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THE MONK . . . Between the covers

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The idea of an investigating detective having what some people see as a disability is an interesting one. Jeffrey Deaver’s Lincoln Rhyme is a tetraplegic who, effectively, cannot do ‘normal detective things’; Nero Wolfe is morbidly obese and rarely leaves his apartment – his cases are solved by his brain power and Archie Goodwin‘s leg-work; more recently, Harry Bingham’s Fiona Griffiths suffers from Cotard’s Delusion, aka Walking Corpse Syndrome, which gives her telling insights into murder investigations. Tim Sullivan introduced us to Detective Sergeant George Cross in The Dentist (2021). Cross has Asperger’s Syndrome* I will say now that this was one of those rare book that I simply didn’t want to end. I noted the advance of my bookmark through the pages with definite sadness.

*Symptoms include an inability to understand figurative speech, obsession with detail, difficulty with recognising emotional responses and lack of social awareness and empathy.

Author Tim Sullivan, very cleverly, pairs George Cross with fellow DS Josie Ottey, a married woman who is as ‘normal’ as Cross is ‘odd’. She acts as a kind of buffer between Cross and the people he must question as part of the job. What Cross brings to the party, however, is a kind of cold objectivity which, to counteract his inability to read a facial expression or tone of voice, gives him a laser-like clarity regarding the truth and logic of what witnesses or suspects tell him. The Monk is set in the Bristol area, and a body is found in the intriguingly named Goblin Combe*, a rural beauty spot beloved of hikers and tourists.

*A small dry valley beneath a hill. Commonly used in southern and south western England.

The  body, brutally beaten, is found strapped to chair and abandoned in a ditch. It turns out to be that of a Benedictine monk, Brother Dominic, who had only recently been reported missing from a nearby monastic community, St Eustace’s Abbey. The victim was killed elsewhere and the corpse dumped. There only a dozen members of the order, all men who, for whatever reason, have chosen to reject the modern world in favour of a life of prayer and contemplation. George Cross rapidly sees that there are two obvious lines of enquiry; was Brother Dominic killed because of something that happened within the walls of the monastery, or did his murder relate to something in his previous life, where he was a very successful investment banker?

Screen Shot 2023-04-05 at 18.42.44Without giving the game away, it is in Brother Dominic’s previous life where the clues are to be found, but answers don’t come easy for Cross and Ottey. Although there was a very clever plot twist involving the identity of the killer, I was far more involved with George Cross as a person than wondering who murdered Brother Dominic.The relationship between Cross and his father, the discombobulating effect of the re-emergence of his mother – lost to him since she left the family home when he was five – and his attraction to the unambiguous world of order, silence and simplicity of Dominic’s fellow monks,  all contribute to the power of this compelling read.

The book is full of little treats and bonuses. Rather in the same way that The Nine Tailors doubled as a treatise on the arcane art of bell ringing, we learn that George Cross is an accomplished church organist, despite the concept of religious faith being totally alien to him. He spends his spare time by pushing the murder case to a corner compartment of his mind, and patiently dismantling the dysfunctional abbey pipe organ, then cleaning and re-assembling the separate parts so that the instrument can once again play a part in the liturgy. Sullivan (above left) also gives the staple of police procedural novels – the recorded interview – a new twist; Cross’s ‘disability’ is a blessing when it comes to his interview technique, as neither the suspect nor the duty lawyer can make head nor tail of his literal approach to everything that is said. Mistaking him for an idiot, however, becomes a serious error of judgment.

Sullivan’s experience as a film director and screenwriter gives the narrative an intensely visual feel, but he wisely lets us picture George Cross in our own way, providing little or no physical description of him.  The Monk is a brilliant police procedural with an engaging central character and a clever plot. Published by Head of Zeus, it will be out on 27th April.

