
I had been aware of this book for ages – it was first published in 1978 – but had never read it until now. My initial reaction was to be intrigued by Deighton’s premise. It is November 1941, the Germans have invaded and the pastiche document, headed Geheime Kommandosache at the beginning of the book tells us that Britain surrendered on 19th February. So, my first thought was “What happened?” Was there no Dunkirk, no Battle of Britain? What became of The Royal Navy? Presumably Rudolf Hess never made his bizarre flight to Scotland and the Molotov-Ribbentrop Pact is still unbreached. What of Reinhard Heydrich? Is he just a couple of months into his new job as Reich Protector of Bohemia and Moravia? I read on, hoping that Deighton’s rather audacious re-write of history would be plausible.
We open with what appears to be a relatively mundane murder mystery. A prominent – and successful black marketeer is found shot dead in his flat-cum-warehouse in London’s Shepherd Market, and Detective Superintendent Douglas Archer (whose boss now is Gruppenführer Fritz Kellerman) is sent to investigate. It rapidly becomes obvious that the corpse identified as one Peter Thomas is no such person, and that his death has triggered a dramatic response from Berlin, in that Standartenführer Huth, a senior SS investigator, has been sent to London to take over the case.
In fairness, a few chapters in we disciver that Churchill has been shot by a firing squad in Germany and King George VI, like the long lost princes, is imprisoned in The Tower of London. Deighton also teases us with furtive appearances from the British resistance movement, and hints that the death of ‘not Peter Thomas’ may be connected with something deeply dangerous, perhaps connected to the search to make a nuclear weapon. Huth establishes himself, at least superficially, as the very worst kind of SS officer, but around half way through the book Deighton pulls a couple of very clever rabbits out of the hat, in terms of the plot. Regarding Oskar Huth, wise readers will reserve their judgment. Archer becomes involved with Barbara Barger, an influential American war reporter and, because of his apparently willing co-operation with the German authorities, he reaches number one on the assassination hit list of the resistance movement.
We learn the answer to the Molotov-Ribbentrop conundrum when, with a wonderfully Baroque flourish, Deighton turns the story on its head by describing a heavily orchestrated ceremony to disinter the remains of Karl Marx from Highgate and move them to Moscow. It all goes spectacularly wrong, and Archer is swept along on the tide of events. The focus of the story soon becomes clear, and it is the possession of vital information that will allow those who own it to make a nuclear bomb.
Deighton’s meticulous historical research allows him to put to good use the dichotomy between the regular German army and the ‘upstart’ SS, and the deep distrust which Hitler’s inner circle felt for the Abwehr, the intelligence agency for the army. He also describes the German unease about royalty. Remember that ‘Kaiser Bill’, the last German royal ruler was, in the autumn of 1941, only a few months in his grave. Our reluctant monarch, King George VI plays a part in the denouement of this story. Already a sick man, he is used as merely a piece on the international chess board, and not a very potent one.
Going back to my initial reservations, Deighton doesn’t explain how Hitler’s forces managed to invade Britain in spite of what we know as the serious military impediments in his path. We do learn that Hitler and Stalin, at least on paper, are still best pals, but my overwhelming response to what is a fiendishly clever reworking of history is simple: thank God for Dunkirk, the RAF – and America. This edition is from Penguin Modern Classics and is available now




James Fenton had contacted the police with his suspicions, and the discovery of the body confirmed the police’s worst fears. It is not entirely clear how the police knew exactly where to find the mystery woman, but on the Tuesday, they paid several visits to the house at 25 Alexandra Terrace. Hannah Wright, however, was nowhere to be found. She had left that morning, telling her sister-in-law that she was going to visit friends. She did not return until the Wednesday morning, by which time the police had instituted a full scale murder investigation. Hannah confessed to Jane Wright, and a neighbour, Mrs Sarah Close. It was Mrs Close who accompanied Hannah to the police station, but the girl seemed to be under the bizarre misapprehension that if she told the truth she would get away with a ‘telling off’ or, at worst, a fine. She was not to be so fortunate:
The law took its inevitable course. There was a coroner’s inquest, then a magistrate’s hearing, both of which judged that Hannah Wright had murdered her little boy. As was customary, the magistrate passed the case on to be heard at next Assizes. Meanwhile Alfie’s body was laid to rest in a lonely ceremony at Canwick Road cemetery. It is pointless speculating about Hannah’s state of mind, but it is worth reminding ourselves that Alfie had known no father and had seen very little of his mother during his brief sojourn – fewer than 300 days – on earth. If ever there were a case of ‘Suffer the little children’ this must be it. 






Having traveled to Lincoln on the afternoon of 23rd August, Hannah visited her brother and his wife at their house, 23 Alexandra Terrace. All appeared to well, and on the Sunday evening Hannah even brought her young man, William Spurr, round for tea.



Leeds, March 1920. Tom Harper is Chief Constable of the City force and, with just six weeks until his retirement, he is dearly hoping for a quiet ride home for the final furlong of what has been a long and distinguished career. His hopes are dashed, however, when he is summoned to the office of Alderman Ernest Thompson, the combative, blustering – but very powerful – leader of the City Council. Thompson has one last task for Harper, and it is a very delicate one. The politician has fallen a trap that is all too familiar to many elderly men of influence down the years. He has, shall we say, been indiscreet with a beautiful but much younger woman, Charlotte Radcliffe. Letters that he foolishly wrote to her have “gone missing” and now he has an anonymous note demanding money – or else his reputation will be ruined. He wants Harper to solve the case, but keep everything completely off the record. Grim-faced, Harper has little choice but to agree. It is due to Thompson’s support and encouragement that he is ending his career as Chief Constable, with a comfortable pension and an untarnished reputation. He chooses a small group of trusted colleagues, swears them to secrecy, and sets about the investigation.












Now, though, we must return to Fulbeck. Only a grainy newspaper image of Florence Jackson remains, but it doesn’t take a great leap of imagination to picture a pretty, round-faced girl with a confident gaze for the camera. Once again, the 1911 census is of service. She lived in Fulbeck with her family. Florence would not live to be noted in the 1921 survey. Opportunities for young women of humble birth in rural communities in those days were limited to farm work, or domestic service. There are suggestions that Florence has been in service at Barkston, or had returned to Fulstow in anticipation of a similar post. At some point she met Dick Rowland, and he was smitten, considering himself deeply in love. He was now 29, with a lifetime of horrors condensed into four years of hell on the Western Front, Florence was just 19, pretty, vibrant and untouched by the death and misery of The Great War.