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BAD COPS . . . Between the covers

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It is fair to say that Nick Oldham’s Lancashire copper Henry Christie has been around the block a few times. Twenty-four times, to be precise. Bad Cops is his twenty-fifth trip and Detective Superintendent Christie is off work, recovering from a gunshot wound. He has been making vague promises to his pub landlady girlfriend Alison that his days at the sharp end of British law enforcement are over, and he is going to spend his last days on the force sitting safely behind his desk until his pension pot matures and he can retire to The Tawny Owl and concentrate on pulling pints and working the restaurant’s elaborate coffee machine.

imageHis resolve weakens, however, when he is visited by two of his more senior officers, his own Chief Constable and the newly appointed boss of the Central Yorkshire force, John Burnham. The Yorkshire police has suffered a disastrous inspection, and Burnham has been appointed to cleanse the Augean Stables.

Christie is assured that he will only be required to cast his experienced eye over the murder books pertaining to two unsolved killings look for omissions and inconsistencies, and report back to Burnham. What follows is a journey into a nightmarish world of police corruption, people trafficking, financial fraud – and contract killing.

Nick Oldham gives us a fascinating cast of characters. Readers new to Henry Christie will discover a bruised and (frequently) battered old style officer who, like Tennyson’s Ulysses, is “not now that strength which in old days moved earth and heaven.” Even he accepts that his philandering days are over, much as he is attracted to his investigating partner Detective Sergeant Diane Daniels. Those of us who have followed breathlessly in Christie’s turbulent wake in previous novels will know that Nick Oldham doesn’t mess about when creating villains, but he has certainly outdone himself here with Detective Chief Inspector Jane Runcie, who is as corrupt, foul-mouthed, sexually predatory and downright malevolent as anyone he has previously brought to the page.

imageOldham (right) is a retired copper himself, so readers are guaranteed procedural details which are described with total authenticity, whether they be the smelly reality of unmarked police cars used for observation, complete with the detritus of discarded fast food wrappers and the inevitable flatulent consequences, and an intriguing – and quite scary – use for Blutac and two pence pieces.

Like the previous Henry Christie novels Bad Cops is short, sharp, and sometimes shocking. You will get through it in a couple of sessions at the most and if ever a novel deserved the old latin adage multum in parvo it is this. Oh, yes, one last thing. If you can find a more powerful and gut-wrenching final paragraph this year, I’ll buy you a pint. Or six. Bad Cops is published by Severn House and is out now.

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DIE LAST … Between the covers …

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Tony Parsons has passionately held political views, and he takes no prisoners in this searing account of how human life has become a mere commodity in the biggest criminal racket ever to infect British society. Worse than drugs, more damaging than financial fraud and with a casualty list that makes the Kray twins and the Richardson brothers look like philanthropists, the trafficking of people into Britain is a growth industry which attracts the investment of evil men and women, and pays guaranteed dividends – in blood money.

DLHis London copper, DC Max Wolfe, becomes involved when a refrigerated lorry is abandoned on a street in London’s Chinatown. The emergency services breathe a huge sigh of relief when they discover that the truck is not carrying a bomb, but their relaxed mood is short-lived when they break open the doors to discover that the vehicle contains the frozen bodies of twelve young women. The bundle of passports – mostly fake – found in the lorry’s cab poses an instant conundrum. There are thirteen passports, but only twelve girls. Who – and where – is the missing person?

One of the young women shows a flicker of life, and she is rushed off to hospital, but hypothermia has shut down her vital organs beyond resuscitation, and she dies with Max Wolfe at her bedside. He discovers her true identity and vows to bring to justice the people responsible for her death, the people who brought her from poverty in Serbia, the people who promised her that she would find work as a nurse.

The search for the slavers – and the missing girl – takes Wolfe and his colleague Edie Wren to the hell on earth that is the makeshift migrant camp near Dunkerque. They discover a brutal racket run by a group of anarchists posing as voluntary workers, but police attempts to infiltrate the network – whimsically called Imagine – end in tragedy.

