nora Andresson is a distinguished English actress. Perhaps slightly past her youthful allure, she remains a beauty who can pick and choose her projects, and her films are highly thought of. She has three problems clouding her horizon. The first is, as they say, a bastard. She has a brain tumour. It has been treated but she is only too aware that she may have won a battle, but not the war. Problems two and three are related – literally. She is separated from her Swedish husband, but they have a son – a young man called Malo – who is something of a wrong ‘un. The third problem relates to the words “they have a son”. Fact is, she does – her husband doesn’t. Malo’s father is actually a millionaire businessman named Hayden Prentice, and Malo was conceived during a drunken one-nighter just before Enora’s wedding. So why is Harold a problem? Although he is now an honest man, with legitimate investments and business interests, he made his initial fortune as a drug baron.
Although Enora and Prentice (known hereafter as ‘H’) are now reunited after a fashion, the relationship does not extend to the bedroom, and Enora’s current interest is Pavel, an enigmatic scriptwriter. Pavel’s Eastern European allure is rather manufactured, however, as his real name is the more prosaic Paul. What he says about the art of story-telling, however, could equally apply to Graham Hurley’s own magic wand:
“The best stories detach you from real life. You float away down the river of fiction, lie back and enjoy he view. The storyteller’s challenge is to cast a spell, and the longer that spell lasts, the better.”
he main plot of Sight Unseen hinges around the kidnapping of Malo’s Colombian girlfriend Clemmie. When a ransom demand of a million dollars is received her father, who, like many rich men from that benighted republic, has kidnap insurance, simply hands the case over to the experts. H, however, has other ideas, and decides to do things his way.
Hayden Prentice is a brilliant creation and is, in many ways, at the centre of the book, as he was when we first met Enora in Curtain Call. Formerly known as Saucy from his initials, he is hewn from the same rich vein of villainy that produced the elemental force that was Bazza McKenzie in Graham Hurley’s brilliant Joe Faraday novels. H is blunt, foul-mouthed but very, very shrewd. Hurley will not be at all perturbed were readers to visualise H rather like the formidable Harold Shand, as portrayed unforgettably by the great Bob Hoskins in The Long Good Friday.
As the ransom deadline passes, with the customary video as proof-of-life, and a hiking up of the cash demand, H is increasingly convinced that Malo is, somehow more involved in the affair than simply being the anxious boyfriend. The insidious and infamous County Lines drug trade raises its ugly head, and H delivers a brief but brilliantly incisive summary of the endgame he sees engulfing the England he once knew:
“You think your own little town is safe? You think those sweet kids of yours won’t ever get in trouble with drugs? Wrong. And you know why? Because something we all took for granted has gone. Families? Mums? Dads? A proper job? Getting up in the morning? Totally bolloxed. No-one has a clue who they are any more, or where they belong, and there isn’t a single politician in the country who can tell them what to do about it.”
H has a country mansion, Flixcombe, not far from the Dorset town of Bridport. Despite its artisan bakeries, galleries and twee delis there is a grim underbelly which involves, inevitably, drugs. A local tells Enora that although the main players are little more than children:
“Nothing frightens these little bastards …. streetwise doesn’t begin to cover it. They think they’re immortal. Remember that.”
he finale is astonishing – a bravura affair which only a fine writer like Graham Hurley could hope to get away with. No spoilers, but it involves a doomed English explorer and an old ballad which once inspired Bob Dylan. Sight Unseen is published by Severn House and is out now.
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