York

REVENGE KILLING . . . Between the covers

I reviewed an earlier book in this series, Final Term, in January 2023 and thoroughly enjoyed it, so it was good to become reacquainted with York copper, DI Geraldine Steel. Revenge Killing is a little bit different in that DI Steel is off on maternity leave. As much as she loves baby Tom, she is feeling very much out of the loop in terms of her police career. When her friend and colleague DI Ariadne Moralis asks for her advice, she leaps at the chance to help.

Moralis has a complete puzzle of a case on her hands. Initially, her husband – Greek, like Ariadne – has been visited by a friend and compatriot called Yiannis Karalis. Yiannis owns a property where one of the tenants – a small time drug dealer called Jay Roper – has been found dead at the foot of the stairs leading up to his flat. Ariadne assures him that he has nothing to worry about, but when the post mortem examination reveals that Jay was suffocated, things become more complicated.

Ariadne discovers that Yiannis is something of a fugitive, as he fled Greece during the fallout from the murder of his older brother and a subsequent vengeance death. Did he visit Jay to remonstrate with him about the drug dealing? Did the visit turn violent. One of Jay’s girlfriends, Lauren Shaw, has gone missing. What does she know? Another girlfriend, Carly, who works in what is euphemistically known as a gentleman’s club, is located, and she is completely antagonistic towards the police. Despite claiming that she and Jay had an ‘open’ relationship, was jealousy simmering just below the surface, and did she kill Jay on the grounds that if she couldn’t have him, no-one else would?

Leigh Russell cleverly lets us spend some time with Lauren, who has panicked. We know. from the early pages of the book that she and Jay had a blazing row which ended in him falling down the stairs. Now, terrified that the police will blame her for his death, she goes on the run, and we share her misery as she her meagre savings run out, and she discovers that life on the streets is miserable and dangerous.

Revenge Killing is, at its heart, an excellent and engaging police procedural, but Leigh Russell has an intriguing little subtext ticking away in the background, and it centres on Geraldine’s misgivings about her life trajectory. She dutifully attends a mothers and toddlers group, but feels only alienation:

“But the other mothers at the toddler group had never dealt with murder investigations in the real world. None of them had watched a post-mortem, knowing the cold flesh on the slab had once been a living breathing human being, whose life had been snatched away by someone in the grip of an evil passion. The other mothers had never learned to close their minds to the horrors of every day human brutality, so shock couldn’t prevent them from doing the job. Gazing at the cheerful faces around her, she regretted her choice of career and wished her life could be as simple as it was for the other women in the room. But her experience had cut her adrift from these chattering young women, with their sheltered upbringing and cosseted lives. They discussed their various tribulations as the infants crawled or toddled around the room, or sat propped up watching warily, like Tom.”

As with all good whodunnits, we are presented with just the right blend of surprise at the identity of the killer, and a few helpful nudges to point us in the right direction. Revenge Killing is published by No Exit Press and is available now.

April 1, 2024 1

FINAL TERM . . . Between the covers

Oh, Blimey, yet another long running series to which I am a stranger. Better late than never, even if I am starting with the nineteenth of the series featuring York copper Geraldine Steel. As a former school teacher (just the forty years at the chalk-face) I can report that in modern schools, a peculiar kind of justice prevails. At the first complaint of serious misbehaviour by a member of staff, said teacher is out on his or her ear – “suspended, pending investigation”. Despite the mealy-mouthed rider that “suspension is not an indication of wrong-doing”, it is plain for all to see that the teacher is guilty until proven innocent. And that is precisely what happens to teacher Paul Moore in Final Term when he falls foul of a rather unpleasant teenager called Cassie Jackson. She claims he has molested her, and he is immediately shown the door, while Cassie’s claim is examined.

Sadly, there is not much time for a thorough investigation, as Cassie’s dead body is found in nearby woodland. The post mortem reveals that she died from a severe blow to the head, she was full of alcohol. There is no sign of recent sexual trauma, but she had undergone an abortion in the last twelve months or so. DI Steel and her team swing into action, but clues are scarce. Cassie’s 18 year-old boyfriend is initially suspected, but his anger at her death seems genuine. The, with the case going nowhere, another girl from the same school is found naked and dead, and the fears deepen that a serial killer may be at large.

When both Paul Moore and his wife Laura are proved to have lied to the police about what they were doing on the night of Cassie’s murder, Geraldine’s boss senses that Moore ticks at least two of the standard boxes in a murder investigation – he had the motive and the opportunity. Geraldine is, however, uneasy about the arrest, as there is nothing forensically to link Moore to the murders. We, too, guess that he didn’t do it, as we meet the real killer about half way through the book. He is, though, rather like those anonymous TV confessions back in the day, merely a silhouette.

With Paul Moore languishing in a police cell, Laura Moore goes missing. Then, Geraldine makes that mistake which is a trope in so many novels and films – she goes off on her own, following a hunch, but telling no-one where she is going. Inevitably, she falls foul of the killer, and with her live-in partner Ian, a fellow copper, heavily involved, the search for the missing women brings Final Term to an exciting conclusion.

Leigh Russell (right) studied literature at university, and spent four years immersed in books. After that,she became a teacher, a career that enabled her to share her enthusiasm for books with teenagers. For years, she read other people’s books with no plans to write her own, when the idea for a story popped into her mind. Intrigued by a fictitious killer who had arrived, unbidden, to lurk in her imagination, she began to write a story. That story, Cut Short, was shortlisted for a CWA Dagger Award, and went on to become the first in a long running series. She now has three series to her name. Besides DI Geraldine Steel, her other books feature Steel’s sergeant Ian Peterson, and a civilian investigator called Lucy Hall.

