
SO FAR: Stratford-on-Avon, Monday 19th August 1889. A German gentleman, J. Lachmann von Gamsenfels, with his wife and young daughter had obtained rooms in a cottage on the Tiddington Road, owned by a Mrs Freeman. At breakfast time, Mrs Freeman heard gunshots. She ran for help from her neighbour, and the police were called. When they forced an entrance into the rented room, a scene of almost unimaginable horror faced the two officers:

Three dead bodies. A scene almost beyond the imagining of Shakespeare himself. Why would an apparently sane and reserved man murder his wife and daughter? He was also in possession of two different guns Turning one of them on himself after such an atrocity is not unheard of in the annals of crime, but the story was about to become even more baffling.

Investigations proved that Lachmann von Gamsenfels (pictured above) was who he said he was. A man, born in Prague, thus a Bohemian. The history of that area is immensely complex, and there is no time for it here. Yes, he had connections with the German language newspaper The Londoner Journal, but was he the editor,or just the printer?

What threw the investigation on its head was the fact that the woman who died in that Stratford cottage was not von Gamsenfels wife, although the dead child was probably his. By examining the dead man’s possessions, the police discovered that his legal wife was a Mrs Rosanna Lachmann von Gamsenfels, and that their marriage was somewhat unusual. He was absent from the family home for months on end, but always gave his wife money for the upkeep of their son. Mrs Lachmann von Gamsenfels traveled up to Stratford to identify her husband’s body, but was either unable- or unwilling – to put names to the dead woman and girl. Try as they may, the authorities were unable to put names to the woman and girl who were shot dead on that fateful Monday morning. Artists’ impressions of ‘Mrs von Gamsenfels” were published (left) but she and her daughter left the world unknown, and if anyone mourned them, they kept silent.
A Christian burial was all that awaited the dead woman and her child. The scene was the churchyard of nearby Alveston:
“Subsequently the bodies were enclosed in three separate coffins, which were conveyed to Alveston Parish Church in the Workhouse hearse. The plate of the coffin containing Gamsenfels bore his name and the date of his death, but there were no names or inscriptions any kind on the coffins of the woman and child, as, at the time of burial, they had not been identified. Several pretty wreaths were sent by sympathising friends in the parish; and upon the coffin of the woman were placed a piece of weeping willow and a faded rose, gathered from Anne Hathaway’s cottage garden in Shottery. No burial service was read over the corpse of Gamsenfels. The coffin was carried direct to the grave and lowered into the ground without any religious ceremony whatever. The Rev. W. Barnard (vicar of Alveston) and the Rev. J. Ashton (curate) met the bodies of the woman and child the church gates, and the usual burial service was gone through. A large crowd from Stratford and the district congregated in the neighbourhood of the Tiddington Road, had witnessed the ceremony at the church.”

The mystery of the identities of the dead woman and child remains unsolved to this day. For another Warwickshire unsolved mystery, click the link to read about the murder of Charles Walton, just ten miles away from Stratford in 1945.
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SO FAR: On the evening of 10th/11th May 1902, Foxlydiate couple Samuel and Hannah Middleton had been having a protracted and violent argument. At 3.30 am the alarm was given that their cottage was on fire. When the police were eventually able to enter what was left of the cottage there was little left of Hannah Middleton (left, in a newspaper likeness) but a charred corpse. Samuel Middleton was arrested on suspicion of murdering his wife. The coroner’s inquest heard that one of the technical problems was that Hannah Middleton’s body had been so destroyed by the fire that a proper examination was impossible.
Samuel Middleton was sent for trial at the summer assizes in Worcester. Assize courts were normally held three or four times a year in the county towns around the country, and were presided over by a senior judge. These courts were were for the more serious crimes which could not be dealt with my local magistrate courts. At the end of June, Samuel Middleton stood before Mr Justice Wright (left) and the proceedings were relatively short. The only fragile straw Middleton’s defence barristers could cling to was the lesser charge of manslaughter. Middleton had repeatedly said, in various versions, that his wife had clung to him with the intention of doing him harm – “She would have bit me to pieces, so I had to finish her.” It was clear to both judge and jury, however, that Middleton had battered his wife over the head with a poker, and then set fire to the cottage in an attempt to hide the evidence. Mr Justice Wright delivered the inevitable verdict with due solemnity.







In Simon Mason’s A Killing In November we met Oxford DI Ryan Wilkins, and the book ended with his dismissal from the force for disciplinary reasons. In this book he is still in Oxford, but working as a security guard/general dogsbody at a van hire firm. His former partner, also named Wilkins, but Ray of that ilk, is now heading up the team that was once Ryan’s responsibility, and it is they who are tasked with investigating the abduction of a little girl from her nursery school.
I am sorry, but that is not how I see this book. Yes, it is set in and around Oxford, but apart from The Broken Afternoon being every bit as good a read as, say, The Silence of Nicholas Quinn or The Remorseful Day, that’s where the resemblance ends. Mason’s book, while perhaps not being Noir in a Derek Raymond or Ted Lewis way, is full of dark undertones, bleak litter strewn public spaces, and the very real capacity for the police to get things badly, badly wrong. Simon Mason (right) has created coppers who certainly don’t spend melancholy evenings gazing into pints of real ale and then sit home alone listening to Mozart while sipping a decent single malt.

