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A LOUTH TRAGEDY . . . Part One

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Back in the 1950s and 60s I was a regular visitor to Louth. Mother was a Louth girl, and my grandmother, although born in Yorkshire, had lived in the area since before The Great War, first in a cottage in the grounds of Tathwell Hall, where her father was Head Groom, and then in the town itself. I used to stay with her in Tennyson Road during school holidays, and blissful days they were. I had made several friends in Louth, and we did what most lads did in those innocent days – played football and cricket and went fishing. The most intense of all our passions was, however, trainspotting.

RunaboutEach summer, we used to buy what was called a Runabout Ticket. It cost twelve shillings and sixpence and was a small rectangle of stiff blue cardboard. On it was printed a stylized map of the railway network in the area. It meant we could travel on any train, between any of the stations, as often as we wanted, for a week. Crucially, it gave us access to the East Coast main line between Peterborough and Grantham, with its magnificent Gresley Pacifics and all manner of spectacular engines. At other times, however, we had to make do with the trains that ran through Louth on the Grimsby to Boston line, and one of our favourite places to trainspot was the level crossing on Stewton Lane. Between trains.we could muck about by the nearby stream where it ran through a little gully, which was known as Seven Trees Island. Happily undreamed of in those days was the fact that we were enjoying ourselves on the site of one of the most gruesome and tragic murder cases of the early twentieth century.

MINNIEIn 1927, just by the railway, there stood a small wooden bungalow, the home of Bertram Horace Kirby, 46, and his wife Minnie. They were not originally Louth people, both having come from Boston, where they had married – possibly in St Botolph’s – in 1905. They had three sons. The two oldest had left home. Harry, 21, lodged with Mrs Took in nearby Church Street, while Ralph, 17, had emigrated to Canada. There was a much later addition to the family. Leslie Norman Kirby was just 8 years old. Minnie Eleanor Kirby (right) was described as follows in subsequent press reports:

“Mrs. Kirby was tall, and of striking appearance. She was most friendly woman, and was liked very much by her neighbours. Her hobby was gardening. She had studied her subject, and she was an expert gardener, and passionately fond of her flowers. She was extremely well-read, and was a thoroughly cultured woman, clever in many ways, and musical. She was a keen churchwoman.

Mrs. Kirby was also an enthusiastic member of the Women’s Unionist Association, and canvassed in Louth at the last election. She had been educated in Boston at Miss Stothert’s High School, and for about 10 years she was head clerk at Mr. A. Simpson’s furniture store, in the Market-place. She was very well-known in Boston. At school, she was a very apt pupil, and we are informed that Miss Stothert “thought a lot of her.” During her schooldays the took part in “The Mandarin”, and other plays. She was extremely fond of rowing, and frequently enjoyed her favourite exercise on the Witham.”

KIRBYBertram Horace Kirby (left) was a year younger than his wife. He also had musical talent, and while they lived in Boston he had been church organist in the town, and the village of Frampton. He had applied himself to various trades while living in the Boston area, but had worked for almost ten years for the London and North Eastern Railway. By 1927, however, he had given this job up, and had attempted to strike out on his own as a commercial dealer.

In the early evening of Sunday 10th July , Harry Kirby called at his parents’ home, and took his mother for a stroll. Although he had moved out of the bungalow because he and his father “couldn’t get along” he had noticed nothing untoward in the atmosphere between his mother and father. He was later to admit that his father “was prone to violent tempers when he had taken drink.”

Despite all seeming well with his parents, Harry Kirby must have had a sixth sense that prompted him to visit the bungalow on Tuesday 12th July. He found the doors locked and the curtains drawn, and could make nobody hear. He walked into the town and asked for help from the police. He returned with Inspector Davies who must have also sensed something was wrong, and forced his way into the bungalow through a rear window. What he found confirmed Harry Kirby’s fears that a tragedy was about to unfold. Minnie Kirby was lying dead on the floor of the living room, on her stomach, with her head turned to one side. At the base of her skull was a savage wound which had almost separated her head from her body.

In Part Two
AN ARREST INTERRUPTS A GAME OF DOMINOES
ANGUISHED LETTERS

LONG BRIGHT RIVER . . . Between the covers

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A wintry Philadelphia is the setting for Liz Moore’s fourth novel. A female police officer, Michaela ‘Mickey’ Fitzpatrick, works the streets of Kensington, This district’s history owes much to its proximity to the Delaware River, and the fishing, milling and transport industries, but these have long since ceased, and the area is run down, dilapidated, and one of the centres of the city’s drug trade.

LBR coverThis is not a crime novel in the traditional sense, and it certainly isn’t a police procedural, despite Mickey’s profession. The plot partly involves the search for someone who is killing young women who have been forced into prostitution to feed their drug habit but, although this is resolved, it is eventually incidental to the main thrust of the novel.

Mickey comes from a dysfunctional family. Her mother is long dead, she is estranged from her father, and both she and her sister Kacey were brought up by a rather forbidding and humourless grandmother they call Gee. Micky’s career in the police force is unspectacular, but it pays the bills for her and her young son Thomas. As the blurb on the back of the book cleverly puts it,

Once inseparable, sisters Mickey and Kacey are on different paths, but they walk the same streets. Mickey on her police beat and Kacey in the shadows of the city’s darkest corners where the drug addicts and the sex workers preside.

