartre, Hermann Hesse and Van Gogh. His novel that concerns us is Ritual In The Dark. Published, after a long gestation, in 1960, it examines how The Ripper legend transposes itself onto the London streets of the late 1950s. It must be remembered that many of the murder sites were still more or less recognisable, at that time, to Ripper afficionados. The tale involves three young men, Gerard Sorme, Oliver Glasp and Austin Nunne. Sorme goes about his life well aware of the significance of past deeds, but also knowing that a present day killer is out and about, emulating the horrors of 1888. Wilson could be said to be one of the pioneers of psychogeography, a linking of past and present much used by modern writers such as Iain Sinclair and Peter Ackroyd. Sorme says,
“I am lying here in the middle of London, with a population of three million people asleep around me,