I WILL FIND YOU . . . Between the covers

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Sometimes, the best writers set themselves challenges by posing a plot problem that appears to deny a plausible solution. One such was back in 2021 when, in The Perfect Lie, Jo Spain pulled the wool over our eyes. There, the deception hinged on a few words – and our (wrong) assumptions.

https://fullybooked2017.com/2021/05/13/the-perfect-lie-between-the-covers/

In his latest novel, Harlan Coben – to use the metaphor of Houdini – has wrapped himself in so many chains and padlocks that it seems impossible that he can set himself free. Why? Try this. Five years ago, David Burroughs was jailed for life for murdering his three year-old son, Matthew, with a baseball bat. He now languishes in the protected section of a high security jail, alongside child rapists, cannibals, and other monsters. After refusing to see any visitors for five years he is finally forced to see one – because he omitted to fill in the annual paperwork. It is his former sister-in-law Rachel; his wife, Cheryl has, inevitably, divorced him. Rachel shows David a photo (taken by a friend) of a family group at an amusement park. On the edge of the picture is a little boy, clutching the hand of an adult, otherwise out of picture. It is Matthew.

Coben gives us a drive-through account of the back story. David Burroughs was home-alone with Matthew that night. Cheryl, a surgeon,  was at work. David was in a bad mood, put his son to bed without a bedtime story, and proceeded to get outside of the best part of a bottle of Bourbon. Somehow awakened by a sixth sense that something was wrong, or perhaps by the smell of blood, David staggered to his son’s bedroom only to find a mangled and unrecognisable corpse on the bed.

The first key to the mystery is, of course, that the shattered boy’s corpse was just that – unrecognisable. It was, however, in Matthew’s bed, wearing Matthew’s pyjamas. When, a little while later a baseball bat, with David’s fingerprints all over it, is found buried in the garden, David’s status changes from bereaved father, through suspect, to convicted killer.

The next key has to be putting David in a situation – i.e. no longer behind bars – where he can investigate the possibility that the child in the photograph is Matthew, and prove that the murdered boy in Matthew’s bed was someone else. The Governor of Briggs Penitentiary is Philip Mackenzie, and he has history with David Burroughs. David’s dad, Lenny, was, long ago, a grunt in Vietnam with Phil. The pair survived and went on to become partners in crime prevention as precinct cops. Now, Phil is just months away from retirement and a double pension, while Lenny is in the advanced stages of dementia. Suffice it to say there is a fairly improbable break-out from Briggs but this is, after all, crime-fiction.

Coben then throws a fairly heavy spanner into the works by revealing that at a rough stage in their marriage, when Cheryl and David were unable to conceive, Cheryl booked an appointment at a sperm donor clinic. This cleverly opens up all manner of potential twists and questions, which the author exploits to the maximum. It certainly had me guessing right up to the final few pages. If I say this a typically American slick thriller, it is meant as an entirely positive description. Somehow – and I won’t say they are better than British writers – American novelists such as Coben, Connolly, Baldacci and Kellerman produce a polished and gleaming product which has, to extend the automobile metaphor, a distinctive ‘new car smell’. I Will Find You is published by Century and is out now.

THE CLOSE . . . Between the covers

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Jane Casey’s DS Maeve Kerrigan series hits double figures with The Close. The London copper first has to deal with the murder of a doctor, Hassan Dawoud, found dead in his car in the hospital car park. His husband Cameron is a likely suspect, as the pair often fought, but he has an unshakable alibi. Then she is seriously sidetracked. The death of a vulnerable man called Davy Bidwell, found virtually mummified in a derelict house, has raised serious questions. Why was his broken body covered in all kinds of wounds, and what became of him after he left his last known address – in Jellicoe Close, an apparently safe middle-class suburban street?

One – or perhaps several – of the long term residents of Jellicoe Close  must know what happened to Davy Bidwell. The death has left the Met with egg all over its gold braid ceremonial uniform, and in order to make up for earlier failings, the top brass decide to  plant two officers – disguised as civilians – into the community in an attempt to discover what happened.The two chosen for this surveillance are Kerrigan – and DI Josh Derwent, They are ‘of an age’ to be a plausible couple, and are smart enough to pull off the deception that they are house-sitting for a genuine resident.

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Meanwhile, Kerrigan has to try to keep tabs on the Hassan Dawoud investigation on the phone to her colleague DC Georgia Shaw, who comes over as attractive and talkative, but perhaps not the sharpest knife in the drawer. Jane Casey uses a sizeable chunk of the middle part of the book to dwell on the “will-they-won’t-they” aspect of Kerrigan’s relationship with Derwent. As they they insert themselves into the social dynamic of Jellicoe Close, a certain amount of public affection is necessary to keep up the charade, but what happens when the pair are out of the public gaze? Jane Casey (left) lets us know that the killer is watching and observing the newcomers as they blend into the suburban lifestyle of over-the-fence gossip, barbecues, football matches and drinks parties.

