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THE MURDER OF ROSA ARMSTRONG . . . Sutton in Ashfield 1924 (1)

ROSA HEADER

Rosa Armstrong was born in 1915, the daughter of Frederick Armstrong and his wife Maria. Her father died just three years later, but her mother remarried – to Edward Buttery – in 1920. June 1924 saw them living at 78 Alfreton Road, Sutton in Ashfield. Nine year-old Rosa attended the Huthwaite Road Council School, just ten minutes’ walk away along Douglas Road. Rosa’s older sister, Ethel (31), had not been lucky in her marriages. She had married William Parnham in August 1912, but on 18th June 1916, he died of wounds in France. Ethel married again, to Edward Mordan, a year later. An Edward Mordan is recorded as being killed in September 1918. At some point after the war, Ethel married again, to Arthur Simms, a miner, and in 1924 they were living in Phoenix Street, Sutton in Ashfield.

At this point, it is worth mentioning that Arthur Simms was reported as having served in the army – in both India and France – during the Great War, and that he had been taken prisoner by the Germans. He was born in 1899, so – unless he had lied about his age – the earliest he could have entered the war was 1917. Keep this in the back of your mind, because I will return to it later.

I am fairly ancient, and when I was at school, lunchtimes were long enough to allow children to go home for lunch. In the 1950s and 1960s, with just a few exceptions, I always walked or cycled home for lunch. Rosa Armstrong’s journey was less than a mile, and on Friday 27th June, she came home for lunch as usual, and as she prepared to go back to school, she asked her mother for sixpence to pay for her school photograph. Her mother, Maria, said that she would come to the school herself and pay for the photograph. Rosa never made it back to school for the afternoon’s lessons.

Fulwood no longer exists as a separate place, but back in the day it had its own identity as a small community south-west of Sutton and south of what is now the A38. In 1924, there was a sweet shop. Its owner was later to testify.

Sweets

When Rosa didn’t return home at the end of the afternoon, her mother was horrified to learn that Rosa hadn’t said “Yes, Sir” at afternoon registration. Deeply worried, she tried asking everywhere, even making it to the home of her daughter Ethel, but she drew blanks everywhere.

Police Constable Cheeseman was bored, tired and foot-sore, as he did his nocturnal rounds in Mansfield, four miles or so up the road from Rosa’s home. At 2.00 am, the early hours of 29th June, he was leaning against a wall in the Market Place, thinking about bed, supper, and sleep, when he was  startled to see a young man, apparently sober, making his way towards him. The newspapers later carried this report:

PC Cheeseman recounted the story of how Simms gave himself up to him in Mansfield Market Place in the early hours of the morning. As he was standing at the bottom of Stockwell Gate, he said he saw the prisoner approaching from the direction of Sutton The man came up to him and said,
“Policeman, I want to give myself up.” He asked what for and Simms replied,
“For murder. It’s my wife’s little sister at Sutton. I have done it at Sutton this afternoon.”
The constable took him to the police station and there said,
“Do you realise the seriousness of your statement?” Simms replied,
“Yes, I do.”
“When I next cautioned him that anything he said would be used as evidence against him,” continued PC Cheeseman. Simms said,
“You will find her under the hedge in the second field of mowing grass near Saint Marks Church Fulwood. I strangled her with my hands. I will put it on paper if you like.”

IN PART TWO

A HORRIFYING DISCOVERY
A FUNERAL
RETRIBUTION
AN UNSOLVED MYSTERY

MURDER ON THE CHRISTMAS EXPRESS . . . Between the covers

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Alexandra Benedict (left) has confected a seasonal version of the traditional locked room mystery. Our locked room is actually a train, heading from Euston to Fort William just a few hours before the big day, but forced to stop in the middle of nowhere because of deep snow. Former Metropolitan Police copper Roz Parker is heading north on the train, not particularly for Christmas, but to be with her daughter who is about to give birth.

