What constitutes a thriller? I suppose that could be one of those ‘how long is a piece of string questions’. I would hope that any crime novel worth its salt would be ‘thrilling’ in some shape or form, but for the sake of clarity, I’m excluding books which rely heavily for their impact on police investigations, or are given added ambience by an historical setting. So, what did I enjoy? Harlan Coben always delivers, and his renegade policeman Napoleon ‘Nap’ Dumas left official procedural behind and certainly did the business in Don’t Let Go. Domestic Noir has become a very fruitful field for many authors and publishers, and I enjoyed having the wool pulled over my eyes by Simon Lelic in The House.
Another writer who kept one or two brilliant tricks up his sleeve was Tim Weaver when he gave us another mystery for David Raker to solve in I Am Missing. Michael Robotham played the ‘unreliable narrator’ trick when he challenged us to decide just which of the expectant mums was telling the truth in The Secrets She Keeps, while Karen Perry dangled several versions of the truth in front of us in a brilliant tale about memory, old friendships and illusion in Can You Keep A Secret?
So, who thrilled me the most? First across the line by a nose, in a very competitive field, was Unleashed, by Peter Laws. Laws sends his alter ego, Professor Matt Hunter, to the dull south London suburb of Menham to investigate a Hieronymus Bosch-like scene at a primary school concert, where the highlight of the evening is the music teacher being found dead in a cupboard full of recorders, plastic tambourines and chime bars – with her throat ripped out, apparently by her own pet dog. Hunter’s investigations lead him to to 29 Barley Street, where a young girl was found hanging from a beam in her bedroom. The soul of Holly Watson, however, is not at rest, and her presence still lingers in the claustrophobic gloom of her home. Occasionally – and unashamedly – playing to the gallery, and using every colour on his palette, Laws paints a picture that disquiets us. He makes us think to ourselves, “This is nonsense, but …..” The ‘but’ is his key weapon. He evokes old fears, conjure up ancient and deep-rooted uncertainties – and makes us glad that Unleashed is only a book.
“Laws takes a leaf out of the book of the master of atmospheric and haunted landscapes, M R James. The drab suburban topography of Menham comes alive with all manner of dark interventions; we jump as a wayward tree branch scrapes like a dead hand across a gazebo roof; we recoil in fear as a white muslin curtain forms itself into something unspeakable; dead things scuttle and scrabble about in dark corners while, in our peripheral vision, shapes form themselves into dreadful spectres. When we turn our heads, however, there is nothing there but our own imagination.”
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