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Jo Spain

THE TRIAL . . . Between the covers

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First up, this novel isn’t a courtroom drama. Literally, it is about a big pharma multinational testing out what could be a game-changing drug to combat the effects of dementia. Metaphorically, though, Jo Spain’s latest thriller sees the lives of several individuals put under intense scrutiny, as if being questioned by a hard-nosed barrister in a court of law. Serious questions are asked, and some people fall after being challenged.

I am not normally a fan of split-time narratives, as they are all too often distracting short cuts, but Jo Spain is too good a writer to be accused of that, and in her hands it works well. There are three time zones. In 2014 we are in a prestigious Irish university college, St Edmunds, and we meet Dani. She is asleep, but her lover – Theo Laurent, French, and a fellow student – is about to make a very serious decision. He carefully climbs down from their shared bed and leaves. Not ‘leaves’ as in just going back to his own room, but ‘leaves’ as in disappears. Totally. Completely. From the face of the earth. Anxious and baffled hours for Dani turn into days and weeks. The police are not interested. Theo’s estranged and autocratic father reluctantly tells Dani over the ‘phone that he has received an email from his son stating that he has left the academic world to go travelling.

The two other time frames are 2023 and the present day. More so than in her excellent Tom Reynolds police procedural series, Jo Spain, in her standalone novels, likes to sucker punch her readers with astonishing plot twists, none more breathtaking than in The Perfect Lie ( click the link to read my review) These literary magic tricks are usually saved until the final pages of the novel, but here she does her stuff about half way through, when she lets us know that Dani is not who or what we think she is. To say more would be to spoil the fun. Suffice it to say that Jo Spain simply encourages us to make assumptions, which she then delights in shattering.

We learn that Dani, as far as the new ‘wonder drug’ is concerned, certainly has a dog in this particular fight. Her widowed mother is slowly succumbing to the inexorable death sentence known as Alzheimer’s. What if the new wonder drug could arrest her mother’s decline, and restore her memory, and make her sit up in bed with delight when her daughter comes to visit?

Academic impartiality seems to be a things of the past, certainly in the United Kingdom, and in Ireland, where this novel is set. In England, many universities – and even some independent school – have been bought and sold with Chinese money, but in the case of St Edmunds, it is not Xi’s millions that is paying the salaries of lecturers and professors, but the big dollars of the pharmaceutical industry. A convincing report from the medical researchers at St Edmunds, stating that the new drug poses no side-effect risks means that Turner Pharma can go ahead and mass produce the tablets, and ensuring massive world-wide profits. In trying to solve the mystery of Theo’s disappearance, Dani learns that pharmaceutical companies, just like their illegal counterparts in Mexico and Columbia, employ clever but crooked lawyers, use physical enforcers, and have limitless budgets to buy off politicians and law enforcement

The Trial works brilliantly on many different levels. There is the human anguish as Dani attempts to come to terms with Theo’s inexplicable departure. Jo Spain then invites us to be disgusted at the many ways in which academic institutions can become a simple market place commodity, and sold to the highest bidder. Above all, though, is the satisfaction derived from reading something written by a natural born story teller. There is not a word out of place, not a scene that wouldn’t work as a TV screenplay and – best of all – human characters of whom we might say, “Yes – I know someone like that.” The Trial is published by Quercus and is available now.

DON’T LOOK BACK . . . Between the covers

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Having had the pleasure of meeting Jo Spain
, I can tell you that she is a delightful person. That said, when she is in writing mode, don’t believe a word she says. Away from her superb police procedural series featuring Dublin copper Tom Reynolds, she has written several stand-alone thrillers, in which she practices to deceive. In The Perfect Lie, she bowled us a Googly or, for American readers, threw us a massive curve-ball:

THE PERFECT LIE . . . Between the covers

In Don’t Look Back she runs through the complete repertoire of her trickery. She tells us the main characters are:
Luke Miller: A decent – but driven – investment banker who fall in love with, and marries –
Rose Miller: An Irish lass, née Gillespie, now a teacher in London and married to Luke, Has an abusive ex boyfriend called:
Kevin Davidson: A member of a rich and powerful Donegal family, whose wealth may not have been acquired entirely legally.
Mickey Sheils: A former lawyer, and onetime lover of Luke Miller. Originally from Ireland, now working in London to protect abused women from their abusive former partners. Able to act mostly pro-bono, thanks to her marriage to:
Nathan Sheils: A big man in The City, formerly Luke’s boss.

