The Fully Booked review of Mark Billingham’s The Killing Habit is just a click away:
To read the detailed review of GREEKS BEARING GIFTS, just follow the link https://fullybooked2017.com/2018/04/01/greeks-bearing-gifts-between-the-covers/
For more detail about why The Woman In The Woods is the Fully Booked Best Thriller 2018, click on the link: https://fullybooked2017.com/2018/04/17/the-woman-in-the-woods-between-the-covers/
To read the full review of The Innocent Wife, follow the link.https://fullybooked2017.com/2018/01/22/the-innocent-wife-between-the-covers/
The Great and The Good (plus yours truly) gathered at the decidedly swish Soho Hotel in Richmond Mews on the evening of 29th November for what has become an annual – and eagerly anticipated – event, the Transworld crime fiction showcase. Transworld have an enviable record of not only snaring established writers, but spotting talented authors and giving them a stage on which to make their debut.
After a few glassesof the cup that cheers and inebriates we went down to one of the hotel’s film screening rooms to meet the three writers who were to be centre stage. In the chair was none other than Patricia Nicol – Sunday Times journalist, editor and author. The literary debutante was Lesley Kara, and she talked about how her novel The Rumour had been influenced by real life cases of children murdering other children.The spectres of Mary Bell, Jon Venables and Robert Thompson obviously cast a long shadow over her book, and she spoke with great conviction about the moral dilemma faced by society when these killers reach adulthood and strive for rehabilitation, with or without the anonymity provided by the state. The Rumour will be published on 27thDecember 2018.
Fiona Barton already has two highly regarded novels – The Widow (2016) and The Child (2017) – to her name and The Suspect will be on the shelves from 24th January 2019. It has become something of a rite of passage for aspirational youngsters to heave their back-packs onto their shoulders and head off to the Far East or Australasia in search of who-knows-what, leaving their parents anxiously waiting for a text, a Skype message or – heaven forfend – a postcard saying that all is well and they are having a great time. Fiona takes us into the nightmare world of parents when two girls go missing on a trip to Thailand, and the fate of the eighteen year-olds becomes a lurid and speculative media story, She also explained that her narrative style, where the story is told from several contrasting viewpoints, stems from her work as a journalist where interviewing a range of people can reveal differing versions of reality.
The graphics for The Secretary highlight the first six letters of the second word, and Renée Knight has based her second novel on the uniquely ambiguous position of the women –and it is usually women – who are personal secretaries to powerful corporate individuals. They are the silent shadows in the rooms where decisions are made that will influence the lives of thousands, and they witness the rage and the frustrations of the powerful. What, Renée Knight asks, happens when one such person, silent and discreet for years, is pushed to the point where what she knows and what she has seen hands her a potentially deadly weapon? The Secretary will be available from 21st February 2019.
AT THE APPROPRIATELY NAMED DEAD DOLLS HOUSE in Islington, the inventive folks at publishers Bonnier Zaffre launched Stacy Halls’ novel The Familiars with not so much a flourish as a brilliant visual fanfare.
The novel was at the centre of a vigorous bidding war and, having won it, Bonnier Zaffre celebrated in style. The book is set in seventeenth century Lancashire, and the drama plays out under the lowering and forbidding bulk of Pendle Hill. If that rings a bell, then so it should. The Pendle Witch Trials were a notorious example of superstition and bigotry overwhelming justice. Ten supposed witches were found guilty and executed by hanging.
Stacey Halls takes the real life character of Fleetwood Shuttleworth, still a teenager, yet mistress of the forbidding Gawthorpe Hall. Despite being only 17, she has suffered multiple miscarriages, but is pregnant again. When a young midwife, Alice Grey, promises her a safe delivery, the two women – from such contrasting backgrounds – are drawn into a dangerous social upheaval where a thoughtless word can lead to the scaffold.
Back to modern London. Francesca Russell, now Publicity Director at Bonnier Zaffre, has masterminded many a good book launch, and she and her colleagues were on song at The Dead Dolls House. We were able to mix our own witchy tinctures using a potent combination of various precious oils. I went for Frankincense with a dash of Patchouli. I managed to smear it everywhere and such was its potency that my wife was convinced that I had been somewhere less innocent than a book launch.
We were encouraged to give a nod to the novel’s title, and draw a picture of our own particular familiar, and pin it to a board for all to see. I decided to buck the trend towards foxes, cats and toads, and went for a fairly liberal interpretation of that modern icon, the spoilt and decidedly bratty Ms Peppa Pig.
The absolute highlight and masterstroke of the evening was, however, a brief dramatisation of a scene from the novel. Gemma Tubbs was austere and elegant as Fleetwood, while Amy Bullock, with her Vermeer-like simple beauty, brought Alice to life.
That’s the good news, and I have a copy of the novel. The bad news is that it isn’t out on general release until February 2019. Here’s wishing everyone a happy winter, and I hope you all survive another one. If you need an incentive to get through the long hours of cold, darkness and northern gloom, The Familiars should fit the bill. It will be published by Bonnier Zaffre and can be pre-ordered here.