Although the residents of Jellicoe Close are not on an island, Jane Casey recreates a similar sense of claustrophobia and mistrust pioneered all those years ago by Agatha Christie in And Then There Were None. The parallel, I suppose, is that what traps the people in Jellicoe Close is not the sea, but a combination of their own suspicions, misplaced loyalties and prejudices. After several false turns – and another death –  the two detectives find a way through the maze of apparently conflicting accounts of the events which led up to the death of Davy Bidwell.

Meanwhile, the not-as-dim-as-we-thought Georgia Shaw has cracked the case of the killing of Hassan Dawoud, which only leaves Kerrigan and Derwent to mull over the effects of their pretence as lovers. The romantic relationship between Kerrigan and Derwent became a bit too breathless for me, but that didn’t spoil my enjoyment of a cracking police procedural where the main characters are skillfully drawn on a carefully observed backdrop of suburban life and – more importantly – the reality behind the charade that “perfect” families sometimes present to the public gaze is exposed as a charade. The Close is published by Harper Collins and is available now.

 

TWIST OF FATE . . . Between the covers

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The story begins with a violent prelude in an English country churchyard. It is dark, cold and damp, Thomas Gray’s “rugged elms” are almost certainly present, and his “rude forefathers of the hamlet” still sleep beneath their headstones, but there is little else elegiac about the scene. A couple, married – although not to each other – are using the sexton’s shed for sex. Then something awful happens. How this links to the main narrative of the book is not made clear until much later.

In another place – a prestigious building in central London – we meet a brother and sister. They couldn’t be more different, Claudine Cadjou is a well-known political lobbyist, used to schmoozing the media and well-versed in the dark arts of the professional publicist. She is suave and chic. Her brother Jethro looks like a madman. His clothes are one step up from rags. He is dirty and unkempt. His home, if such it can be called, is a semi derelict farmhouse in the Lincolnshire fens. He is basically ‘in care’ with Claudine paying his neighbours to make sure he doesn’t starve. Once, he had a brilliant mind, but it has all but been destroyed by psychotic episodes linked to substance abuse. While talking, Claudine is fighting a battle between embarrassment at her brother showing up on her turf, and her love for  this wreck of a man. Then her discomfort turns to terror when an unknown man storms into the atrium of the building and stabs Jethro to death.

The man who killed Jethro has just committed several other atrocities nearby. More people are dead, and several not expected to survive. At this point we meet a London copper, DS Benny Dean. Another soul  – another torment – but of a different kind.  His wife of many years is also a copper, but she has risen through the ranks and now she is a Chief Superintendent. And she wants a divorce. Like Claudine, she is sophisticated, cultured and  ambitious. Even her name has changed from homely ‘Fran’ to the media chic ‘Cesca’  Benny has tried his best, put his career on hold while hers prospered, but now she wants out. And the cruelest irony of all? As police are mobilised to investigate the murders, Benny’s wife is put in charge of the investigation, and he has to remember to use the word ‘ma’am’ when phoning in reports.

Benny and his partner DC Helen Savage, and, separately, Claudine, travel to Lincolnshire to investigate Jethro’s’s recent history. At this point it is worth reminding readers about the fens, their geography, their place in literature, and the social history of the area. First, a geological distinction; low lying areas which were once under fresh water are known as fens, while areas reclaimed from the sea are, more properly, marshland. One of the great crime novels in history, The Nine Tailors, was set in the fens (well known to DL Sayers from her days as a rural rector’s daughter) while Jim Kelly’s Philip Dryden series takes place in and around Ely. Graham Swift’s Waterland deals entirely with the darker aspects of fenland history, while John Betjeman wrote a deeply scary poem called A Lincolnshire Tale, wherein a traveler encounters a spectral vicar who still rings the bells in his abandoned church.

“The remoteness was awful, the stillness intense,
Of invisible fenland, around and immense;
And out on the dark, with a roar and a swell,
Swung, hollowly thundering, Speckleby bell.”