Be prepared, however, for some of these people to be –  how best to put it? –  not entirely who they appear to be. The story starts off in a fairly straightforward manner. Rose and Luke are married, but due to Rose’s trauma at the hands of Kevin Davidson, their courtship had been a case of two steps forward, one step back. Rose turns up at Luke’s workplace, complete with airline tickets and packed bags, and announces that she has arranged a super surprise – a delayed honeymoon on the idyllic Caribbean island of Saint-Thérèse. Their stay is blissful, but on the last night, Luke senses that Rose has become agitated and distracted. Then, she blurts out that they cannot possibly be on their return flight to London the next day.

The reason? Because on the floor of their bedroom in Luke’s flat, lying there since the day they left for Saint-Thérèse, is a corpse. It is the mortal remains of Kevin Davidson, who had been stalking Rose for weeks, and finally made his big appearance. They had fought, Rose had pushed him, he lost his footing and cracked his skull – with fatal consequences – on the sharp edger of a very solid  piece of Edwardian furniture. Rose’s initial panic had metamorphosed into a plan. A desperate one, yes, but a temporary solution. Luke’s flat is the only one occupied on that floor, and its remoteness would give them at least a few days’ grace.

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Luke books them out of their hotel and, despite having had a fairly frosty relationship with Mickey Sheils since he ended their affair, he calls her and asks her to go to his flat and investigate. Reluctantly, she does, but when she gets there, guess what? There is plenty of dried blood – but no body.

What follows is classic Jo Spain (left). One block at a time, she kicks away the supports of what we think we know about what is going on. I read the book on my Kindle, and even when it said 99%, there was time for one more surprise. This is wonderfully inventive stuff, and shows that one of Ireland’s finest writers is at the top of her game. As a footnote, I enjoyed the dramatic contrast in settings, with the tropical tourist paradise of Saint-Thérèse starkly juxtaposed against the bleak Donegal coast, where the icy horizontal rain takes no prisoners. Don’t Look Back is published by Quercus, and will be available on 11th May.

ON MY SHELF . . . Mara, Massen, Perks & Spain

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There’s some good stuff in the offing for crime fiction fans judging by this quartet of fine  writers. In alphabetical order, we have:

HIDE AND SEEK by Andrea Mara

Screen Shot 2022-05-14 at 18.23.42Confession time: while I have read and enjoyed previous novels by mesdames Massen, Perks and Spain, Andrea Mara is a new name to me. Turns out she is a compatriot of Jo Spain, also lives in Dublin’s fair City, and her previous novel All Her Fault was a bestseller. So, the loss is all mine. In Hide and Seek, it’s worst nightmare time, especially if you are a parent or, like me, a grandparent. The back-story is that little Lily Murphy goes missing from her Dublin suburb and is never found. Years later, Joanna moves into what was Lily’s home and from here, things just become more scary and spine tingling. This will be published by Bantam Press on 4th August.

FROM THE ASHES by Deborah Masson

Screen Shot 2022-05-14 at 18.25.37Eve Hunter is well established now in the sharp-elbowed assembly of fictional Detective Inspectors. Her beat is The Granite City of Aberdeen. I reviewed – and enjoyed –  two earlier novels, Hold Your Tongue (2019) and Out For Blood (2020) Ms Hunter returns now in an investigation into a fatal fire in an Aberdeen house used as a home for underprivileged children. There appears to be only one person who perished, but further enquiries uncover a rats’ nest of secrets and guilt which means all of the adults who were paid to care for the children may be implicated in an awful crime. From The Ashes is from Transworld Digital/Penguin and will be available from 21st July’

THE OTHER GUEST by Heidi Perks

Screen Shot 2022-05-14 at 18.27.12Heidi Perks is another writer whose previous books The Whispers (2021) and Come Back For Me (2019) were seriously impressive. Click the links to read my reviews. Here, we are basking in the sun in White Sands, an expensive resort on a remote Greek island. Laila and her husband have paid top dollar for their holiday in the hope that they can repair their increasingly fractured relationship. She becomes  what might be called ‘over-interested’ in another family at the poolside –  a woman called Em, her husband and their teenage sons. Then there is a horrifying event which forces Laila to question her own sanity, and what follows involves the exposure of family secrets, and human frailty stripped back to the bone. This is a very early ‘heads-up’ for a book which will be available in January 2023.

