If a more extraordinary duo of fictional detectives exists than Christopher Fowler’s Bryant & May, then I have yet to discover them. The peculiar pair return in Hall of Mirrors for their fifteenth outing, and this time not only are they far from their beloved London, but we see a pair of much younger coppers on their beat in the 1960s. Fowler’s take on the period is typified by each of the fifty chapters of the novel bearing the title of a classic pop hit. We are also reminded of the strange fashions of the day.
“Two young men in Second World War army uniforms painted with ‘Ban The Bomb’ slogans were arguing with a pair of Chelsea Pensioners who clearly didn’t take kindly to military outfits being worn by trendy pacifists. They were briefly joined by a girl wearing a British sailor’s uniform with a giant iridescent fish on her head.”
In attempt to keep them out of trouble, our heroes are given the task of being minders to an important witness in a fraud trial, but Monty Hatton-Jones is due at a country weekend party deep in rural Kent, and so John and Arthur must accompany him to Tavistock Hall. What follows is a delicious take on the Golden Age country house mystery, with improbable murders, secret passages, an escaped homicidal maniac and suspects galore. Things are complicated by nearby military manoeuvres involving the British army and their French counterparts. Fowler (above) reprises the great gag from Dr Strangelove – “Gentlemen – you can’t fight in here. This is the War Room!” Captain Debney, the British Commanding Officer is having a bad day.
“The menu for tonight’s hands Across The Water dinner has already gone up the Swanee. We had terrible trouble getting hold of courgettes, and now I hear there’s no custard available. I don’t want anything else going wrong. These are international war games. We can’t afford to have anyone hurt.”
The urbane John May is quite at home in the faded grandeur of Tavistock Hall, but Arthur is like a fish out of water. He also has an aversion to the countryside.
“It appeared to be the perfect Kentish evening, pink with mist and fresh with the scent of the wet grass. Bryant looked at it with a jaundiced eye. There was mud everywhere, the cows stank, and were all those trees really necessary? As a child he had been terrified of the bare, sickly elm in his street with a branch that scarped at his bedroom window like a witch’s hand and sent him under the blankets.”
As usual with the B & M books, the jokes come thick and fast, but we are reminded that Fowler is a perceptive and eloquent commentator on the human condition. Arthur investigates the local parish church as its rector, Revd Trevor Patethric is a house guest – and suspect.
“Bryant pushed open the church door and entered. He had never felt comfortable in the houses of God, associating them with gruelling rites of childhood: saying farewell to dead grandfathers, and the observance of distant, obscure ceremonies involving hushed prayers, peculiarly phrased bible passages, muffled tears and shamed repentance.”
Eventually, of course, the pair – mostly through Arthur’s twisted thought processes – solve the crimes. Prior to revealing his theories on the murder to the assembled guests, however, Bryant has a slight misfortune with a missing painting hidden in a very unswept chimney. Covered in soot, he somehow lacks the gravitas of a Poirot or a Marple.
“Bryant had made a desultory attempt to wipe his face, but the result was more monstrous than before. He rose before them now, a lunatic lecturer in the physics of murder.”
Reading a crime novel shouldn’t be about being educated, but Hall of Mirrors teaches us many things. Those who didn’t already know will learn that Christopher Fowler is a brilliant writer. He is, in my view, out on his own in the way he weaves a magic carpet from a dazzling array of different threads: there is uniquely English humour, the sheer joy of the eccentricities of our language and landscape, labyrinthine plotting, and an array of arcane cultural references which will surely have Betjeman beaming down from heaven. Those of us who, smugly perhaps, consider ourselves as old Bryant & May hands will also now know the origins of Arthur’s malodorous scarf and also his cranky, clanky Mini.
Amidst the gags, the fizzing dialogue and the audacious plot twists Fowler waves his magic wand, and with the lightest of light touches dusts a page near the very end with poignancy and great compassion. Look out for the section that ends:
“Bryant looked in his mirror to try and catch another glimpse of them, but they had disappeared, ghosts of a London yet to come.”
And do you want to know the best five words of the entire book? I’ll tell you:
Bryant and May Will Return
Hall of Mirrors is published by Quercus, and is available from 22nd March.
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