
This is the third novel by GR Halliday featuring Inverness copper DI Monica Kennedy, and you can read my review of the previous book, Dark Waters, by clicking on the title link. DI Kennedy’s life revolves around being the best mother she can be for her five year-old daughter Lucy, and solving serious crime for Police Scotland. When those two vocations collide, she is helped out by her willing, but rather reproachful mother.
The novel begins with one of those “She’s Leaving Home” moments, but there is a difference. The worst that we know of what became of the girl in the Beatles song is that she went off with a man from the motor trade. What happens here is worse. Much, much worse.

One of Kennedy’s chief scalps was serial killer Pauline Tosh, who now faces spending the rest of her days in a remote high security jail. Out of the blue, Tosh requests a visit from the officer who ended her murderous career, and what she reveals sets off a search for a body. When it is discovered, and is revealed to be that of the long-since missing Freya Sutherland, what is in effect a massive cold-case-murder hunt is put into place.
I am not the greatest fan of the split time frame mode of storytelling, but Halliday uses it sparingly. Freya’s links with some minor celebrities back in the day provide leads for the investigation, but they are not necessarily fruitful. Along the way, the author has fun painting dark pictures of people who were once ‘something’ in the entertainment business, but whose best days are long behind them, but the questionable ethics and narcissism that brought them fame are as strong as ever. More troubling for Monica Kennedy is that one of the people who crops up in her investigation into what happened decades ago is now a prominent Scottish politician.
Monica Kennedy gets on really well with her professional partner, DC Connor Crawford, but then he goes AWOL at a time when the investigation is floundering. When he does surface, it is to tell Kennedy that he is in la merde profonde. He has become captivated with a Lithuanian stripper who works for one of Scotland’s major villains, who now has compromising footage of Crawford and Emilija. This footage will be revealed to all and sundry unless Crawford agrees to feed him with information. It is not all doom and gloom, however, as Crawford has had a bit of luck via a cassette tape which seems to indict several of Kennedy’s suspects in the search for Freya’s killer.
As with all good crime writers, Halliday (right) leads us up the garden path, and killers (plural) are actually found, but the solution is surprising and beautifully complex. Oh yes, I almost forgot. From his bio, GR Halliday is a lover of cats, so if you share his passion, there are cats in this story. Several of them.
The author brings us a dark and compelling mystery set against the dramatic and occasionally unforgiving landscape of the Scottish Highlands. Monica Kennedy is a fully fleshed out character we can all believe in. Under the Marsh is published by Vintage, and is available now.

This thriller is set in Finchley – not Mrs Thatcher’s old baileywick but a fictional (I believe) small town in upstate New York, where three bodies are discovered in an old mine. The local Sheriff is out of his depth, and asks the FBI for help. They persuade a former agent, Ronin Nash to take the case, but he discovers the town has a big secret which powerful people will go to any lengths to protect. The author tells us:
Detective Jane Rizzoli
Described as a literary thriller, Hawk Mountain tells the story of a thirty-something man – Todd – who is accidentally re-united with his high school tormentor. The Jack of old seems to be a reformed character, warm, radiant and sorry for his youthful misdemeanours. But is he? And was the chance reunion accidental at all? Cue a spiral of menace and entrapment which plumbs the very worst parts of the human psyche. Perhaps I don’t get out as much as I should, but I think this is the first thriller written by a former adult movie performer. He says:
I missed From The Shadows, the first book in the DI Monica Kennedy series, but thoroughly
‘The Reading of the Will’ used to be a standard trope in crime fiction years ago. Picture the scene, preferably in black and white. The fusty old solicitor addresses the family, gathered in the library of a stately old house. What he announces sets up the plot of the novel/film, and pitches different family members against each other. Rebecca Reid revives this chestnut, and gives it a modern slant, when the family of the recently deceased Cecily Mordaunt gather in Norfolk at Roxborough Hall, each hoping to leave the scene as significant beneficiaries of the old lady. Of course there is disappointment and joy – which will lead to chicanery and revenge. Rebecca Reid is a freelance journalist. She graduated from Royal Holloway’s Creative Writing MA in 2015. She is the author of Perfect Liars, Truth Hurts, Two Wrongs and The Power of Rude. The Will is her latest book, and joins two of the other novels in this post in being published