Wolfe feels that he has blood on his hands, but this makes him all the more determined, and the deeper he digs, the more convinced he is that someone more powerful and with a much bigger bank balance than the hippies of Imagine is at the heart of the operation. From the mud, despair and violent opportunism of the Dunkerque camp Wolfe follows the trail to millionaire properties in central London and the influential men and women whose lifestyles reek of privilege and wealth.

tony_400x400Max Wolfe certainly gets around for a humble Detective Constable, but he is an engaging character and his home background of the Smithfield flat, young daughter, motherly Irish childminder and adorable pooch make a welcome change from the usual domestic arrangements of fictional London coppers with their neglected wives, alcohol dependency and general misanthropy. Parsons (right)  is clearly angry about many aspects of modern life in Britain, but he is too good to allow his writing to descend into mere polemic. Instead, he uses his passion to drive the narrative and lend credibility to the way his characters behave.

The plot twists cleverly this way and that, and Parsons lays one or two false trails to entice the reader, but in the end, a kind of justice is done. This is compelling stuff from one of our best crime writers, and his anger at the utter disgrace of modern slavery drives the narrative forward. Die Last is a novel that will hook you in and keep you turning the pages right to the end. Your natural disappointment at finishing a terrific book will be tempered by the excellent news that Max Wolfe returns in 2018 with Tell Him He’s Dead. You can grab a copy of Die Last from all good booksellers, or by following this Amazon link.

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DEADLY DECEIT … Between The Covers

Deadly Deceit

In a former life Jean Harrod was a British diplomat who served all over the world. One hopes that she gave the lie to Sir Henry Wotton’s famous assertion that a diplomat was “an honest gentleman sent to lie abroad for the good of his country.” Now she has retired from that demanding role, and is free to give full reign to her vivid imagination.

She has settled in Yorkshire, and in addition to writing plays, she has embarked on a series of crime thrillers featuring British career diplomat Jess Turner. The second of these is Deadly Deceit, and opens with Turner being sent to the seemingly exotic British Overseas Territory of the Turks and Caicos Islands, TCI for short.

She is on a troubleshooting mission, as the Governor has been involved in a mysterious near-fatal car accident, and someone with the proverbial ‘safe pair of hands’ is required to step into the breach.

Crime fiction has a much used trope – that of ‘The Odd Couple’. Nothing to do with Neil Simon’s immortal characters, of course, but think of Holmes and Watson, Wolfe and Goodwin, Dalziel and Pascoe, Morse and Lewis. They tolerate, irritate, admire and, occasionally, infuriate each other, but the device allows writers to have great fun with the law of opposites. Readers were introduced to Jess Turner’s ‘other half’ in the first book in the series, Deadly Diplomacy. He is Queensland cop DI Tom Sangster. As you might expect, in order to be a foil for the urbane and sleek Turner, he has to be a bit of a rough diamond. Sangster is no fool, however, as his crime clear-up rate testifies.

Given the fact that Turner and Sangster live worlds apart, Jean Harrod will have to continue coming up with convincing reasons for them to meet up. In this case, it is TCI’s proximity to the stricken island republic of Haiti. Boatloads of Haitian migrants are arriving on TCI, and the patience and compassion of the locals has been wearing pretty thin. Sangster’s homeland has its own problems with ‘illegals’ of course, and he has been attending a conference in Miami – a short flight from TCI – with US Immigration officials.

Turner and Sangster uncover a nasty racket in people smuggling, which involves not just shady villains down at the waterfront, but some very eminent people. Although there are a couple of grisly killings, and a very convincing description of a tropical hurricane, I would class this novel as a romantic thriller. It’s none the worse for that, however, and it makes a refreshing change to have central characters who are neither near-alcoholics, black-humoured nor self destructive. I have not had the pleasure of meeting the author, but I suspect that there is a little something autobiographical about Jess Turner. Deadly Deceit is out now. Buy now on Amazon.

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