Detective Inspector Eden Brooke, Jim Kelly’s 1940s Cambridge copper returns for his third case, in The Night Raids. Those readers who met Brooke in The Great Darkness and The Mathematical Bridge (the links will take you to my reviews) will know that he is cultured, educated, but afflicted with an aversion to bright light as a result of horrific treatment by his Turkish captors during The Great War. One consequence is that he must wear spectacles with special lenses; another is that finds sleep both difficult and troubled, in that when he when he can find repose, his dreams are stark and threatening. He lives in Cambridge with his wife Claire and two grown up children, of whom Joy is a nurse like her mother, while Luke is in the army. We learn that he is currently training with Special Forces. Because of his condition, Brooke is something of what used to be called a night owl. He is most at ease when he is outside, enveloped in the still watches of the night, and he has regular ports of call such as an all-night tea stall, a friend who is an air-raid observer, and a college porter.
Cambridge sits on the Western edge of the Fen Country – formerly a vast expanse of freshwater peat bog, meres and ever-changing rivers. By the time in which the book is set, the Fen had long since been tamed by numerous arrow-straight drainage channels and sluices, but in the Eden Brooke stories it sits out there, beyond the lights of the town, like a huge dark and silent presence. Water is, in fact, an essential theme of these novels. Brooke himself swims in the river for exercise and contemplation; it is also a place where people die, sometimes by their own hand, but also at the hands of others.
In Night Raids we see some of the story through the eyes of a crew of a German Heinkel bomber. Their mission is to destroy an essential bridge over the river; the bridge, crucially, carries the railway taking vital men and munitions to the east coast, where invasion is a daily expectation.The bombers come over at night, and have so far failed to destroy the bridge. What they have done, however, is unload some of their bombs on residential areas of the town, and inside one of the terraced houses wrecked by the raid, Brooke finds the body of an elderly woman. Her death is clearly attributable to Hermann Goering’s Luftwaffe, but the fact that her left ring finger and middle finger have been removed with a hacksaw cannot, sadly be laid at the door of the Reichsmarschall.
When one of the dead woman’s granddaughters goes missing, along with her naturalised Italian boyfriend, Brooke can only look on in frustration as the case becomes more complex, and threatens to spin out of control. In what seems to be a totally unconnected incident, Brooke has discovered that someone – either intentionally or by accident – has released a pollutant into the river, possibly as a result of black market skullduggery. Once again, the river itself becomes a key element in the story. A body is discovered submerged near a fish farm which breeds pike, a delicacy served at High Table in some of the colleges. Bodies in rivers are commonplace in crime fiction, but this is as haunting and macabre as anything I have ever read:
“Boyle bent down to see if he could feel her breath between the blue lips, but the slightly bloated flesh, and the glazed eyes, told Brooke that she’d been dead for several days. The still-flowing blood told a lie. The pike had nibbled at the flesh but these wounds were puckered and bleached. The blood ran from black leeches which dotted her neck and legs, secreting their magic enzyme, which had stopped the blood from clotting. They stood back in silence as the cold corpse bled.”
Jim Kelly is one of our finest writers. Were I ever to be asked what my Desert Island third book choice would be, after the Bible and a complete Shakespeare, it would be a complete works of Jim Kelly. In The Night Raids he conjures up a narrative tour de force which combines the Cambridge murders, an exploitative criminal gang and the malevolent intentions of the Luftwaffe – into a dramatic and breathtaking final act. The Night Raids is published by Allison & Busby and is out now.
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