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BOOKS OF THE YEAR 2018 . . . (4) Best police procedural

The Fully Booked review of Mark Billingham’s The Killing Habit is just a click away:
https://fullybooked2017.com/2018/05/22/the-killing-habit-between-the-covers/

THE RUMOUR . . . Between the covers

Where would crime fiction readers and writers be without murder? It is the human act which lies at the heart of countless thrillers, police procedurals, serial killer investigations and tales of revenge. Someone more erudite than I will know when the first murder mystery was published, but I suspect it was Poe’s 1841 The Murders In The Rue Morgue. There are not as many actual murders in the Sherlock Holmes stories as one might imagine, and it wasn’t until the twentieth century that corpses became de rigeur in crime novels. Since then,murder has taken may forms in crime novels, from subtle poisoning to vivid and visceral butchery, but I can’t recall a novel which has dealt with the subject of children who kill. In real life that is an infrequently seen phenomenon, so much so that when it does happen the names of the killers tend to live long int he public memory.

Even in harsh socio-political regimes,no-one executes children. So what happens when they have served their time?Here in Britain, we know that they are eventually released, given new identities and plausible fictitious back-stories, and closely monitored in the hope that they can rebuild their lives. This balancing act by the judicial system is the central feature in Lesley Kara’s excellent debut novel The Rumour. A lifetime ago, Sally McGowan stabbed little Robbie Harris to death. She was found guilty, detained,but then released into the community and given a new life. A life, Robbie Harris’s distraught family insist, that was denied their little boy.

In the unassuming Essex seaside town of Flinstead (think, maybe, real-life Frinton or Walton-on-the-Naze) Jo Critchley, single mum to Alfie and estate agent’s gofer,lives in her modest two-up, two-down terraced house. She has moved up from London taking a break from Alfie’s dad Michael, and to be – a couple of streets away –  near her mum. Jo is not ‘born and bred’ Flinstead, and it is taking her a while to become part of the school gate sorority. Still, she has joined a local book group, and added her name to the baby-sitting circle. One afternoon as she waits among the throng of chattering mums outside Alfie’s school, she overhears someone sharing the startling gossip that child-killer Sally McGowan is hiding in plain sight amid the modest bungalows and shabby boarding houses of Flinstead. In her anxiety to be accepted and to be someone who should be listened to, she shares this rumour with the women at her book club. And thus her nightmare begins.

As the Sally McGowan story grows legs, wings, and then takes flight, Jo is caught up in a febrile swirl of false accusations and journalistic opportunism. Who is Sally McGowan? Is it the woman who owns the hippie artifact shop? Is it the artist who has made a collage portrait of strips of newsprint reporting on the McGowan affair?

 Lesley Kara tells most of the story through the eyes of Jo Critchley. The style is direct,conversational and without literary pretension. Kara cleverly misdirects us for two hundred pages or so until she produces a plot twist which turns the narrative on its head. This is a breathtakingly original thriller, set in a humdrum location, but written with style and verve powerful enough to suck in readers, especially those who love Domestic Noir. The Rumour will be on the shelves from 27th December in hardback, but is available now in a digital edition.

BOOKS OF THE YEAR 2018 . . . The story so far

BestDebut                     BestThriller                    BestHistorical

STILL TO COME

19thDecember – Best Police Procedural

22ndDecember – Best Humorous Novel

24thDecember – Novel of the Year


BOOKS OF THE YEAR 2018 . . . (3) Best historical crime

To read the detailed review of GREEKS BEARING GIFTS, just follow the link https://fullybooked2017.com/2018/04/01/greeks-bearing-gifts-between-the-covers/

MY CHRISTMAS POSTMAN DELIVERS . . . Fox, Fraser-Sampson & Noon

GONE BY MIDNIGHT by Candice Fox

The Australian author has a popular series featuring Sydney based ‘tecs Frank Bennett and Eden Archer, and she has also joined the long list of writers who have collaborated with the prolific James Patterson. Now, however, she has written a standalone novel, set in the Queensland city of Cairns, specifically the White Caps Hotel. Parents out enjoying a meal while their child is left in the hotel room? What could possibly go wrong? Except that this child was not left alone. He had his three brothers for company, but now Richie has disappeared. Controversial PI Ted Conkaffey is asked by the police to investigate what appears to be an impossibility – one boy vanishing from under the noses of his brothers, none of who saw or heard a single thing. Gone By Midnight is published by Century and will be available from 24thJanuary 2019

 THE HOUSE ON DOWNSHIRE HILL by Guy Fraser-Sampson

This is the fifth in Fraser-Sampson’s delightful series, The Hampstead Murders, and we are reunited with the investigators from Hampstead police station, led by the urbane and unflappable Detective Superintendent Simon Collison. Although the action is very much present day, Fraser-Sampson’s love of the crime novels of a gentler age shines through as the death of a mysterious recluse and the dark secrets of his past cast a shadow over the genteel Georgian terraces and elegant vistas of London’s most exclusive ‘village’. Published by Urbane Publications, The House On Downshire Hill is out now.