Just in case anyone should get sniffy and dismiss this – and other books in the series – as “formulaic”, let me ask this. Do you complain about the repetitive structure of the Sherlock Holmes stories? Is it a turn-off that the Nero Wolfe stories always begin with Archie Goodwin presenting a problem to his boss in Wolfe’s apartment?. Are the Ed McBain’s 87th Precinct novels unreadable because of the ever present Steve Carella, Cotton Hawes, Bert Kling, Meyer Meyer and Pete Byrnes? I think we all know the answer. If the other eighteen books in this series are anywhere near as good as Final Term, then Leigh Russell has earned her place on the CriFi podium.

Final Term is published by No Exit Press and is on sale now.

January 30, 2023 1

Ever onwards, and ever northward to the ancient city of York. For all that it houses the magnificent medieval minster and has a history going back to the Eboracum of Roman times, fewer people remember that York was also a great railway city, and there can be no more appropriate place to house the National Railway Museum. Like many men now in the autumn of their years I was an enthusiastic trainspotter back in the days of steam, so it is – I hope – perfectly understandable that I have chosen the Jim Stringer novels by Andrew Martin for this stop on our trip. Martin introduced Stringer in The Necropolis Railway (2002) when Stringer is very much at the bottom of the railway hierarchy, and working in London, but by 2004 in The Blackpool Highflyer, Stringer has married his landlord’s daughter – the beautiful Lydia – and has been promoted to a job in York.

The next four novels see Jim rising steadily through the ranks of railway nobility, but in 1914 the world changes for ever, and Jim, like tens of thousands of other fathers, husbands, brothers and sons, answers the country’s call and joins up to fight the Kaiser, but with his expertise as a railwayman. The Great War, while not as completely global as the conflict that followed just twenty five years later, was not confined to the blood-soaked farmlands of France and Flanders. After solving a front-line murder in The Somme Stations (2011) Jim goes east in The Bagdhad Railway Club (2012) and Night Train To Jamalpur (2013) and emerges some years after the war, more or less unscathed and back home in York, in Powder Smoke (2021)

Andrew Martin is many things – steeped in railway lore from his childhood, Oxford graduate, qualified barrister, performing musician, born in York and writer of novels light years distant from crime fiction. If he were ever to have a tombstone inscription, I do hope he would include (in brackets) “also known as Jim Stringer”. Stringer is a brilliant creation; not a ‘bish-bash-bosh’ hero, for sure, but a man with a well-defined moral compass and a gimlet eye for wrong-doing – be it in railway procedure or life in general.

Although I don’t quite belong to Jim Stringer’s era, when I read his books I am back in my relatively blameless youth (remember when Philip Larkin said sex was invented) and I am on a station platform somewhere in the Midlands, probably showered with soot from a venting steam engine, pen in one hand, notebook in the other, and with a school satchel containing sandwiches and a bottle of pop slung over my shoulder.

We now face a long haul over The Pennines and, just after the ancient town of Skipton, we trade the white rose for the red, and pass into the County Palatine of Lancashire. It is just possible that we might pass within a stone’s throw of a moorland pub called The Tawny Owl. Were we to call in for refreshment we might be serves by a fifty-something chap called Henry Christie. More than likely, though he will be out somewhere between Preston and Blackpool ‘helping police with their inquiries’. In Henry’s case, however, this is not the standard police cliché for being ‘nicked’ but is to be taken absolutely literally, as retired copper Christie has a new role as a consultant to his former colleagues.

His creator, Nick Oldham, knows of what he writes, as he is a former police officer, and the 29^th book in this long running and successful series is due out at the end of November. So, what can readers expect from a Henry Christie story? It depends where you start, of course, because if you go back to the beginning in 1996, Peter Shilton was still in goal, but for Leyton Orient, England lost to Germany (on penalties, naturally) in the Euros semi-final, the trial of men accused of murdering Stephen Lawrence collapsed and John Major was in his second term as British Prime Minister. In A Time For Justice Christie is a relatively junior Detective Inspector – and someone who is seriously out of favour with his bosses, and has to tackle a cocky mafia hitman who thinks the English police are a joke. As the novels progress over the years, Christie rises through the ranks, but he is still someone who is viewed with some suspicion by the few officers who outrank him – the chief constables and their assistants.

Henry Christie is always hands on, and he has the scars – mostly physical, but one or two mental lesions – to prove it. His personal life has been a mixture of love, passion, tragedy and disappointment. His geographical battle grounds are usually confined to the triangle formed of Preston, Lancaster and Blackpool. This is an area that Oldham (right) himself knows very well, of course, thanks to his years as a copper, but it is also very cleverly chosen, because it allows the author to play with very different human and geographical landscapes. The brooding moorland to the east is a wonderful setting for all kinds of wrong-doing, while the seaside town of Blackpool, despite the golden sands, donkey rides, candy floss and cheerful seaside ambience, houses one of the worst areas of deprivation in the whole country, with run-down and lawless former council estates controlled by loan sharks, traffickers and criminal families of the worst sort.

What comes as standard in this superb series is tight plotting, total procedural authenticity, some pretty mind blowing violence and brutality but – above all – an intensely human and likeable main character. Click on the images below to read reviews of some of the more recent Henry Christie novels.