Her immediate fellow passengers are not people she would have chosen to be her traveling companions. There is Meg, a brittle, vacuous, Instagram-joined-at-birth, reality TV star and ‘influencer’, who live streams every moment of her life to her adoring followers. She was my odds on favourite to be bumped off, even before the Amazon publicity page for the book confirmed that it was she whose demise Roz would be investigating. Her boyfriend, Grant, is what they used to call ‘a nasty piece of work.’ By complete contrast we have Sally and Phil. Sally is stressed, jealous, and the mum-of-four, while husband Phil is a devoted dad and former teacher of Meg, the soon-to-be victim of the unknown killer.

Benedict sets out her list of suspects in the traditional way. Beck is a rather self-obsessed student and a passionate pub quizzer, while red parka-wearing Ember is an unhappy woman in her thirties with a dark past. A train steward, nicknamed ‘Beefy’, appears avuncular and honest, but it turns out he had a fixation with Meg – as did the mysterious Iain, who has no ticket for the the journey, therefore is keen not to be discovered by Beefy. He has gone one further than Beefy’s doe-eyed worship of Meg, and has stalked her to the extent of having a restraining order slapped on him. How about Craig, who Roz has taken a shine to? But he works for the Crown Prosecution Service so, surely, it can’t be him, can it?

The mechanics of ‘whodunnits’ are not particularly complex for writers, but for readers (who don’t cheat and skip to the last chapter) things can be be more complex. In this case, do we say that it couldn’t be Grant, because that would be too obvious? Or, do we think that the author is double bluffing us, and that it is the self-centred narcissist after all? It couldn’t be Phil, could it? Or did something happen back in the day when Meg was his pupil?

Needless to say, Roz Parker has to put aside her anxieties about her soon-to-be grandchild, and find out who killed Meg, a woman who may have been the most insubstantial of role-models, but was still a human being who deserves justice. Murder on the Christmas Express casts a sardonic eye over the way we live now, throwing in a conception-by-sperm donor for Roz’s daughter, and a sapiosexual love affair (look it up – I had to) while retaining its connection to the skillfully plotted murder mysteries of The Golden Age. For good measure, the author throws in some additional quiz attractions such as embedding the titles of Kate Bush songs in the narrative, and sprinkling some anagrams of her favourite poems and stories within the text. This entertaining novel is published by Simon and Schuster and is available now.

 

THE CHRISTMAS APPEAL . . . Between the covers

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Janice Hallett (left) invites us to return to the idyllic village of Lower Lockwood, where her book The Appeal (2021) was set. Then, law students Charlotte Holroyd and Femi Hassan solved a particularly nasty murder but, goodness me, murder seems to haunt Lower Lockwood rather as it does the unfortunate community of Midsomer, and so they are back again when another corpse is found, threatening the production of the annual village panto. Was ever a production of Jack and The Beanstalk so fraught with difficulties?

Our two sleuths (now fully qualified) spend little time on their hands and knees with magnifying glasses looking for minute physical traces which may betray the assailant; rather, they sit in front of their smartphones, perusing emails, WhatsApp messages, texts and other communications floating around in the digital ether. The clues are all there and, unlike the ancient trope of detectives trying to read messages from letters hastily burnt in fireplaces, these words can never be totally erased.
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This novella is inventively set up with little or no conventional narrative and makes extensive use of graphics representing WhatsApp messages (above) and emails which are now known as  ’round-robins’. Being an old pedant, I have to say that this is a misuse of the expression, as the dictionary says:
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The term has come to be used to describe emails cc-d to multiple recipients, and those awful little printed slips inside Christmas cards telling  friends (not for much longer, if I get them) all the wonderful things that have been happening to the sender’s family since the last Christmas card. Janice Hallett, by the way, makes fun of these dreadful things from the word go.

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But I digress. You will either love the set up of the story, or hate it. I enjoyed it while it lasted – just 187 pages – but I suspect it wouldn’t work in a longer book.

