The latest novel from David Mark, Borrowed Time, is seriously dark stuff. There were times when I felt I had entered the nightmare world of distorted humanity, shocking violence and suffering that was distilled into a kind of bleak poetry by Derek Raymond in such masterpieces as I Was Dora Suarez and The Devil’s Home On Leave.
Adam Nunn is a decent enough fellow, but like all of us, he has made his mistakes. He lives with Zara, a struggling restaurant owner, but has a child of his own, Tilly, who lives with Grace, her mother. Adam has discovered that he is adopted, and has employed a fairly seedy private investigator to try to trace his birth parents.
When the investigator is found dismembered in a spot notorious for being the burial ground of many victims of old Essex gang wars, Adam is about to have an unpleasant surprise. On the (severed) hand of Larry Paris was a scrawled National Insurance number – and it is Adam’s. The police think they have an instant suspect, but after a bruising initial encounter, they realise they have nothing with which to tie Adam to the killing
Adam Nunn lives in Portsmouth. And it is not a particularly fragrant place:
” A city drawn in charcoals and dirt: a place of suet-faced pensioners, of teenagers in baby clothes; of egg-shaped women and puddled men, big middles and conical legs.”
His search for the truth about his identity leads him inexorably to an Essex gangster family, the Jardines. Alison is the daughter of ailing patriarch, Francis. She runs the firm and is not a woman much given to empathy with some of her Essex contemporaries:
“She likes to imagine all those golden-blond, size eight bitches, sobbing as they inject Botox into their foreheads and splurge their life savings on surgeries and rejuvination procedures; their skin puckering, spines beginning to curve, veins rising like lugworms on their shins and the backs of their age-mottled hands.”
Neither is Alison’s son Timmy someone for whom she has a great deal of conventional maternal affection.:
“He’s an ugly, rat-faced little specimen who, at twenty years old, has yet to master the art of having a conversation without thrusting both hands down his jogging trousers and cupping his gonads. She loves him, but not in a way that makes her want to touch him, look at him, or spend time breathing him in.”
Eventually Adam learns who his mother was, but the nature of his conception and the fate of his mother is just the start of the nightmare. The identity of his father is only revealed after a journey through the inferno, the flames of which threaten to consume him along with everyone else he holds close.
Along the way, Mark (right) introduces us to some loathsome individuals who have all played their part in Adam Nunn’s terrible back story. There’s local politician Leo Riley, for example:
“He knows that cash is an aphrodisiac. Power enough to loosen any pair of knickers. And fear a crowbar to stubborn legs.”
Alison’s fearsome minder, Irons, is a creature from hell:
“His face is a butcher’s window, all pink and red, meat and offal: a rag-rug of ruined flesh. he still has to apply lotions five times a day to stop his cheeks tearing open when he laughs. Not that he laughs often. He’s a quiet man. Hasn’t engaged in much chit-chat since the brothers went to work on him with a bayonet, a blowtorch and a claw hammer.”
There is compassion within the pages of Borrowed Time, but it is in short supply. We don’t just glimpse the worst of people, we come face to face with them, and close enough to smell their rancid graveyard breath. This is a brilliant and sometimes moving piece of storytelling, but within its pages the only redemption comes in death. Borrowed Time is published by Severn House and is out now.