As more women fall victim to the mystery killer, Mickey becomes ever more frantic that Kacey will be the next body wheeled on a gurney into the mortuary to await the investigation by the police pathologist. When she hears from an old friend of Kacey’s that the killer is thought to be a police officer, she confides in her immediate boss, Sergeant Ahearn. Not only is he sceptical, but he bounces the accusation back at Mickey, and she finds herself suspended and under investigation into allegations about her own conduct.

Screen Shot 2020-12-27 at 18.57.52Liz Moore (right) treats Mickey’s search for her sister on two levels: the first, and more obvious one, is a nightmare trip through the squats and shoot-up dens of Kensington in an attempt to find Kacey – a search, find and protect mission, if you will. On a more metaphorical level, the books becomes a journey through Mickey’s own past in the quest for a more elusive truth involving her family and her own identity.

As readers we have one or two tricks played on us by the author as she allows us – through Mickey’s narrative –  to make one or two assumptions, before turning those on their heads. Liz Moore’s style is interesting, particularly in the way she replays dialogue. This is a powerful and thought-provoking novel which, despite some measure of redemption, has a truly chilling final few lines.

Long Bright River came out as a Kindle and in hardback earlier this year, and this paperback edition will be published by Windmill Books on 31st December

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BOOKS OF THE YEAR 2020 . . . Best Book

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If you want to read the full review of the books below,
just click the link and it will open in another window

THE FOUNDLING by STACEY HALLS

Best4

ORANGES AND LEMONS by CHRISTOPHER FOWLER

Best3

WHEN I COME HOME AGAIN by CAROLINE SCOTT

Best2

BOOK OF THE YEAR 2020
A PRIVATE CATHEDRAL by JAMES LEE BURKE

James Lee Burke has reached a grand old age, but every new novel shows us that the light shines ever brighter, and his indignation at injustice, cruelty and corruption – expressed through the deeds of Dave Robicheaux and Clete Purcell – is still white hot. A Private Cathedral is a mesmerising showcase for the author’s poetic style, his awareness of the all-encompassing power of the Louisiana landscape, and his sense that history – the dead and their deeds – hasn’t gone anywhere, but is right there, hiding in the shadows. There is music – always music – to  spark our senses and remind us that a three minute pop song can be just as potent a memory trigger as Proust’s Madeleines.

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CRIME FICTION ADVENT CALENDAR 2021 . . . Week Four

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Each decorative bar is a clickable link to
a video of the book of the day and a piece of seasonal music

Dec22

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BOOKS OF THE YEAR 2020 . . . Best Thriller

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If you want to read the full review of each novel, just click the title. The review should then open in a different window

THE SECOND WIFE by REBECCA FLEET

THRILLER 4

POSSESSED by PETER LAWS

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BORROWED TIME by DAVID MARK

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BEST THRILLER 2020
OFF SCRIPT by GRAHAM HURLEY

Screen Shot 2020-12-11 at 19.20.17If you were to ask the man or woman browsing in the books aisle at ASDA or TESCO to name a distinguished living British crime fiction writer, I would wager that few would come up with name Graham Hurley. , Rankin, James, McDermid and Child might get a mention – and all credit to them – but Graham Hurley is something of a connoisseur’s choice. I’ll be quite up front – I love his writing. The Joe Faraday novels were just wonderful, but then Mr H killed him off. He kept us entertained with the Jimmy Suttle stories which were, in a way, Faraday novels without Faraday, but then Jimmy disappeared. Hurley’s latest creation is not a copper. She is a 39 year-old actress with a brain tumour, and a back story that involves a very ‘dodgy geezer’, a former criminal ganglord called Hayden Prentice. Yes, there is plenty of crime, and an abundance of thrills but, above all, there is Hurley’s superb ability to create memorable characters and tell a mesmerising story. Click the author’s picture (above right) to learn more.

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BOOKS OF THE YEAR 2020 . . . Best Historical Crime

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All historical crime writers have two main tasks; first, to pose a plausible mystery, whether that is a murder to be solved or a conspiracy to be unraveled; second, they have to do their period research, and get it spot on, otherwise there will be an endless queue of sharp-eyed nit-pickers who will be ready to pounce on the slightest inaccuracy or anachronism. The very best of these writers have a third skill- and that is to weave the first two tasks together into a seamless cloth so that the reader is back in time, be it fifty, one hundred, or three hundred years ago, and completely at one with the protagonists of the story. Here are four historical crime novels that I have loved during 2020. To read the full review, just click the title.