The story begins when Charlotte and Femi receive a massive folder (all digital of course) of evidence from their former mentor, Roderick Tanner KC. The folder contains transcriptions of police interviews and copies of all communications between those involved when a long-dead body in a Santa Suit was found hidden in a giant beanstalk prop – made mostly of wood, papiermâché and, heaven forfend, possible traces of asbestos. The beanstalk was constructed years previously for a production of the play, and so this is the coldest of cold cases. The mystery is solved as Charlotte and Femi pick up the hints from the emails, texts and messages, but along the way, Janice Hallett takes the you-know-what out of some of the more insufferable pretensions in modern society (below).

Spoof

The Christmas Appeal initially deceives as it seems to wear a cloak embroidered with ‘Cosy Crime’, but this is soon shed in favour of some rather sharp satire. It has wit, charm and flair and is published by Viper. It is available now.

BRAT FARRAR . . . Between the covers

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I imagine that anyone who calls themselves a crime fiction fan will have read Josephine Tey’s The Daughter of Time (1951) which, justifiably, regularly takes its place in the charts whenever anyone produces a list of the top crime novels ever written. I had vaguely heard of her earlier novel Brat Farrar (1949), but until I was sent a copy – by Penguin – as one of their reissued ‘Green’ classics, I had never got round to reading it. Within the first few ages I knew I was in for a treat, at least in terms of style and humour, when I read these lines:

“At this same table had eaten Ashbys who had died of fever in India, of wounds in the Crimea, of starvation in Queensland, of typhoid at the Cape, and of cirrhosis of the liver in the Straits settlements.”

“‘What became of cousin Walter?
‘Oh, he died.’
‘In an odour of sanctity?’
‘No. Carbolic. A workhouse ward, I think.'”

Rather like TDOT, the plot idea of Brat Farrar is very clever, if rather more complex. In the un-named English county where Tey sets the story, there are two neighbouring families, both formerly rather grand. In Clare House the Ledinghams “had been prodigal of their talents and their riches”. Now, the family has more or less destroyed itself and Clare is now a boarding school. The Ashbys still live at Latchetts. The male heir (the parents had been killed in an air crash) was Patrick, but he mysteriously disappeared, believed to have committed suicide by drowning, and now his marginally younger twin brother Simon stands to inherit the family fortunes when he comes of age. A member of the Ledingham family, a struggling actor called Alec Loding, has fortuitously spotted a young man – Brat Farrar –  who is the living image of the late Patrick Ashby. He grooms him, and persuades him to assume Patrick’s persona, and reappear on the scene (with a plausible explanation for the false suicide) and claim the Ashby inheritance. Loding’s terms are simple:

“All I want is a cosy little weekly allowance for the rest of my life, so that I can thumb my nose at Equity, and management, and producers who say that I’m always late for rehearsal. And landladies.”

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Yes, of course the plot is breathtaking in its implausibility, but that it its design – to make us gasp, and also entertain us with dazzling use of language and sharp social observation. It is also escapist in the best possible way, and for readers in the impoverished and dour times of post-war Britain, a glimpse of a different world. Perhaps a world that, even then, no longer existed, but a world away from austerity flavoured with NHS orange juice and dried milk.

Screen Shot 2023-10-26 at 19.44.16Brat Farrar is an ingenious invention. He is an orphan, and even his name is the result of administrative errors and poor spelling. He has been around the world trying to earn a living in such exotic locations as New Mexico, but has ended up in London, virtually penniless and becomes an easy mark for a chancer like Alec Loding. He is initially reluctant to take art in the scheme, but with Loding’s meticulous coaching – and his own uncanny resemblance to the late Patrick – he convinces the Ashbys that he is the real thing. But – and it is a very large ‘but’ – Brat senses that Simon Ashby has his doubts, and they soon reach a disturbing kind of equanimity. Each knows the truth about the other, but dare not say. The author’s solution to the conundrum is elegant, and the endgame is both gripping and has a sense of natural justice about it.