I live in the fens and, to this day, there is an insularity about the remote villages and a lingering sense of suspicion about outsiders which I have never encountered anywhere else in England.

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Looking back on my previous reviews of David mark’s novels, I see that I have – more than once – likened his work to that of Derek Raymond, I won’t labour the point, but Benny Dean is a 21st century version of Raymond’s valiant but tormented nameless sergeant. Death stalks this book like some hideously deformed entity in an MR James ghost story; it is superbly written, but not for the faint hearted. Twist of Fate is published by Head of Zeus and is available now. For more by DL Mark (writing as David Mark) click the author image below.

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EMERGENCE . . . Between the covers

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It has been a while since I read a Guy Portman novel. The last one I read was Golgotha, back in 2019, and clicking the link will take you to my review. That saw the demise of his wonderfully incorrect anti-hero Dyson Devereux, but now he introduces us to someone who might be a teenage version of DD. Horatio Robinson is clearly “on the spectrum”, as Special Educational Needs and Disabilities teachers might say. I confess to having Googled that to make sure it was still the ‘correct’ term as, having been out of schools for ten years, I wondered if the terminology had mutated into something more flowery and Californian.

Horatio is fixated with Trigonometry, reads French dictionaries and Dickens to relax, and has a visceral hatred of his mother’s boyfriend – an absolute oik called Brendan. Horatio’s mother – Rakesha – is from Antigua, but his father fled the scene  when Horatio was five. Horatio is busy applying his love of sine, cosine and tangent in an art lesson, after the teacher sets the class the task of producing a completely symmetrical design. When the class bully – Dominic – damages Horatio’s work, Horatio – as you do – picks up a pair of scissors and impales Dominic’s hand to the desk. He is, of course, immediately suspended from school and, as part of the process, has to visit a counsellor. I don’t know what contact Guy Portman has had with these people but, from my experience, his version is chillingly authentic. Horatio, by the way, narrates the story:

“She does more talking, much more. She asks some questions. The spikey hair, grinning and whiny voice is  terrible combination. And she keeps leaning towards me, close enough that I could smack her in the face.

‘I’ve heard about your issue at school. Could you tell me in your own words what happened?’
‘No.’
‘Well, it would be really helpful if you could.’
‘Helpful for whom?’ ‘
‘Well, you, of course.’
She’s grinning again.”

It took me a while to twig that Horatio’s absent father is, of course, none other than than Dyson Devereux himself. Horatio, permanently excluded from his school, now has time on his hands to perfect a way of ridding his world of the loathsome Brendan. After getting chased out his local library for researching (in the interests of science) Erotic Auto-Asphxiation, he concocts a complex plan which he hopes will remove Brendan in a way that will also shame the dead man, while in no way linking the crime to himself.

Portman says:
“I have always been an introverted creature with an insatiable appetite for knowledge, and a sardonic sense of humour. Throughout a childhood in London spent watching cold war propaganda gems such as He Man, an adolescence confined in various institutions, and a career that has encompassed stints in academic research and the sports industry, I have been a keen if somewhat cynical social observer.”

This cynicism is a sheer delight, especially to readers who, like me,  cast a jaundiced eye over our descent into a progressive madness, typified by those in ‘public service’ who thoughtlessly espouse every insane social fad imported from America. Portman chooses his targets well in this novel. ‘Woke’ teachers, failed psychologists masquerading as counsellors, and the frequently dystopian world of mothers deserted by fathers, and the often calamitous consequences for the children of that disunion, all come under fire. Portman turns over a heavy stone, and all kinds of nasty creatures scuttle away to avoid the light of day. Emergence may be a polemic, but in shooting down pretty much every modern moral and social balloon it is immensely entertaining, and very, very funny. It is out now.

THE TEMENOS REMAINS . . . Between the covers

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A temenos (Greek: τέμενος; plural: τεμένη, temenē) is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, such as a sanctuary, holy grove, or holy precinct.

