This is the fourth in Robert Scragg’s popular police procedural series featuring London DI Jake Porter and his trusty Sergeant, Nick Styles. The story so far: Porter still grieves for his wife Holly, killed in a hit-and-run incident a few years earlier. The driver remains unidentified, and it preys upon Porter’s mind. He has cautiously begun a new relationship with fellow cop Evie Simmons. Styles is married, with a young child, and is intensely loyal to his boss.
The book starts in gory style. Ross Henderson, a young left wing activist, has a YouTube channel on which he posts regular videos denouncing his bête noire, a movement called the English Welfare Party. The EWP are right wing Nationalists vehemently opposed to immigration. As Henderson is setting up his latest live video stream from an abandoned magistrates’ court, proceedings are interrupted by a group who appear to be Islamic extremists. Live and on screen, the young man is killed using the jihadists’ favourite method – decapitation. By the time the police arrive,the killers are long gone, but the shocking video has been seen by millions on social media.
At the same time that Porter and Styles are assigned to the case, Porter hears that there is something of a breakthrough in his personal hunt for the person who killed his wife. Fingerprints from the abandoned vehicle that did the damage have finally been matched to that of a minor criminal, Henry Kaumu. All good then, except that Kaumu is lying in an intensive care unit, comatose and swathed in bandages after being battered around the head with a baseball bat, wielded by an angry homeowner whose house Kaumu was trying to burgle. Porter learns that Kaumu is an employee of Jackson Tyler, a notorious London gangster. Because the case is so personal, Porter is forbidden to take any part in it and so he goes ‘rogue’ to try to find the identity of the person who was driving the fatal car. His clashes with Tyler are painful and unproductive, until he receives information from an unlikely source.
Porter’s four year search for the person who killed his wife finally ends in a violent encounter on a suburban industrial site, and the hunt for Ross Henderson’s killer takes one or two wrong turns, but eventually Porter gets his man. Or does he? There is a clever twist at the end which I didn’t see coming. Robert Scragg clearly has a strong political stance, but that’s fine – it’s his book, and readers can take it or leave it.
I have to be honest and say that I smelled a rat from the word go. Why would Islamists murder a left wing activist who would have held all the ‘correct’ views on such topics as immigration, Palestine and cultural diversity? It takes Porter & Co. rather a long time to realise they are being played, but maybe that’s just me being a curmudgeon. That caveat aside, this is a thoroughly entertaining police procedural from the author (right) with all boxes ticked, including coppers with difficult personal lives, senior officers welded to their desks, genuinely nasty villains, and authentic locations. The room containing fictional Detective Inspectors is a crowded one, but Jake Porter’s elbows are sharp enough to make sure he has room to move.
End of The Line is published by Allison & Busby, and is out now. To find reviews of the three earlier books in the series, click on the image below.