Screen Shot 2023-10-26 at 19.47.05Josephine Tey was one of the pseudonyms of Elizabeth MacKintosh (1896-1952) Her play, Richard of Bordeaux (written as Gordon Daviot) was celebrated in its day, and was produced by – and starred – John Gielgud. She never married, but a dear friend – perhaps an early romantic attachment – was killed on the Somme in 1916. She remained an enigma – even to friends who thought themselves close – throughout her life. Her funeral was reported thus:

“A small party of mourners, including Gielgud and the actress Dame Edith Evans, gathered at Streatham crematorium in South London on a cold, dreary day to say their farewells. “We talked to Gordon’s sister, whom we were all meeting for the first time,” *Caroline Ramsden recorded, “and she told us that Gordon had only come south from Scotland about a fortnight before, when she had stayed at her Club in Cavendish Square, on her way through London. What she did or thought about during that period was her own affair, never to be shared with anyone…. All her close friends were within easy reach, but she made no contacts—left no messages.”

*Writer, sculptor and racehorse owner, Caroline Ramsden was one of the oldest residents of London’s Primrose Hill ‘village’. Her abiding passions were horse racing and the theatre. Her memoirs encompass over 60 years of English social and cultural life, being a font of pleasure and information not only for racing and theatre enthusiasts, but for anyone who simply enjoys a glimpse of the past.

Brat Farrar is a wonderful book which simply does not date, despite the very different world in which we live. Tey’s prose is often sublime:

“She turned in at on the south porch of the church and found the great oak door still unlocked. The light of the sunset flooded the grey vault with warmth and the whole building held peace as a cup holds water.”

This edition
is part of Penguin’s reissue of their ‘Green’ Modern Classics and is available now.

DEATH AT HOLMES FARM . . . A double murder in 1931 (2)

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Annie

SO FAR: On the morning of 3rd October 1931, in their isolated farmhouse near Waddingham, Annie Priscilla Jackling (left) is found dead in her bed, while on the floor nearby is her husband Robert, grievously wounded. Both have been shot at close range with a twelve bore shotgun. Their child Maurice is unharmed, but standing in in his cot, crying for his mother. The couple’s nephew, sixteen year-old Harold Smith, who lived and worked on the farm, is missing.

Harold Smith’s escape from the scene was hardly a thing of drama. Taking Robert Jackling’s bicycle, he had made it as far as Wrawby, just north of Brigg, when he was arrested, just hours after the  grim discovery at Holmes Farm. Superintendent Dolby from Brigg knew that the case, which became a double murder when Robert Jackling died in Lincoln Hospital, offered only three sensible scenarios. First, that this was a murder suicide, Jackling having shot his wife and then turned the gun on himself. Second, that the pair had been shot by an unknown assailant and, third, that the killer was Harold Smith.

Smith made a detailed statement quite soon after his arrest. It implied that he had been brooding for some time over his treatment by Robert Jackling, and had been contemplating taking action. At Smith’s trial at Lincoln Assizes in November, this was reported:

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At his trial, Smith resolutely denied having anything at all to do with the murders, and only admitted to hearing gunshots in the night, and subsequently removing the shotgun from the bedroom, and placing it downstairs. He said that he fled the scene, fearing that he would be blamed. Neither Mr Justice Mackinnon (right) nor the jury were having any of this, and he was found guilty and sentenced to death, although the jury made a recommendation that mercy be shown. Invariably, judges had little option but to don the black cap when the charge remained as murder, with no suggestion of the defendant being insane. As there had been no-one hanged at the age of sixteen for decades, it was almost inevitable that the Home Secretary would order a reprieve, and Harold Smith was spared the attentions of the hangman. To me, from a distance of over ninety years, it seems that Harold Smith was guilty of cold blooded murder. The words in his original statement are chilling:

“I stood by the doorway of the bedroom for some minutes, deciding whether to do it or not. At last I touched the trigger.”

There was a long feature article in Thompson’s Weekly News after the reprieve, purportedly written by Smith’s mother. Thompson’s Weekly news was published in Dundee, and the parent company were also proud parents of The Beano. There is little to choose between Mrs Smith’s reported outpourings some of the more unlikely adventures of the Bash Street Kids and Dennis the Menace.