Screen Shot 2023-02-22 at 19.19.37This is the fourth book in a series featuring Norfolk copper DCI Greg Geldard, but author Heather Peck (left) wastes no time in providing all the back-story we need. Geldard is divorced from his former wife, Isabelle, who is a professional singer. She has now remarried a celebrated orchestral conductor, with whom she has a child, while Geldard is in a relationship with one of his colleagues, DS Chris Mathews. When he gets an early morning ‘phone call from Isabelle saying she and her son have been threatened by a foreign criminal connected to one of Geldard’s previous cases, he is forced to stay at arm’s length, but is disturbed to hear from a colleague that Isabelle may be making the story up.

With this at the back of his mind, he has to focus on human remains found during an archaeological dig. Not unusual, you might think, but this skeleton has modern dental work and was buried with a 1911 silver thruppence in its mouth. After mining down into HOLMES, the national police database, Geldard’s team discover more cases that seem to be similar, and when part of the cliff near Hemsby collapses in a violent storm, another skeleton is revealed, along with its now obligatory coin. Meanwhile, in a series of short episodes which she calls ‘Entr’actes’, Peck introduces us to the man we presume is the killer, but these paragraphs are, at first, enigmatic, and only make sense towards the end of the book when the killer becomes a person of interest to the team.

Geldard’s relationship with Chris Mathews comes under a strain as she resents what she sees as his lingering affection for his former wife, and she is equally unhappy about his working relationship with DI Sarah Laurence. Do real-life coppers get into relationships with close colleagues? I don’t know, but other fictional social partnerships I recall were Tom Thorne and Helen Weeks in the Mark Billingham books, and Peter Robinson’s DCI Banks and his feisty on-off partner Annie Cabbot.

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Eventually, the killer makes a big mistake and is pulled in, Geldard’s only problem being to convince the CPS that he is fit to stand trial and plead. There is to be no celebratory night in the pub, however. Heather Peck has kept the sub-plot featuring the foreign gangster gently simmering in the background, but right at the end she turns up the heat – and leaves us with a cliffhanger worthy of Scheherazade’s tales.

I loved the Norfolk setting of this story, and as a former resident, I can vouch for its authenticity. Greg Geldard is pleasantly ‘normal’ for a fictional senior detective, and Heather Peck relies on her mastery of modern police methods to hold our interest and keep the story ticking along. The Temenos Remains is published by Ormesby Publishing and is out now.

Heather Peck is certainly a busy woman. As well as writing novels, she has been a farmer, chaired an NHS Trust, has worked on animal welfare, sailed a boat on the Broads, volunteered in Citizens Advice and the Witness Service and vaccinated humans against Covid. To find out more, go to her website.

UNNATURAL HISTORY . . . Between the covers

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Guilty pleasures? At my time of life, there should be no guilt involved. I have no intention of troubling the funeral director just yet, but I am nearly six years over my biblically allotted span and I will take every opportunity to enjoy my reading on my terms, and I do love a good series. Yes, I know the analogies – comfortable slippers, well-worn cardigan and all the rest. But why not? When time is not on one’s side, what is the point of enduring the pain of breaking in new shoes? Other metaphors are available, but here are a few of my favourite series by authors who are still with us.

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With that heartfelt (not) apology out of the way, here’s my take on the latest Alex Delaware novel from Jonathan Kellerman, Unnatural History. Quick bio. of Dr Alex Delaware (who first appeared in 1985, so he is one of those characters for whom time stands still). He is a Los Angeles forensic psychologist, his live-in girlfriend is a builder/restorer of high end guitars and stringed instruments, and he is involved in crime due to his friendship with Detective Milo Sturgis who is gay, very smart, and a man who, if eating were an Olympic event, would be a multiple gold medal winner.

Adonis ‘Donny’ Klement, an artist who specialises in photography, has been found shot dead in his converted warehouse studio. Three bullets to the chest, bang, bang bang – a concise equilateral triangle. Donny is a member of a very unusual family. His father Viktor is an elusive and secretive billionaire businessman, so careful to escape publicity that not a single photograph of him exists. He has a strange habit. He marries, fathers a child, and then moves on. Donny was the latest progeny, but he had several half-siblings.

By all accounts, Donny was gentle, talented, but rather naive. His most recent project was called The Wishers. He recruited several homeless down-and-outs, dressed them in exotic and fantastical costumes,and photographed them. They were well paid, but was one of them deranged enough to come back and murder the man who, if only for a brief hour, had enabled them to act out their fantasies?

