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Janet Roger

SHAMUS DUST . . . Between the covers

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“Lately, I’d lost the gift. As simple as that. Had reacquainted with nights when sleep stands in shrouds and shifts its weight in corner shadows, unreachable. You hear the rustle of its skirts, wait long hours on the small, brittle rumours of first light, and know that when they finally arrive they will be the sounds that fluting angels make.”

Every so often a book comes along that is so beautifully written and so haunting that a reviewer has to dig deep to even begin to do it justice. Shamus Dust by Janet Roger is one such. The author seems, as they say, to have come from nowhere. No previous books. No hobnobbing on social media. So who is Janet Roger? On her website she says:

Janet Roger was apprehended for the first time at age three, on the lam from a strange new part of town. The desk sergeant looked stern, but found her a candy bar in his pocket anyway. Big mistake. He should have taken away her shoelaces. She’s been on the run ever since.”

Make of that what you will, but she goes on to admit that she is a huge Raymond Chandler fan:

“But what really got under my skin was Marlowe’s voice guiding me around the next street corner, and beyond it into a stale apartment block or a down and low bar. He invited me in to look over his shoulder, let me see the highs and the lows, talked me through them and then put me in the seat beside him to drive me home.”

So, what exactly is Shamus Dust? Tribute? Homage? Pastiche? ‘Nod in the direction of..’? ‘Strongly influenced by ..’? Pick your own description, but I know that if I were listening to this as an audio book, narrated in a smoky, world-weary American accent, I could be listening to the master himself. The phrase ‘Often imitated, never bettered’ is an advertising cliché and, of course, Janet Roger doesn’t better Chandler, but she runs him pretty damn close with a taut and poetic style that never fails to shimmer on the page.

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Newman – he’s so self-contained that we never learn his Christian name – fled to to Britain during the Depression, had a ‘good war’ fighting Hitler, and now scratches a living as a PI in a shattered post-war London. It is late December 1947, and the cruelties of a bitter winter are almost as debilitating as Luftwaffe bombs. Newman is hired by a prominent city politician to minimise the reputational damage when a tenant in one of his properties is murdered.

Big mistake. Councillor Drake underestimates Newman’s intelligence and natural scepticism. Our man uncovers a homosexual vice ring, a cabal of opportunists who stand to make millions by rebuilding a shattered city, and an archaeological discovery which could halt their reconstruction bonanza.

There are more murders. The weather worsens. The clock ticks relentlessly towards 1948 as a battered but implacable Newman defies both the conspirators and corrupt coppers to see justice done. Along the way, he is helped – and entranced – by a young doctor, but she seems elusive and beyond his reach. As he goes about his grim business, however, he views London with eyes which may be weary, but still have laughter in them:

“..two paintings in the centre of each of the blank walls, one gray on white, the other white on gray to ring the changes. They might have been Picassos from his plumbing period, or a layout for steam pipes in an igloo; either way, they gave the room the all-round charm of an automated milking parlor.”

“At the street corner there was record store closed for lunch, with a sign over that read, Old Time Favourites, Swing, Hot Jazz, Popular, Classical, Opera and Foreign. The rest it was leaving to the opposition.”

By the end, Newman has played a game of chess in which his board has had most of the key pieces knocked off it by a succession of opponents not necessarily cleverer than he, but certainly with more power and fewer scruples. He survives the endgame – Janet Roger creates a divine metaphor in the final three pages – and his darkness is lifted by an extraordinary act of compassion and generosity to a fellow pawn in the cruel game. I started with Newman’s voice. Let him have the final say as he raises a glass to his lost doctor.

“Waiters ghosted. The company men were long gone. My table was cleared excpt for the glass in my hand. I held it up to the light, turned it round through a hundred shades of red, and wished the doctor all the good luck in the world. Then drank and set the empty glass on its side and called Alekhine over for the check.”

Shamus Dust is published by Matador and is out next month.

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THE POSTMAN DELIVERS . . . Roger, Tuckett & Whitelaw

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I love the expression “dog days”. Apparently it has its origins in astrology, and refers to the position of Sirius, the Dog Star. The dog days of summer are round about now, when everything seems to slow down, schools are out, parliament is in recess, and newspapers struggle to find newsworthy headlines. There are no dog days in crime publishing though, and I have three intriguing novels to highlight.

SHAMUS DUST by Janet Roger

This has the best subtitle ever – “HARD WINTER, COLD WAR, COOL MURDER” A well-earned bonus for whichever PR person thought that one up. If it lives up to the cover description –  “A British Big Sleep” –  then it will be bloody good! It’s 1947, and an expat American PI called Newman is hired to solve a series of killings.
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Shamus Dust will be published by Matador on 28th October. Keep an eye open for the Fully Booked review nearer the time.

THE ROOKS DIE SCREAMING by Clive Tuckett

More historical crime fiction here, but we are in Cornwall in the 1920s. The normally placid and peaceful residents of Bodmin are bolting their doors early of nights, as a determined killer picks off members of a local organisation one by one. Enter Inspector Edwards, who author Tuckett introduced in his 2018 novel The Woman With The Red Hair. Edwards’ latest case is published by Book Guild and will be available from 28th August.

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THE MAN IN THE DARK by Jonathan Whitelaw

In most crime fiction books, the Devil is a metaphor, but Jonathan Whitelaw has decided that the Evil One is far too interesting a character to just float around at the edge of people’s consciousness. In Hellcorp (2018) the chap with the horns and the scaly tail advanced beyond the metaphysical and was set the task of solving an ancient crime. Now, he returns to help the cops in London solve the mystery of a terrorist kidnapping. The Man In The Dark will be published by Urbane Publications on 26th September.

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