SLOW MOTION GHOSTS by Jeff Noon

The latest book from the Brighton-based novelist, short story writer and crime fiction reviewer takes us back to 1981 and, like many other London coppers, DI Henry Hobbes has had his certainties shaken by the violence and mayhem of the Brixton riots. A murder, however, is as good a way as any of focusing his attention back to normal policing, but this killing is anything but routine. Is there an occult connection? Why has the killing been elaborately staged? The search for the killer impels Hobbes to answer questions about himself and London’s the world he inhabits, and it takes him to places he thought only existed in nightmares.

Also out on 24thJanuary, Slow Motion Ghosts is published by Doubleday.

BOOKS OF THE YEAR 2018 . . . (2) Best thriller

For more detail about why The Woman In The Woods is  the Fully Booked Best Thriller 2018, click on the link: https://fullybooked2017.com/2018/04/17/the-woman-in-the-woods-between-the-covers/



CRIME FICTION ADVENT CALENDAR 2018

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BOOKS OF THE YEAR 2018 … (1) Best debut novel

To read the full review of The Innocent Wife, follow the link.https://fullybooked2017.com/2018/01/22/the-innocent-wife-between-the-covers/

THE BOY . . . Between the covers

I do love me a good,sweaty Southern Noir, preferably down in Louisiana, with ‘gators thrashing about in the bayou, a storm blowing in from the Gulf, insects the size of golf balls on Kamikaze missions against the fly screens, and folk pushed to the limits of their tolerance by the relentless humidity. Throw in a dash of Cajun music and Acadiana French cursing, and I am set for the night. Tami Hoag’s latest novel ticks all the required boxes.

Hoag, who hails from the relatively temperate zone of Iowa, has created a brilliant husband and wife police partnership in Nick Fourcade and Annie Broussard. The pair first emerged on the printed page as long ago as 1997 in A Thin Dark Line but, of course, crime fiction time isn’t the same as real time, and the two cops are still relatively young and beautiful in Hoag’s latest thriller, The Boy. They are called to a beaten up shack in the sticks beyond the somnolent settlement of Bayou Breaux, and they find a seven year-old boy hacked to death with a knife, while his mother has apparently fled the scene, barefoot and bearing wounds from the same blade that brutalised her son.

Genevieve Gauthier has a past, however. Before settling in Bayou Breaux with son KJ, she has been no stranger to law enforcement. Blessed – or cursed – with an ethereal and vulnerable  beauty designed to act as a magnet to predatory men, she has served jail time for suffocating her first-born child. Fourcade and Broussard are faced with a dazzling and perplexing star burst of inconsistencies as they try to find who killed KJ. Why was Genevieve allowed to escape with relatively minor injuries? Where is KJ’s teenage baby-sitter, Nora? Is her disappearance connected to KJ’s death?

Fourcade and Broussard have a bitter enemy in the shape of Kelvin Dutrow, their boss. As Sheriff, he likes to dress in tactical combat gear, his belt heavy with weapons he has no idea how to use. He likes nothing better than a press conference where he can strike a pose, talk tough and play to the camera. His animosity to the pair reaches fever pitch when they discover that not only does he have a sinister past, but it comes with some highly questionable connections to the bereaved young woman nursing her injuries in the local hospital.

The identity of KJ’s killer is cleverly concealed until the final pages, and there is a blood-soaked denouement which will satisfy even the most hardened Noir fan. The Boy is lurid, yes, and certainly melodramatic, but it is a gripping read which had me canceling other activities right left and centre so that I could get to the end.

The Boy is published by Trapeze and is out as a Kindle on 31stDecember 2018, and will be available in other formats in 2019.

https://www.amazon.co.uk/Boy-Broussard-Fourcade-Tami-Hoag-ebook/dp/B01MCZ5Y10/ref=sr_1_1?ie=UTF8&qid=1543917727&sr=8-1&keywords=The+Boy+Tami+Hoag

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