THE LAST TO DISAPPEAR by Jo Spain

This is a tiny bit of a cheat, as I have already read this book on my Kindle, and reviewed it here. However, the publishers, in their wisdom, have sent me a mint hardback copy of the book, so I am offering it as a prize to anyone in UK or RoI who retweets this post. What are you waiting for?

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THE LAST TO DISAPPEAR . . . Between the covers

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No-one will ever accuse Jo Spain of being unadventurous. With a best-selling series of police procedurals under her belt – the superb Tom Reynolds novels – a lesser writer might hunker down and play safety first by sticking to the familiar. But that’s not Jo Spain. Her last standalone thriller, The Perfect Lie (click for review), was set in Newport, Rhode Island, and now she takes us to the ski resort of Koppe in icy Finland, where Brit Alex Evans has travelled to identify the murdered body of his sister, Vicky. She was something of a ‘free spirit’, having wandered half the way round Europe doing a variety of temporary jobs (including pole dancing in a Spanish bar), always broke, but always looking for the next big adventure. Her body has been found by an ice fisherman, and has been in the water for some time.

Handling the investigation is local police chief Agatha Koskinen, but Alex is determined to ask his own questions. He discovers that Vicky had been working at a local  hotel and had made friends with an American tourist who is now back in the states, but has an alibi for the time when Vicky disappeared. Agatha has demons of her own to contend with, however, as somewhere out there is the abusive parent of her three children – Luca – and she fears for them should Luca come back into their lives.

As ever, Jo Spain weaves a complex mystery, and gives us a split time narrative. She takes us back to 1998 where we are a fly on the wall in the house of Miika and Kaya Vartinen. Miika is a Sami – one the ethnic people of what used to be known as Lapland. He is a reindeer herder. Kaya is pregnant, but Miika is not the father. She is carefully managing the usual symptoms so that when she tells him,  Miika will believe the child is his.

The significance of the book’s title becomes clear when Alex visits Agatha at her home, and she reveals that Vicky is the latest woman to disappear in a ten-year period, and that Kaya Vatinen was the first. She also tells Alex that Miika Vartinen is widely suspected as being involved in the disappearances, but no evidence has ever emerged to connect him to the cases.

With the most delicate of touches, Jo Spain hints at the darker aspects of life in Koppe, where there is an undercurrent of racism towards the Sami people, and she reminds us of the familiar theme of movers and shakers in tourist resorts – think the Mayor of Amity Island in Jaws –  not wanting anything to disturb the inward flow of visitors and their cash. There is also the spectre of an international mining company sensing a million dollar windfall from the minerals sitting beneath the pristine and picturesque Finnish landscape.

Jo Spain’s tricksy thrillers are very cleverly written. She relies on us making assumptions. She invites us to make these assumptions rather like a fly fisherman casting the cunningly constructed fly on the water, hoping it will fool the fat trout (aka the reader). When we realise we have been gulled, we might turn back a few ages and react with something like, “hang on – didn’t she tell us that …?“, only to find that what she wrote was  perfectly ambiguous, and that we have jumped to the wrong conclusion. Perhaps there’s a few too many mixed metaphors there, but I hope you get my drift.

There are only two predictable things about a Jo Spain thriller. The first? There will be a dramatic plot twist. The second? You won’t see it coming! The Last to Disappear is published by Quercus, and will be out on 12th May. For more of my reviews of Jo’s books, click the image below.

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THE PERFECT LIE . . . Between the covers

When you read a Jo Spain stand-alone novel, you know you are going to be misled, made a fool of, and led up the garden path – all in the nicest possible way. Her Tom Reynolds police procedurals (see some reviews here are more straightforward and stick to the conventions of the genre, but when she spins a yarn outside of those confines, you learn to trust her narrators about as far as you can throw a grand piano.

Such is the case in The Perfect Lie. Erin Kennedy – an Irish lass – works in publishing in New York, is married to American cop Danny Ryan, and they live in Newport, Rhode Island. No, Danny is not a fellow Celt, despite his surname, but beautifully black, at least in Erin’s eyes. One morning, she answers the doorbell to their apartment and admits Danny’s cop colleague Ben – stern of face –  and a couple of fellow officers. Within seconds Danny, freshly showered and shaved for the day’s shift has walked to the  balcony and jumped to his death on the concrete four floors below.

