
BestDebut BestThriller BestHistorical
STILL TO COME
19thDecember – Best Police Procedural
22ndDecember – Best Humorous Novel
24thDecember – Novel of the Year

BestDebut BestThriller BestHistorical
19thDecember – Best Police Procedural
22ndDecember – Best Humorous Novel
24thDecember – Novel of the Year




GONE BY MIDNIGHT by Candice Fox

The Australian author has a popular series featuring Sydney based ‘tecs Frank Bennett and Eden Archer, and she has also joined the long list of writers who have collaborated with the prolific James Patterson. Now, however, she has written a standalone novel, set in the Queensland city of Cairns, specifically the White Caps Hotel. Parents out enjoying a meal while their child is left in the hotel room? What could possibly go wrong? Except that this child was not left alone. He had his three brothers for company, but now Richie has disappeared. Controversial PI Ted Conkaffey is asked by the police to investigate what appears to be an impossibility – one boy vanishing from under the noses of his brothers, none of who saw or heard a single thing. Gone By Midnight is published by Century and will be available from 24thJanuary 2019
THE HOUSE ON DOWNSHIRE HILL by Guy Fraser-Sampson

This is the fifth in Fraser-Sampson’s delightful series, The Hampstead Murders, and we are reunited with the investigators from Hampstead police station, led by the urbane and unflappable Detective Superintendent Simon Collison. Although the action is very much present day, Fraser-Sampson’s love of the crime novels of a gentler age shines through as the death of a mysterious recluse and the dark secrets of his past cast a shadow over the genteel Georgian terraces and elegant vistas of London’s most exclusive ‘village’. Published by Urbane Publications, The House On Downshire Hill is out now.
SLOW MOTION GHOSTS by Jeff Noon

The latest book from the Brighton-based novelist, short story writer and crime fiction reviewer takes us back to 1981 and, like many other London coppers, DI Henry Hobbes has had his certainties shaken by the violence and mayhem of the Brixton riots. A murder, however, is as good a way as any of focusing his attention back to normal policing, but this killing is anything but routine. Is there an occult connection? Why has the killing been elaborately staged? The search for the killer impels Hobbes to answer questions about himself and London’s the world he inhabits, and it takes him to places he thought only existed in nightmares.
Also out on 24thJanuary, Slow Motion Ghosts is published by Doubleday.







I do love me a good,sweaty Southern Noir, preferably down in Louisiana, with ‘gators thrashing about in the bayou, a storm blowing in from the Gulf, insects the size of golf balls on Kamikaze missions against the fly screens, and folk pushed to the limits of their tolerance by the relentless humidity. Throw in a dash of Cajun music and Acadiana French cursing, and I am set for the night. Tami Hoag’s latest novel ticks all the required boxes.

Hoag, who hails from the relatively temperate zone of Iowa, has created a brilliant husband and wife police partnership in Nick Fourcade and Annie Broussard. The pair first emerged on the printed page as long ago as 1997 in A Thin Dark Line but, of course, crime fiction time isn’t the same as real time, and the two cops are still relatively young and beautiful in Hoag’s latest thriller, The Boy. They are called to a beaten up shack in the sticks beyond the somnolent settlement of Bayou Breaux, and they find a seven year-old boy hacked to death with a knife, while his mother has apparently fled the scene, barefoot and bearing wounds from the same blade that brutalised her son.
Genevieve Gauthier has a past, however. Before settling in Bayou Breaux with son KJ, she has been no stranger to law enforcement. Blessed – or cursed – with an ethereal and vulnerable beauty designed to act as a magnet to predatory men, she has served jail time for suffocating her first-born child. Fourcade and Broussard are faced with a dazzling and perplexing star burst of inconsistencies as they try to find who killed KJ. Why was Genevieve allowed to escape with relatively minor injuries? Where is KJ’s teenage baby-sitter, Nora? Is her disappearance connected to KJ’s death?
Fourcade and Broussard have a bitter enemy in the shape of Kelvin Dutrow, their boss. As Sheriff, he likes to dress in tactical combat gear, his belt heavy with weapons he has no idea how to use. He likes nothing better than a press conference where he can strike a pose, talk tough and play to the camera. His animosity to the pair reaches fever pitch when they discover that not only does he have a sinister past, but it comes with some highly questionable connections to the bereaved young woman nursing her injuries in the local hospital.
The identity of KJ’s killer is cleverly concealed until the final pages, and there is a blood-soaked denouement which will satisfy even the most hardened Noir fan. The Boy is lurid, yes, and certainly melodramatic, but it is a gripping read which had me canceling other activities right left and centre so that I could get to the end.
The Boy is published by Trapeze and is out as a Kindle on 31stDecember 2018, and will be available in other formats in 2019.
https://www.amazon.co.uk/Boy-Broussard-Fourcade-Tami-Hoag-ebook/dp/B01MCZ5Y10/ref=sr_1_1?ie=UTF8&qid=1543917727&sr=8-1&keywords=The+Boy+Tami+Hoag