Delaware and Sturgis are convinced that the murder of Klement is connected with the street people he brought into his studio, and when one of them – a deaf mute woman called Jangles – is found strangled, it begins to look as if they are right. Or are they? There is an elegant and clever plot twist which confirms that they were, but not quite in the way they were expecting.

As well as Kellerman’s taut dialogue and plotting, we should not forget that he is up there with the best writers (including his contemporary Michael Connolly and the Master himself, Raymond Chandler) in bringing to life the dramatic contrasts of the LA landscape, with its beaches, grim neon strip-malls, spectacular hills and – more recently – the horrific shanty cities full of homeless down-and-outs. Yes, of course this is ‘formula fiction’, but it is also CriFi of the highest quality. Delaware and Sturgis are perfect partners; they are a long way from being ‘two peas in a pod’, but each feeds off the other’s strengths and abilities. Unnatural History is a riveting read, and will be available from Century/Penguin Random House from 16th February. Click the image below to read more reviews of books by Jonathan Kellerman.

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THE MURDER OF P.C. WILLIAM HINE . . . A Fenny Compton Mystery (2)

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SO FAR: Fenny Compton, February 1886. Police Constable William Hine has not been seen since he left The George and Dragon inn on the evening of 15th February. Foul play is suspected, but his colleagues in the Warwickshire constabulary have found no trace of him. The Banbury Guardian, of Thursday 25th February broke this news:

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There was a Coroner’s Inquest. Hine had been dealt a savage blow to the head, which had stunned him but the cause of death was something much more sinister – and puzzling. He had two almost surgical knife wounds in the neck, and it was speculated that he had been held down and bled out.

“The medical evidence went to show that the fatal wound in the neck had been inflicted with scientific accuracy, and that probably the deceased was held down on the ground while it was indicted.”

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On 6th March, The Leamington Spa Courier reported on the wintry funeral of the murdered officer:

“The remains of the murdered constable, Hine, of Fenny Compton, were interred in the Borough Cemetery, Stratford-on-Avon on Monday. More inclement weather could not possibly have been experienced. Snow had been falling for several hours, and lay upon the streets and roads to the depth of about two feet. On the outskirts of the town the snowdrifts were, in places, from three to four feet deep. Such unpropitious weather naturally militated against so large attendance of spectators as had been anticipated. Many who had intended coming from a distance were compelled to forego their intention, some of the country roads being almost impassible.”

“The hearse conveying the body of the murdered man to Stratford left the Wharf Inn, Fenny Compton, about 8 am. The journey to Stratford, nineteen miles, was accomplished with difficulty, and in the face of a blinding snowstorm. At Kineton, ten miles distant, it was found necessary to engage a third horse, the roads in places being blocked with snow. Just prior to leaving Fenny Compton a very beautiful floral wreath, composed of white camellias and maidenhair ferns, was placed upon the coffin by Mr Perry, of Burton Dasset, magistrate for that division. The hearse arrived at Stratford shortly before noon. By that time a large number of police, representing every division in the county, had assembled in the open space near Clopton Bridge.”

The search for those who had murdered William Hine – and opinion was that there was more than one assailant – went on until the trail grew as cold the weather on the day he was buried. There was a bizarre interlude when a bargee from the Black Country was arrested for the murder, having confessed involvement in it to a woman friend, who passed this on to the police:

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In court, Mountford then vehemently denied that he had been involved, but gave no reason for his extraordinary confession. He was released without charge, and the police never explained why they discounted his confession. A year later, another “clue” emerged, as reported by the Kenilworth Advertiser:

“The police have discovered blood-stained clothes hidden in a garden at Cropredy village, adjoining Fenny Compton, and it is believed that they belong to the men who murdered Police-constable Hine in February last year. Two men in prison at Oxford are suspected. The night after the murder a woman at Cropredy noticed the blood-stains on the inspected men’s clothes, and it is said they threatened to “do” for her husband if she mentioned the circumstance. The woman is since dead, but made a statement before death.”

