Just 50 miles or so from the town of Shrewsbury is Worcester and it is here, more or less inhabiting the same time frame as Cadfael, we find Under-Sheriff Hugh Bradecote and his rough-hewn assistant, Serjeant Catchpoll. Worcester, at that time, was a busy market town, and it would be many years before the Benedictine Priory would be transformed into what is now Worcester cathedral.
Author Sarah Hawkswood is a serious academic historian, and she has set the series against the political and military turmoil that prevailed during the reign of King Stephen, and his war with the Empress Matilda. Such was the insularity of even relatively large towns like Worcester, however, that national events can take weeks and months to impinge on the lives of townsfolk and villagers. Hawkswood paints a picture of a time that was a brutal struggle for the majority of the population. Disease, hunger, violence and intemperate weather were constant threats, but in these novels we come to appreciate the rhythm of the seasons and the wildness of the landscape beyond the scattered villages and hamlets.
Best of all, though, is the fact that these are great crime novels, with tantalising plots and storylines in the great tradition of detectives and detecting. Sarah Hawkswood’s website is here, and you can also read detailed reviews by clicking on the cover images in this feature.
To Bath now, and a character created by (I think) Britain’s longest living (and still writing good books) crime author. Peter Lovesey was born in Middlesex in September 1936 and, after National Service and a career in teaching, he published his first novel in 1970. Wobble To Death was the first of a hugely successful series of historical novels featuring Sergeant Daniel Cribb and his assistant Constable Thackeray. Older readers will remember the superb BBC TV adaptations starring Alan Dobie (left) as Cribb. The stories were also dramatised by BBC radio.
But Cribb was very much rooted in London, and we must look at a more modern detective, plying his trade in the ancient town of Bath, with its Roman baths and glorious Georgian heritage. We first met Peter Diamond in 1991, in The Last Detective. The title refers to Diamond’s outright reluctance to adopt modern technology, as he sees gadgets and gizmos as the enemy of good old fashioned police work. Lovesey describes his man:
“Difficult to tell whether Detective Superintendent Peter Diamond, on duty in the gardens, was overt or covert. If he had been in the race, you might have taken him for one of the jokers in fancy dress. He might have stepped out of a nineteen-forties film, a sleuth on the trail of Sydney Greenstreet. The gabardine trench coat and dark brown trilby, his so-called plain clothes, weren’t plain at all in twenty-first century Bath.”
In The Last Detective, the naked body of a woman is found floating in the weeds in a lake near Bath with no one willing to identify her, and neither marks nor murder weapon. Diamond’s reliance on tried and trusted methods are tested to the limit. Struggling with a jigsaw puzzle of truant choirboys, teddy bears, a black Mercedes and Jane Austen memorabilia, Diamond doggedly stays on the trail of the killer even after this bosses have decided there’s enough evidence to make a conviction.If you click the image below you can read my review of the 2020 novel, The Finisher.
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