
The Spring of 1945 turned into summer in Lower Quinton. The barren hedges that Charles Walton had tended bore green buds. The war in Europe finally ended, and the wives, daughters, mothers and sisters who had not lost their men in the struggle against Hitler began to dream of the day when “We’ll Meet Again” would be a joyful reality rather than a sentimental song. More mundanely, the Warwickshire police were none the wiser as to who had hacked an old man to death on that fateful St Valentine’s Day. Robert Fabian had returned to London, and Alec Spooner had other cases to solve (although the Walton murder remained an obsession with him).

Just as the identity of Jack the Ripper will never be known, we will never know who killed Charles Walton, or why. As recently as 2014, the local BBC team for Coventry and Warwickshire examined the case, and sent some unfortunate trainee out there to quiz the locals. As you will see from the feature (click here) no-one was very keen to talk, any more than they were in the weeks and months after the murder.
Alfred Potter died in 1961, and whatever secrets he had went into the grave with him. The Firs farm was later demolished and was replaced by an expensive housing development. Talking of graves, the researcher will look in vain for the last resting place of Charles Walton, in St Swithin’s churchyard. It has been said that the headstone was removed to deter ghoulish sightseers, but like so much of this story, there is no hard evidence that this is the case. Walton’s meagre cottage has now been knocked through with two other adjoining properties to make a rural residence which, no doubt, is worth an eye-watering amount (below)
My view? The only thing that stands out like the proverbial sore thumb is the total collective silence – both contemporary and future – of the villagers of Lower Quinton. 1945 was not a time of continual distraction from electronic or digital media. Lower Quinton was not a bustling place, a transport hub, or somewhere used to endless strangers coming and going. Someone – and then by definition others in their circle – knew something, and the resultant omertà is almost as chilling as the murder itself. Thirty years later, Walton’s death was still providing copy for regional journalists and, although I have no evidence that Ron Harding – who penned this piece – was in any way involved with the murder, it still sounds as certain people – or their sons and daughters – at the heart of whatever made Lower Quinton tick, were still anxious for the world to move on and leave them to their secrets.