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I don’t apportion any blame to Mrs Smith. She clearly was delighted that her son would not be hanged, and being a poor woman,the newspaper’s money would have been welcome, but the article is clearly the work of one of the newspaper’s more inventive hacks and, under the sub-heading reproduced above, contains such comments as:

“Harold was looking exceptionally well, but I noticed that the tears were not far from his eyes. Indeed, l am sure he would have broken down if we had not had our friend with us, Even then, if we had not turned the conversation round to the happy days he had spent on the farm after leaving school, he would not have managed to keep a stiff upper lip.”

“I could not take in what was happening. My poor boy sentenced to die by the hangman’s rope! Oh no! Surely there was some mistake.”

The 1939 register shows that Harold Smith was in Maidstone Prison. We also know that he was released on licence in June 1941, slightly less than ten years since the brutal killing for which was adjudged responsible. He was still younger than either of his victims. He died at the age of 78 in January 1998, in Crewe. The last surviving witness to the tragedy was the child who stood in his cot as the dreadful event took place. Maurice Jackling died in 2003, also at the age of 78.

We know that Holmes Farm was still occupied in 1939, because Harry Dickinson, who farmed there, was the victim of pig-rustling by a couple of his workers. The property was advertised as a vacant possession in April 1945, but I believe it was derelict and had been pulled down by 1950, as in 1952 a property known as New Holmes Farm, built just down the lane, was advertised as “an excellent modern farmhouse and range of buildings, both erected since the war.”

I would like to thank Mick Lake for help with researching this case.

I have been researching and writing about historic Lincolnshire murders for some years,and those wishing to find out more about our county’s macabre past should click this link.

DEATH AT HOLMES FARM . . . A double murder in 1931 (1)

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Lincolnshire is England’s second largest county, and its landscape reflects that in its diversity. In the ‘Deep South’, fen and marsh prevail. Drive north from Boston on the A16, though, and as you near East Keal, the southern edge of the Wolds makes a dramatic appearance. From then on, until you reach Louth, the steep valleys and chalk hills provide some of the most dramatic scenery in England. Our story here, though, takes us to the north-west of the county where, in a pleasing symmetry, the land flattens out around Brigg and Gainsborough, and it is among these sometimes bleak fields that the story begins, near the village of Waddingham.

Annie and baby

Nothing is visible of Holmes Farm today to anyone other than an archaeologist with ground penetrating radar. Holmes Farm is marked as Waddingham Holmes on old maps, and a visitor in 1931 would have found a lonely 19th century farmhouse. In October of that year, the residents were Robert James Jackling – a tenant farmer – his wife Annie (left), their infant son Maurice, and a sixteen year-old boy called Harold Smith, whose mother was Robert Jackling’s half-brother. Harold was born in 1915,  in Scawby, just a couple of miles from Brigg. He was described as a big lad, perhaps not overly bright, and destined for the most laborious kind of farm work. It was later alleged that the relationship between Harold and Robert were strained due to Harold’s inability to  complete jobs to his uncle’s satisfaction.

Families in the neighbourhood were very close-knit. William Jackling, Robert’s father, was another farmer, and on the morning of 3rd October he paid a visit to his son and daughter in law. The events of that day were to become national news. The Aberdeen Press and Journal reported:

“Mr Jacklin, senior, who lives at Waddingham, visited the farm early in the morning, and found the place locked up. Forcing an entrance to the kitchen, he saw apparent evidence of an attempt to set the house on fire. The room was full of smoke, and a rug and some straw were burning and smouldering on the floor. He rushed upstairs to his son’s bedroom, and found his daughter-in-law lying in bed shot through the mouth. His son had received a charge of shot in the side of the face, but was still alive.  .Besides the bed was a cot containing the couple’s eighteen-month-old baby son, who was crying and calling for ‘Mamma’.”

