A wintry Philadelphia is the setting for Liz Moore’s fourth novel. A female police officer, Michaela ‘Mickey’ Fitzpatrick, works the streets of Kensington, This district’s history owes much to its proximity to the Delaware River, and the fishing, milling and transport industries, but these have long since ceased, and the area is run down, dilapidated, and one of the centres of the city’s drug trade.
This is not a crime novel in the traditional sense, and it certainly isn’t a police procedural, despite Mickey’s profession. The plot partly involves the search for someone who is killing young women who have been forced into prostitution to feed their drug habit but, although this is resolved, it is eventually incidental to the main thrust of the novel.
Mickey comes from a dysfunctional family. Her mother is long dead, she is estranged from her father, and both she and her sister Kacey were brought up by a rather forbidding and humourless grandmother they call Gee. Micky’s career in the police force is unspectacular, but it pays the bills for her and her young son Thomas. As the blurb on the back of the book cleverly puts it,
“Once inseparable, sisters Mickey and Kacey are on different paths, but they walk the same streets. Mickey on her police beat and Kacey in the shadows of the city’s darkest corners where the drug addicts and the sex workers preside.“
As more women fall victim to the mystery killer, Mickey becomes ever more frantic that Kacey will be the next body wheeled on a gurney into the mortuary to await the investigation by the police pathologist. When she hears from an old friend of Kacey’s that the killer is thought to be a police officer, she confides in her immediate boss, Sergeant Ahearn. Not only is he sceptical, but he bounces the accusation back at Mickey, and she finds herself suspended and under investigation into allegations about her own conduct.
Liz Moore (right) treats Mickey’s search for her sister on two levels: the first, and more obvious one, is a nightmare trip through the squats and shoot-up dens of Kensington in an attempt to find Kacey – a search, find and protect mission, if you will. On a more metaphorical level, the books becomes a journey through Mickey’s own past in the quest for a more elusive truth involving her family and her own identity.
As readers we have one or two tricks played on us by the author as she allows us – through Mickey’s narrative – to make one or two assumptions, before turning those on their heads. Liz Moore’s style is interesting, particularly in the way she replays dialogue. This is a powerful and thought-provoking novel which, despite some measure of redemption, has a truly chilling final few lines.
Long Bright River came out as a Kindle and in hardback earlier this year, and this paperback edition will be published by Windmill Books on 31st December
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