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BOOKS OF THE YEAR 2018 . . . (6) Best novel

The Confession is my Best Novel of the year 2018, and it left the competition for dead. Here’s why I feel that way:
 https://fullybooked2017.com/2018/01/03/the-confession-between-the-covers/

 

 

BOOKS OF THE YEAR 2018 . . . (5) Best humorous crime novel

Read the Fully Booked appreciation of The Mother’s Day Mystery and share some of Peter Bartram’s excellent gags – and his delightful ability to tell a good story.

https://fullybooked2017.com/2018/11/11/the-mothers-day-mystery-between-the-covers/

BOOKS OF THE YEAR 2018 . . . (4) Best police procedural

The Fully Booked review of Mark Billingham’s The Killing Habit is just a click away:
https://fullybooked2017.com/2018/05/22/the-killing-habit-between-the-covers/

BOOKS OF THE YEAR 2018 . . . The story so far

BestDebut                     BestThriller                    BestHistorical

STILL TO COME

19thDecember – Best Police Procedural

22ndDecember – Best Humorous Novel

24thDecember – Novel of the Year


BOOKS OF THE YEAR 2018 . . . (3) Best historical crime

To read the detailed review of GREEKS BEARING GIFTS, just follow the link https://fullybooked2017.com/2018/04/01/greeks-bearing-gifts-between-the-covers/

BOOKS OF THE YEAR 2018 . . . (2) Best thriller

For more detail about why The Woman In The Woods is  the Fully Booked Best Thriller 2018, click on the link: https://fullybooked2017.com/2018/04/17/the-woman-in-the-woods-between-the-covers/



CRIME FICTION ADVENT CALENDAR 2018

1   2  3  4

5 6 7 8

9 10 11 12

13 14 15 16

17 18 19 20

21 22

BOOKS OF THE YEAR 2018 … (1) Best debut novel

To read the full review of The Innocent Wife, follow the link.https://fullybooked2017.com/2018/01/22/the-innocent-wife-between-the-covers/

ONCE UPON A TIME IN SOHO . . . Transworld crime fiction showcase 2018

The Great and The Good (plus yours truly) gathered at the decidedly swish Soho Hotel in Richmond Mews on the evening of 29th November for what has become an annual – and eagerly anticipated – event, the Transworld crime fiction showcase. Transworld have an enviable record of not only snaring established writers, but spotting talented authors and giving them a stage on which to make their debut.

 After a few glassesof the cup that cheers and inebriates we went down to one of the hotel’s film screening rooms to meet the three writers who were to be centre stage. In the chair was none other than Patricia Nicol – Sunday Times journalist, editor and author. The literary debutante was Lesley Kara, and she talked about how her novel The Rumour had been influenced by real life cases of children murdering other children.The spectres of Mary Bell, Jon Venables and Robert Thompson obviously cast a long shadow over her book, and she spoke with great conviction about the moral dilemma faced by society when these killers reach adulthood and strive for rehabilitation, with or without the anonymity provided by the state. The Rumour will be published on 27thDecember 2018.

 Fiona Barton already has two highly regarded novels – The Widow (2016) and The Child (2017) – to her name and The Suspect will be on the shelves from 24th January 2019. It has become something of a rite of passage for aspirational youngsters to heave their back-packs onto their shoulders and head off to the Far East or Australasia in search of who-knows-what, leaving their parents anxiously waiting for a text, a Skype message or – heaven forfend – a postcard saying that all is well and they are having a great time. Fiona takes us into the nightmare world of parents when two girls go missing on a trip to Thailand, and the fate of the eighteen year-olds becomes a lurid and speculative media story, She also explained that her narrative style, where the story is told from several contrasting viewpoints, stems from her work as a journalist where interviewing a range of people can reveal differing versions of reality.

 The graphics for The Secretary highlight the first six letters of the second word, and Renée Knight has based her second novel on the uniquely ambiguous position of the women –and it is usually women – who are personal secretaries to powerful corporate individuals. They are the silent shadows in the rooms where decisions are made that will influence the lives of thousands, and they witness the rage and the frustrations of the powerful. What, Renée Knight asks, happens when one such person, silent and discreet for years, is pushed to the point where what she knows and what she has seen hands her a potentially deadly weapon? The Secretary will be available from 21st February 2019.

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