The death of William Hine is perhaps not the most infamous unsolved murder in Warwickshire history. That dubious accolade has to belong to the killing of Charles Walton on 14th February 1945. To read that story, click this link. There is, however, at least one similarity, and that is the location and its ambience. Lower Quinton is twenty miles away from Fenny Compton, but is in that self-same part of rural south Warwickshire, a countryside untouched by heavy industry and intense urbanisation. Both locations remain thinly populated, lightly policed, and share a population which, back in the day before mass media and the  internet, tended to keep themselves to themselves, and had a residual suspicion of strangers. There was always the suspicion that Walton’s death was somehow connected with witchcraft; there was no hint of this in the killing of William Hine, but the peculiar nature of the wounds on his throat was never explained away.

Emily HineIt is abundantly clear to me that despite the best efforts of the police, there were people who knew who had killed Charles Walton, but they took their silence to the grave. My best guess is that same applies to Fenny Compton in 1886. I believe William Hine was killed by local criminals – probably poachers and livestock thieves – who local people knew and – most importantly – feared. A charitable fund was raised for Hine’s widow and children. There was something of a scare in September 1887, when the Leamington bank of Greenway, Smith and Greenway collapsed, and it was rumoured that the Hine fund – close to £80,000 in modern money –  had been in their keeping. This rumour proved untrue and the fund paid out until Emily Hine (left) died in 1924. She never remarried, and lived in Shottery for the rest of her life. A new headstone was erected in the memory of William and Emily in more recent times.

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THE MURDER OF P.C. WILLIAM HINE . . . A Fenny Compton Mystery (1)

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Screen Shot 2023-02-03 at 19.14.17William Hine was born in the hamlet of Ingon, just north of Stratford on Avon, on 7th September, 1857, although his birthplace is listed on the 1861 census as nearby Hampton Lucy. He and his parents, with his brother and sister are listed as living at 2 Gospel Oak. He married Emily Edwards on 17th November 1880 in Stratford. Earlier that year, Hine had joined the police force. By February 1886 they had three children. By then, Hine was serving as Police Constable in the village of Fenny Compton.

As a native of Warwickshire myself – born and raised in Leamington Spa – I believe our county becomes more beautiful the further south one travels, and by the time one reaches Fenny Compton, just a few miles from the Oxfordshire border, the Cotswolds are within sight, particularly for the watcher who sits up on the highest spot of the Burton Dassett hills.

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On the evening of Monday 15th February 1886, William Hine spent part of his evening in a pub called The George and Dragon. It sits on the bank of the Oxford Canal, is a mile and a half north-east of the village centre and is now called The Wharf. Some reports suggest there was a cattle auction being held in the pub that night, but Hine left at about 10.00pm, after ‘chucking out time’. When he did not return home, his wife was not unduly alarmed, as he was due to be on duty at Warwick Races the next day, and she assumed he had gone on ahead. When he did not turn up for duty at the racecourse, enquiries were made, and he was reported as missing. A search of the area around the George and Dragon was initially inconclusive, but then a stick which PC Hine habitually carried was found in a field, and a little further away his hat and handkerchief were found. There were bloodstains and signs of a struggle.

By the time Saturday came, the only other clue to Hine’s disappearance was the discovery of a large pocket knife in a ditch near where the hat had been found. In his six years as a Police Constable in South Warwickshire William Hine had experienced several run-ins with poachers and livestock thieves. He had remarked to a friend, “You may depend upon it they mean to do for me some time; that will be my end.”

Villagers reported the sight of a large horse and trap being driven at pace through Fenny Compton on the night of Hine’s disappearance, and rumours spread that a gang of well organised rural thieves had been at work. It is worth noting, that even today, almost 140 years on, rural theft and stock rustling is still a major crime industry in Britain.

The canal was dragged, as were nearby ponds and pools, with no result. In the absence of Hine – or his body – being found, ever crazier theories surfaced. Some said that the best way to dispose of a body was to take it to the lime kilns of the cement works at Harbury, and cremate it there. When Silvia Hine identified the pocket knife as one belonging to her husband, police wondered if Hine had tried to defend himself with the weapon, but it had been wrenched from him and used against him.

There is a saying that the sea eventually gives up its dead. The same happened with the murky waters of the Oxford canal on Wednesday 24th February, 1886.

IN PART TWO
A BODY
A FUNERAL
AN ENDURING MYSTERY

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