What follows is a journey into a labyrinth of blind alleys and false assumptions. Erin learns that Danny was the subject of an internal police inquiry, and was about to be arrested for corruption. She later discovers that he had secret bank accounts containing tens of thousands of dollars. Two other significant characters are introduced; Cal Hawley,  the scion of a wealthy local family who has some connection with what Danny Ryan was involved in before his death, and Karla Delgado, a feisty lawyer who agrees to work for Erin pro-bono.

The split narratives of the book are not for complacent or inattentive readers. A couple of times I had to check back and make sure that I knew exactly what was going on. The viewpoints are these:

  • Erin on the morning of Danny’s death, and the weeks following.
  • The retrospective account of a young woman called Ally, a proctor at Harvard University.
  • Erin, over a year after Danny’s death, when she is in custody and in court being tried for her husband’s murder.

Bullet points one and three seem to be incompatible, so you might think that the obvious solution is that Danny did not die as we are told in the first few pages. The fact that Erin is not allowed to ID her husbands body, and that he is cremated in a closed casket suggests that something strange is going on, but what, exactly – and why? Eventually, the link between Ally, her mentee Lauren Gregory, and the Danny Ryan/ Erin Kennedy story is revealed. And Jo Spain has tricked us – well, I certainly fell for it –  into making a huge assumption.

Jo Spain has has created her own version of the classic locked room mystery. It happened, yet it is impossible that it could have happened. She is The Queen of The Night in terms of misdirection and she entices us into a  spider’s web where we thrash helplessly until she puts us out of our misery. In the end, however, she can put on her best innocent face and say’ “who…me?’ because when the penny drops we realise we have misled ourselves.This is another masterpiece from, in my opinion, Ireland’s finest contemporary writer. The Perfect Lie is published by Quercus, and is out today, 13th May.

My reviews of other books by Jo Spain can be found HERE

THE POSTMAN DELIVERS . . . Katz, Perks & Spain

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I haven’t done a ‘Postman Delivers’ feature for ages, mainly because during our annus horibilis of 2020, books have come in dribs and drabs. Maybe today’s “thump, thump, thump” of books hitting the doormat are a sign of better things to come, in all sorts of ways. Let’s hope so.

A GOOD MAN by Ani Katz

A Good Man023Fans of dark domestic drama should love this. The ‘good man’ in question is Thomas Martin. He was the perfect family man, husband, father son and brother. He had a dream job and a lovely home. But when disaster strikes, and dreadful suffering is inflicted on those he loves, he is forced to conduct the most forensic examination of his own personality, motivation and actions. Ani Katz is a writer, photographer and teacher. She was born and raised on the south shore of Long Island, and holds a MFA in photography from Columbia College, Chicago, and a BA from Yale. She lives in Brooklyn. A Good Man is published by Windmill/Penguin Random House. It came out in hardback in January last year and the paperback will be out on 11th February.

THE WHISPERS by Heidi Perks

The Whispers025I reviewed – and loved – an earlier Heidi Perks novel back in 2019, when Come Back For Me was published. Her latest novel tells the story of Anna Robinson, a woman with the perfect family, and everything in the world going for her. One night she goes out to have some fun with four old friends. And never returns. Why would she do this? What has happened to her? Are the rumours at school gates true?

Heidi Perks lives by the sea in Bournemouth with her husband and two children.She graduated from Bournemouth University with a BA (Hons) in Retail Management, and then enjoyed a career in Marketing before leaving in 2012 to focus on both bringing up her family and writing. The Whispers is published by Cornerstone Digital/Century and will be available from 18th March as a KIndle, and 15th April in paperback and hardback.

THE PERFECT LIE by Jo Spain

Perfect Lie024Jo Spain is, in my opinion, one of the most gifted writers we have. She is based in Dublin, and not content with creating a hugely popular police procedural series featuring Detective Tom Reynolds, she writes scripts and screenplays for television and cinema, and also managed to write superb standalone thrillers. The Perfect Lie belongs to the latter category, but moves the action from Ireland to America’s east coast. Erin Kennedy lives in Newport, Long Island with her detective husband Danny. Her idyllic life turns into a nightmare when he jumps to his death from their fourth-floor apartment.