THE MOLTEN CITY by CHRIS NICKSON

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THE MUSIC BOX ENIGMA by RN MORRIS

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THE TAINTED by CAUVERY MADHAVAN

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BEST HISTORICAL CRIME 2020
THE NIGHT RAIDERS by JIM KELLY

Screen Shot 2020-12-11 at 18.32.03I have long been a fan of Jim Kelly’s other two series, the Philip Dryden books and the Peter Shaw stories which, although firmly set in the present day, always feature plot lines where history has an unpleasant habit of intruding on the present. With this third set of books – set in 1940s Cambridge – we are ‘in’ history, albeit one which is in living memory for many people. Detective Inspector Eden Brooke is a fascinating character. Physically damaged and mentally scarred by his horrific treatment as a WW1 prisoner of war, he does his job thoughtfully and with great sensitivity as he watches civilian Cambridge struggle to come to terms with what it really means to be at war. In the earlier books in the series, we are in the so called  ‘phony war’, but as the title suggests, Night Raids sees the full horror of total war come to the streets of the city. For anyone new to Jim Kelly’s books, you can learn more by clicking on his photograph (above right).

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BOOKS OF THE YEAR 2020 . . . Best Police Procedural

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For many of us, the Police Procedural remains the staple of our crime fiction reading diet. That the genre remains so lively after so many decades is a tribute to the ingenuity and assiduous research of the authors. Here are the four books that I enjoyed the most in 2020. To read the full review, just click the titles.

STILL LIFE by VAL McDERMID

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CRY BABY by MARK BILLINGHAM

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AFTER THE FIRE by JO SPAIN

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BEST POLICE PROCEDURAL 2020
BURY THEM DEEP by JAMES OSWALD

Screen Shot 2020-12-11 at 18.53.09The most crowded room in the mansion of Crime Fiction is the one containing all the Detective Inspectors. Why so many? Probably because in real life a DI’s seniority allows them to become involved in serious criminal cases, but they are not so elevated that they spend most of their time behind a desk juggling budgets and ticking boxes on diversity surveys. So, for a fictional DI to standout from the throng, they must have something a little bit different. With due apologies for execuspeak, Tony McLean’s USP is that he has an awareness of another world beyond the one inhabited with fellow – living – human beings. This is both a blessing and a curse, but James Oswald handles it with a great deal of nuance and restraint. There are no Woman In Black type shocks, and McLean certainly doesn’t “see dead people”. What we do have is a growing sense of unease, with something just at the corner of our peripheral vision maybe, and that something is certainly not benevolent. For more about James Oswald, click his picture (above left).

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CRIME FICTION ADVENT CALENDAR 2021 . . .Week Three

ADVENT HEADER

Each decorative bar is a clickable link to
a video of the book of the day and a piece of seasonal music

DEC15

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DEC21


BETWEEN THE COVERS . . . The End Of Her

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Firstly an apology. I have had this book for some time, and it had languished in my TBR pile, sadly ignored because of other pressing deadlines. I have now read it and, goodness me, if you want a razor sharp examination of people under stress, this is it! I am not sure if  Anxiety Porn is a thing, but The End of Her tugs at the frayed ends of your nerves and insecurities – with a vengeance.

TEOH COVER00smallWe are in the (fictional) town of Aylesford, New York State, and the cast is quite extensive. To start with, I had to go back to the beginning a couple of times to make sure I knew who was who. Central to the story are a married couple, Patrick and Stephanie. They have twin baby girls. Stephanie is Patrick’s second wife, his first having died a few years earlier in a tragic accident. Patrick is in an architectural partnership with Niall, who is married to Nancy. In a different town we have have Cheryl, Gary, and their adopted son Devin. The person who links these families is a woman called Erica Voss.

It is, hopefully, no spoiler to make it clear that Ms Voss is a nasty piece of work, so how does she tie in with the three couples? Back in the day, during Patrick’s first marriage – to the late Lindsey – she and Patrick had an affair which resulted in Erica becoming pregnant. Concealing the fact from Patrick, she gave birth to a son who she effectively sells, outside of normal adoption procedures, to Cheryl and Gary. Now, nine years later, she enters the three families lives like a malignant growth. After applying for a job at the architectural firm, she seduces Niall (for reasons which only become apparent later in the story). She then blackmails Cheryl and Gary, but her trump card is played when she informs Patrick that she has evidence that Lindsey’s death was not an accident, and she is prepared to have the case reopened unless, of course, she is paid to keep her mouth shut.

The sequence of events which caused Lindsey’s death is, apparently ‘a thing’ in places like Colorado, where deep snow is a winter certainty. Preparing to drive to visit Lindsey’s parents, Patrick has gone outside to dig the car out of four feet of snow. He has turned the engine on to warm the car, and while he is digging, the heavily pregnant Lindsey comes outside and sits in the car. The exhaust is, unfortunately, blocked with snow, and the resultant build-up of carbon monoxide inside the car sends Lindsey unconscious, and by the time Patrick has finished his digging, she is dead. The emergency services are called, but to no avail, and after an investigation, the case is closed, and goes on file as a tragic accident.

What happens next is for you to find out. One of Shari Lapena’s many gifts is to use the ploy of the unreliable narrator to great effect. Yes, Erica Voss is clearly a scheming and highly plausible villain, but who else is up to no good? I have to say that I didn’t see the final resolution coming, but is there a happy ending? You can judge for yourself. The End of Her is published by Bantam Press and is available now in all formats.

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