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January 28, 2019

ON MY SHELF . . . Late January 2019

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The TBR pile is beginning to look menacing, but that’s fine. It’s January. It’s bleak outside. The rain sluices against the window panes. The central heating is working a treat, so all is good. How do I find the time? It’s called being retired, and I can thoroughly recommend it. So, in alphabetical order of author, here we go.

RUN AWAY by Harlan Coben

harlan-cobenOne of the more reliable tropes in crime fiction, and one that never fails to hit a nerve, is the one about the father whose daughter is taken from him by fate, circumstance or – memorably in the case of Bryan Mills/Liam Neeson – by the bad guys. In this case, however, Simon Greene has lost his daughter to a more complex enemy – drugs, disenchantment and mental instability. Greene’s wife has had enough of the wayward Paige and has shut her out of her life, but Greene never stops looking. And then he finds her. Emaciated, filthy, and addicted. His determination to follow her down into her own private hell and bring her back is a terrifying journey through New York’ dark side, and a stark portrait of human obsession. Century will be publishing Run Away on 21st March, and there’s plenty to read about Harlan Coben on the Fully Booked website

TOO CLOSE by Natalie Daniels

claraNatalie Daniels is the pseudonym for screenwriter, author and actress Clara Salaman who starred as DS Claire Stanton in the long running British TV cop show The Bill. Her talent as a writer is on display here in a psychological drama about a woman who wakes up in a secure mental hospital, her hair torn out in clumps, emaciated and with no memory of how she got there. What is the connection between Connie’s present state and the friendly lady she met in the park watching their children play? Can psychiatrist Emma Robinson untangle the twisted knots that make up Connie’s memory, and come anywhere near to rationalising what Connie has done? Transworld Digital brought out Too Close in November 2018 as a Kindle, but people who like to get their hands on the printed page can get a paperback version on 7th March.

THE PASSENGERS by John Marrs

john-marrs-author-imageIf you are long in the tooth and a bit ‘old school’ like me, you may well share my bafflement at the concept of driverless cars. It will all end in tears, I say, and this entertaining mixture of crime fiction and SciFi may add weight to my argument. Eight driverless cars set off on their separate journeys. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife – and parents of two who are travelling in separate vehicles – and a suicidal man. What could possibly go wrong? Someone hacking into the IT system which controls these vehicles is precisely what goes wrong, with predictably disastrous consequences. Marrs  is the author of best sellers The One, The Good Samaritan, When You Disappeared, Welcome to Wherever You Are and Her Last Move. The Passengers will be out in Kindle on 1st April, and there will be a paperback version from Del Rey at the end of May.

TAKEN by Tony Parsons

tony_parsonsThere are few modern writers who know London as well as Tony Parsons, and his intrepid London copper Max Wolfe gets to explore the many nooks and crannies, foibles, eccentricities – and dark places – of England’s capital in the course of his investigations. When a gangland revenge kidnapping goes spectacularly wrong, Wolfe is drawn into the nightmare world of London’s underbelly, and he is pitted against men for whom power, money, sex and horrific violence are simply tools of their trade. I am a huge fan of Tony Parsons and his Max Wolfe novels, so while you wait for Taken to appear –  on 18th April –  check out my reviews of Die Last and Girl On Fire.

 

NO ONE YOU KNOW by Michelle Richmond

michelleEllie Enderlin’s life has been blighted by the unsolved murder of her sister. Lila’s death cast its black shadow over her parents, too, but when Ellie finds her sisters notebook what she reads opens up the possibility that Lila’s killer may, at last, be identified. Knowledge, however, rarely comes without a price, and as Ellie reconstructs her sister’s life – and death – she comes to realise that when heavy stones are lifted, there may be unpleasant things scuttling around underneath. Set in San Francisco, this first came out in 2008, and second hand copies can be picked up fairly easily, but this is a brand new paperback reissue, and is out now,

 

KARIM, KING OF ENGLAND by Baz Wade

karimThis is a futuristic political thriller which takes as its subtext the anxieties many British people share about the rise and rise of Islam in the commercial, educational and social life of the country. Readers will not need subtitles to recognise the real-life palimpsest of this story, where a dazzling English princess bears a child whose father is a wealthy middle-eastern playboy. Karim is that child, and when he returns to England after a Muslim upbringing in Dubai, he becomes involved in a political and social struggle which threatens to engulf the country, and turn his golden dreams into ashes. Karim, King Of England came out late last year and is readily available.

 

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SEVERED . . . Between the covers

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In a structurally ramshackle – but otherwise unremarkable – rural parish church in the gently undulating Chiltern Hills, the scant congregation is watching their parish priest reach the most sacred part of the Sunday morning Holy Communion service, where they join together in the belief that “God was man in Palestine, and lives today in Bread and Wine”. In a few violent seconds, however, the wine symbolising Christ’s blood is dramatically spilled and mixed with real human blood, as the vicar is savagely attacked by a young man wielding an axe.

severedThus begins another case for Professor Matt Hunter, a university lecturer in religion and belief. He has previously helped the police in cases which involve sacred or supernatural matters (see the end of this review) and he is called in when it becomes clear that the wielder of the axe was none other than the teenage son of the Reverend David East, and that the boy was under the spell of a cult of deviant Christians whose central belief is that God The Father is a brutal tyrant who murdered his only son. They are also convinced that all other humans but them are ‘Hollows’ with evil in their eyes. Consequently, they shun all contact with the outside world, and live in a remote farmhouse, deep in the hills at the end of a rutted farm track.

Laws manages to recast the relatively benign uplands of the Chilterns as a scarred and brooding landscape with many a nameless terror lurking in its valleys, waiting to pounce on the unwary. There is blood by the pint, a coven of homophobic Christian evangelicals, a storm of biblical ferocity plus every Gothick image you could ever think of – plus a few more besides. Oh yes, I almost forgot – a very convincing and horribly plausible shape-shifter.

As the chapters spin by, Laws dusts off one of the oldest tricks in the book of narrative devices, but deftly breathes new life into it. There are basically two stages in his theatre of horrors; one shows us what is happening around Matt Hunter, while on the other, the members of the sect enact their weird dance of death. Each chapter ends with a cliffhanger, so we whirl through the next few pages to see what is going to happen, but then that chapter leaves us in suspense too, so we become caught up in an addictive mad scramble. It’s a ridiculously simple ploy but, good heavens, how well it works.

LawsOne of the most intriguing aspects of the Matt Hunter books is the relationship between the fictional former man of God and the very real and present minister in the Baptist church, the Reverend Peter Laws himself . We get a very vivid and convincing account of how Hunter has lost his faith, but also the many facets of that belief that he has come to see as inconsistent, illogical, or just plain barbaric. It suggests that Laws has identified these doubts in his own mind but, presumably, answered them. In these days of CGI nothing is impossible, so a live debate between Reverend Laws and Professor Hunter would be something to behold.

The finale of this brilliant thriller is apocalyptic enough to satisfy the most ardent fan of the horror genre, but Laws is smart enough – like Phil Rickman in his Merrily Watkins novels – to give everything (well, almost everything) a natural explanation, and when the emotional roller-coaster finally comes to rest we know that it is human beings, images and clones of ourselves if you will, that are capable of far more dreadful deeds than any supernatural monster conjured up from the bowels of Hell. Severed is published by Allison & Busby, and will be available at the end of January 2019.

For more on the extraordinary adventures of Professor Matt Hunter, read the reviews of:

Unleashed

Purged

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