In the traumatic months that follow his death, Erin learns that Danny was not the ‘regular guy’ everyone thought he was. If those revelations weren’t bad enough, she is then arrested and charged with his murder. Her previous life has morphed into something spectacularly dreadful – The Perfect Lie. Click this link to learn more about Jo Spain and her books.The Perfect Lie is published by Quercus and will be available in all formats from 13th May.

BOOKS OF THE YEAR 2020 . . . Best Police Procedural

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For many of us, the Police Procedural remains the staple of our crime fiction reading diet. That the genre remains so lively after so many decades is a tribute to the ingenuity and assiduous research of the authors. Here are the four books that I enjoyed the most in 2020. To read the full review, just click the titles.

STILL LIFE by VAL McDERMID

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CRY BABY by MARK BILLINGHAM

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AFTER THE FIRE by JO SPAIN

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BEST POLICE PROCEDURAL 2020
BURY THEM DEEP by JAMES OSWALD

Screen Shot 2020-12-11 at 18.53.09The most crowded room in the mansion of Crime Fiction is the one containing all the Detective Inspectors. Why so many? Probably because in real life a DI’s seniority allows them to become involved in serious criminal cases, but they are not so elevated that they spend most of their time behind a desk juggling budgets and ticking boxes on diversity surveys. So, for a fictional DI to standout from the throng, they must have something a little bit different. With due apologies for execuspeak, Tony McLean’s USP is that he has an awareness of another world beyond the one inhabited with fellow – living – human beings. This is both a blessing and a curse, but James Oswald handles it with a great deal of nuance and restraint. There are no Woman In Black type shocks, and McLean certainly doesn’t “see dead people”. What we do have is a growing sense of unease, with something just at the corner of our peripheral vision maybe, and that something is certainly not benevolent. For more about James Oswald, click his picture (above left).

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AFTER THE FIRE . . . Between the covers

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Jo Spain’s Irish copper Tom Reynolds – now Detective Chief Superintendent, if you please – returns in After The Fire and we are, as ever, in Dublin’s Fair City. Are the girls still ‘So Pretty’? The young woman walking naked down the city street, much to the astonishment of shoppers might have been pretty once, but now she is in a terrible state. Hair awry, skin blackened with dirt and a look of sheer terror in her eyes.

Except that is not dirt on her skin. It is soot, and she has escaped, traumatised, from a catastrophic house fire. The terraced house is in an area which has moved upmarket because of its proximity to the The International Financial Services Centre (IFSC) but the services being offered at the ruined house were something different altogether. First one body is recovered, and then another, and as the young woman – a Russian –  recovers in hospital, it becomes clear to the police that the house was a brothel, and she was one of the items on the grisly menu.

As a DCS, Tom Reynolds is not meant to get his hands dirty at an investigational level, but there is no drama in balancing budgets and supervising staff deployment, so the admirable Mrs Spain has Tom notionally taking a spot of leave so that he can lend a hand in the case which is being led by his former protégé Laura Lennon.

Tyanna, the woman who fled the fire, is too terrified of the people who controlled the trade at 3 Shipping Row to be of much use, but she has mentioned a baby, now missing, the child of a young woman whose corpse was discovered in the building. Another frightened young woman – Nina Cusack – who was bought and sold there has also emerged, but she has sought sanctuary with her parents and is, again, too terrified to divulge much about the identities of the guilty men who are controlling the brutal trade.

The sheer fluency of Jo Spain’s writing will come as no surprise to those of us who are long term admirers, and the bottom line is that every book she writes is, quite simply, a bloody fine read. It is, however, worth taking a moment to look at just how and why she is so good. Lesser writers will seed their narratives with gore and gruesome detail, while Spain leaves us in no doubt about how brutal people can be, but in a much more subtle way.

Some police procedurals rely too much on the central copper being a maverick, or a bitter misanthrope, or a damaged person with a hundred different devils to fight each day. Tom Reynolds doesn’t distract us in that way – he is a decent man who has been dealt a fair hand by fate, and so we don’t waste valuable time having to understand him by examining his CD collection. (Yes, I know CDs are so very yesterday, but you get my drift)

As for elaborate scene setting with endless paragraphs about how Dublin looks, smells, sounds and feels, Jo Spain puts us in the place with a couple of telling sentences. We know we are in Dublin – that’s fine – but then she gets on with the important stuff. The important stuff? That is the story and above all, Jo Spain is a storytelling genius. Those who follow her career will know she is also much sought after as a screenwriter. The Tom Reynolds books and the stand-alones are not written for the screen, but they may as well be because every page, every paragraph and every sentence comes to life as vividly – and as visually – as if we were standing right there, watching.