Annie was beyond help, but Robert was still alive, and it looked as if he had perhaps crawled to the window to shout for help. William Jackling raised the alarm, but with the farm being in such an isolated position, the emergency services took some time to arrive. While Robert was taken to Lincoln County hospital, Superintendent Dolby of Brigg took charge of the scene, and the first question raised by the distraught William Jackling was, “Where is Harold Smith?”

It can have been little comfort to anyone involved, but Annie had obviously died instantly, most likely without even waking up. Robert – who was to die two days later – had suffered grievously. The inquest reported:

Terrible injuries

TO FOLLOW
The search for Harold Smith
Trial
Was justice done?
Aftermath

CLASSICS REVISITED . . . Maigret’s Revolver

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Perhaps there’s a PhD to be written on the character of Madame Maigret, and none of the TV or film versions have made much of her, but here, at least for a while, she takes centre stage, in rather an unfortunate fashion. A young man, terribly nervous and ill-at-ease, arrives at their apartment, 132 Boulevard Richard Lenoir, asking to speak to the great man. Perhaps because he seems shy and inoffensive, she lets him in to wait while she finishes cooking lunch. A little while later, she breaks with their normal convention and telephones her husband at work. Hesitantly,  she explains what has happened and, shamefaced, saying that the young man has now left, but she believes he has taken a revolver – presented to Maigret by the FBI  – some years earlier. The revolver may seem to be ceremonial, as it is engraved with Maigret’s name, but it is far from a museum piece. It is a Smith and Wesson .45 and a very powerful agent of death in the wrong hands.

In what appears to be a separate strand of the plot, we learn that the Maigrets have recently dined with a long-standing friend, Dr Pardon, and that another guest – Lagrange –  who was apparently very anxious to meet the celebrated policeman, failed to show up. When they visit Lagrange at his home, they find a man who appears to be extremely ill. Pardon confides in Maigret that Lagrange is something of a problem patient. Bedridden though he may appear to be, it transpires that he had enough strength to hire a taxi late the previous evening and, with the driver’s help, convey a heavy trunk to the left luggage office of the Gare du Nord. There is a very satisfying ‘click-clunk’ when it emerges that the young man who took Maigret’s revolver is none other than Alain, the sick man’s son. And in the trunk? A dead body, naturally, and it is that of André Delteil, a prominent – and controversial – politician, shot dead with a small calibre handgun.

Lagrange, when questioned, descends into a state of paranoia and behaves like a feverish child. Maigret cannot decide if this is genuine, or an attempt to defer the inevitable investigation into the corpse in the trunk. Playing safe, he sends the man to hospital. But what links the murdered politician, the babbling Lagrange – and his fugitive son? Simenon comes up with a very elegant – and deadly – connection in the shape of a wealthy socialite called Jeanne Debul who collects rich men like some people collect stamps. He uncovers a deeply unpleasant melange of blackmail, obsession and greed and concludes that Alain Lagrange is convinced that his father’s downfall can be laid at the door of Madame Debul. And he is at large, with Maigret’s revolver and a box of recently bought ammunition.

Maigret is not best pleased to learn that Jeanne Debul has flown to London, followed – on the next flight – by Alain Lagrange. It’s a rotten job, but someone has to do it, and Maigret follows the socialite and her would-be assassin to London, where he books into the same hotel as Madame Debul – The Savoy, no less. Helped – and hindered – by his Scotland Yard counterparts, our man awaits the collision of hunter and hunted, and this section of the story is a delightful flourish by Simenon where, via his great creation, he describes every little irritation and frustration that an urbane Frenchman could possibly encounter in the buttoned-up world of 1950s London.