After The Fire is published by Quercus. It is available now as a Kindle, and will be out in paperback on 6th August.

For more on Jo Spain and her novels, click the image below.

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SIX WICKED REASONS . . . Between the covers

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SCelticartre insisted that the celebrated line from his 1944 play Huis Clos (No Exit), “L’enfer, c’est les autres.” was forever misinterpreted, but the idea that hell is other people has stuck, despite the protestations of the Great Existentialist. Some, like Jo Spain in her latest novel Six Wicked Reasons, would suggest – to mix and match poets – that Dante’s Nine Circles of Hell could be condensed into an overpowering tenth – Family.

SWRThe Lattimer family, patriarch Frazer, sons James, Adam and Ryan, daughters Ellen, Kate and Clíodhna – Clio – have assembled at the family home in south east Ireland overlooking the waters of Spanish Cove in the Irish Sea, so called because of its earliest recorded casualties – sailors from a Spanish galleon blown adrift from the Armada and then shattered on the hidden rocks.

Something has gone badly wrong. With the family gathered aboard a luxury yacht moored just off-shore, and apparently partying, Frazer Lattimer has been hauled from the water, as dead as any Spanish sailor, with a mortal wound to his head. Now his children are huddled on shore, wrapped in space blankets, being interrogated by a member of the local Garda Síochána. And, of course, one of them must be the killer. Mustn’t they?

RCeltic lettereaders new to Jo Spain’s novels will welcome the apparently straightforward back-stories of Frazer Lattimer’s children, and their motives for wanting him dead. Those who know that the author is The Mistress of Misdirection will suspect, correctly, that this is only the start. But, for the record, I give you the Lattimer children. James is a big media name, with TV screenwriting and production credits on his CV. Lives in Dublin, of course with ex-model wife and step daughter. Adam – now there’s a tale. He now lives abroad, making money for fun, but he disappeared ten years earlier, broke the heart of his late mother Kathleen, and has now re-appeared, equally mysteriously, and it is his return ‘from the dead’ which has prompted the reunion. Ryan, alas poor Ryan. Drug addicted as a teenager, he has somehow survived industrial intakes of pharmaceuticals, and now lives in Italy, just about getting by as an odd-job man.

ECeltic letterllen Lattimer is the female equivalent of the Prodigal Son’s brother. Remember, the bloke who stayed at home while his brother was out on the town, giving it all away? Ellen has stayed at home, cleaning, cooking, dusting – and paying for the upkeep of the house. She is prim, joyless, and what Private Eye used to call “tight-lipped and ashen-faced.” Kate, on the other hand, has spread her wings and learned to fly. Having overcome a teenage weight problem which caused her to be known locally as King Kong, she is now svelte, lean and lovely. Also, married to a filthy rich Chinese businessman with a chain of luxury hotels. Clio, though has been in the wars. Summoned from a dingy bedsit in downtown New York to attend the family gathering, she is the most volatile of the children, the antithesis of the line from the old hymn which described Our Lord as “slow to chide and swift to bless.”

You could write what Jo Spain doesn’t know about plotting on the back of a postage stamp and still have room to inscribe the Lord’s Prayer, but she also has an ear for dialogue that is purely musical in its accuracy. We have the six Lattimer siblings, their father in flashback, plus his recently acquired Polish fiancée; to complete the line-up add Rob, an intriguing local policeman, and Danny, the grizzled mariner whose platonic love for Kathleen Lattimer broke his heart and yet made it sing. Ten totally different people, yet when each of them speaks, they are totally credible down to every word, every syllable and every inflection.

ACeltic letters an amateur wordsmith I can only guess at Jo Spain’s writing technique; her prose is so assured, so fluent and has that sense of flair that cannot, surely, be the result only of endless hours of editing. No matter how long you spend polishing a piece of coal, you will never transform it into a gem stone. Six Wicked Reasons is a diamond, multi-faceted and reflecting both the light and the darkness of the human soul. It is published by Quercus and is out on 16th January.

For more reviews of Jo Spain’s novels click the image below

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