As ever with Simenon, this story is a masterpiece of brevity – just 150 pages – and where lesser writers might take a page or more to describe a person, an atmosphere or a situation, he does the job in a paragraph. This edition of Maigret’s Revolver (first published in 1952), translated by Siân Reynolds, is one of the new Penguin Modern Classics and will be available on 5th October

THE WATER DOESN’T LIE . . . Between the covers

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The story begins back in the day, in grisly fashion. A lad, in the so-called ‘care’ of a Roman Catholic children’s home in Scotland has been sexually abused to the extent that his self esteem is shattered and he sees no  reason to live. He hangs himself from a beam, using torn up bed-sheets. The police are eventually called, but the patriarchal attitude of the priests (and a handy golf club connection with a top copper) means that the death is just written off for what it was, a suicide, but the cause goes uninvestigated.

Cut to the present day and we are in the cathedral city of Lincoln. The location gave me a huge amount of pleasure, as one half of my ancestry is as Lincolnshire as haslet, Sincil Bank, Mablethorpe, the wonderful Wolds – and Lincoln’s imp itself. When a body is fished out of a local lake and eventually identified as a former Roman Catholic priest (and child abuser), DI Dalton and his oppo, DS Gibb, are drawn into a murder investigation that will take them away from their bailiwick to Glasgow, and the less than salubrious visitors’ rooms of HMP Barlinnie. Someone – maybe with an accomplice – scarred by their brutal days in church care has decided to take revenge, and the body count increases.

Dalton and Gibb follow one or two false trails before they are forced to face the fact that not only is their quarry extremely adept using modern technology, and suspiciously familiar with the way modern police work is done, but they are also something of a weapons expert. As a keen target shooter myself, I can vouch for the fact that a 7.62mm rifle with a decent scope is a formidable weapon in the hands of a sniper. I am not sure if KIm Booth has had the misfortune to fall foul of the deeply secretive and self-protective world of the Roman Catholic church, but the crimes he describes here sound grimly authentic.

The procedural aspects of the story are totally convincing as one might expect from a former police officer – after several jobs and a brush with the law Booth decided to join the Lincolnshire Police, where he served 35 years mainly in investigative roles. The attention to crime-scene detail, the awareness of sharp-eyed defence lawyers for any slight slip-up in the chain of evidence and the debilitating effect form-filling and box-ticking can have on investigators is described in detail. Perhaps the author (in my view) has taken something of a risk in the way he chooses to end the search for the children’s home avenger, but Dalton and Gibb have the potential to become an established CriFi partnership, and I hope that future books will let us know a little more about the men and what makes them tick as people.

Kim Booth was born in Lincolnshire. After leaving the police he worked as a Corporate Security Manager for a well know international holiday company for a number of years. Currently he has started to fulfill a long standing intention to write true crime and crime fiction books. He lives in the city of Lincoln. The Water Doesn’t Lie is available now.

‘A PALE FACE AMONG THE RUSHES’ . . . The death of Alfie Wright (part two)

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SO FAR: August 1895. Hannah Elizabeth Wright, 23, gave birth to a little boy, Alfred Edward, in November 1893. The boy’s father has disappeared, leaving Hannah to deal with the situation. Alfie has been in the care of a Miss Flear, who lives near Newark, but Hannah can no longer afford to give Miss Flear the money she requires, and has collected the little boy, and returned to Lincoln on the evening of 26th August. The following day, having not returned to their home in Alexandra Terrace the previous evening, she tells her brother and his wife that the boy is still in Newark, and is being put up for adoption.

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Foss Dyke is a canal that links Lincoln with the River Trent at Torksey. Some historians insist that it was built by the Romans, while others believe that it dates back to the 12th century. It was along the bank of this ancient waterway, between Jekyll’s Chemical chemical works and the back of the racecourse grandstand, that on the evening of Monday 26th August our story continues. A young man called James Fenton was sitting on a bench with a lady friend, when a woman passed them, walking in the direction of Pyewipe. She was carrying a bundle, but they heard a whimpering sound, and they realised that she was holding a child. It was, by this time almost dark, but when the woman passed them again, this time heading back towards the city, she was empty handed. Thinking this strange, Fenton followed the woman at a distance, but lost her somewhere in the vicinity of Alexandra Terrace. The following morning, Tuesday, a man on his way to work had an unpleasant surprise. He was later to tell the court:

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RecoveryJames Fenton had contacted the police with his suspicions, and the discovery of the body confirmed the police’s worst fears. It is not entirely clear how the police knew exactly where to find the mystery woman, but on the Tuesday, they paid several visits to the house at 25 Alexandra Terrace. Hannah Wright, however, was nowhere to be found. She had left that morning, telling her sister-in-law that she was going to visit friends. She did not return until the Wednesday morning, by which time the police had instituted a full scale murder investigation. Hannah confessed to Jane Wright, and a neighbour, Mrs Sarah Close. It was Mrs Close who accompanied Hannah to the police station, but the girl seemed to be under the bizarre misapprehension that if she told the truth she would get away with a ‘telling off’ or, at worst, a fine. She was not to be so fortunate:

Confession

FuneralThe law took its inevitable course. There was a coroner’s inquest, then a magistrate’s hearing, both of which judged that Hannah Wright had murdered her little boy. As was customary, the magistrate passed the case on to be heard at next Assizes. Meanwhile Alfie’s body was laid to rest in a lonely ceremony at Canwick Road cemetery. It is pointless speculating about Hannah’s state of mind, but it is worth reminding ourselves that Alfie had known no father and  had seen very little of his mother during his brief sojourn – fewer than 300 days – on earth. If ever there were a case of ‘Suffer the little children’ this must be it.

Whatever the state of Hannah Wright’s mind when she drowned her son, and during her  long months before she came to trial, when she finally appeared before Mr Justice Day at the end of November she must have had a cold awakening as to what possibly lay ahead of her. Since September, there had been various intimations in the press that Hannah was, to use the vernacular, “not quite all there” but there was no medical evidence that she was weak minded or mentally deficient. Her defence barrister made a rather odd case, as was reported in The Lincolnshire Echo on Tuesday 26th November 1895:

“The Judge pointed out that the defence was rather an unusual one, namely of a two-fold character, one contention being that the prisoner never committed the crime all, and it she did do so that her mind was unhinged at the time. As to the plea of insanity he did not see that there was the slightest evidence to show that her mind was diseased. The jury retired to consider their verdict at 5.20, and returned into Court after an absence of twenty-seven minutes. They found the prisoner guilty, with a strong recommendation mercy. Prisoner made no reply to the question put to her by the Clerk whether she wished to say anything before sentence was passed. The Judge, who appeared be deeply affected, said the jury had simply discharged their duty, painful though undoubtedly was. With regard to the recommendation to mercy his Lordship said he would wish and beg her not to place undue reliance upon that recommendation. His Lordship then passed sentence of death in the usual manner. Prisoner fainted as she was being led down the dock steps.”

The general public in Lincoln and round about had become very involved in this tragic case, and even before Hannah collapsed on the steps of the dock, a petition was created and with thousands of names on it, presented to the Home Secretary, Sir Matthew White Ridley KCB. Within days, the threat of the hangman’s noose was lifted.

reprieve

Peter Spence, a distant relative of Hannah, and to whom I am indebted for sharing his research, suggests that this story has something of Thomas Hardy about it, but we would do well to remember that poor Tess (of the D’Urbervilles) is hanged for her crime. Not only did Hannah survive, but she was released from prison in Aylsbury, apparently going straight to London to work as a servant.

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Strangely, that is where the story ends. Peter Spence, and that eminent compiler of Lincolnshire crime stories Mick Lake, like me, have found no trace of what became of Hannah. This is unusual, given the amount of information available on modern genealogy websites, but it it is what it is. There are a couple of inconclusive mentions in the 1939 register, but no evidence that these people are ‘our’ Hannah. There is this, but is it feasible that a servant girl could have eventually returned to Lincolnshire and died at the age of 89, leaving the sum of £2552 10s – nearly £47,000 in today’s money? Perhaps that is a mystery for another day.

Hannah will

I have been researching and writing about historic Lincolnshire murders for some years,and those wishing to find out more about our county’s macabre past should click this link

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