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Shari Lapena

EVERYONE HERE IS LYING . . . Between the covers

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One of the most resilient tropes of the modern domestic psycho-thriller is the bland suburban community where something goes terribly, terribly wrong. This is bread-and-butter for Shari Lapena, and she introduces us to the manicured lawns and domestic harmony of Stanhope, a small  town where, at opposite ends of Connaught Street, live Dr. William Wooler and Nora Blanchard. They are both married, with children, but they have been having an affair. When Nora ends it, abruptly, at their regular tryst in a seedy motel, William drives home distraught, only to find his nine year-old daughter Avery in the house. She has been sent home from school after yet another outburst of disruptive behaviour. Avery is the very last person William wants to see, and they fight.

Avery Wooler is, frankly, a junior monster. She has all manner of letters after her name. Think of a syndrome, and she has it. She disrupts other little girls’ birthday parties because she can’t open the presents first. She drives her mum and dad to distraction and, in her father’s case – violence. On this afternoon. Avery greets her dad with her usual insouciance and he snaps, giving her a slap round the face. After making sure that no serious damage has been done, Wooler – his mind a turmoil of rejection and anger –  storms out of the house. Or does he?

When the rest of Wooler’s family – wife Erin and son Michael – arrive home, Avery is nowhere to be found. Eventually, the police are alerted, the panic button is hit, and a huge search ensues. The prescience of the book’s title becomes ever more apparent as – one house at a time – the families who live on Connaught Street are sucked into the mystery. The cops leading the hunt for Avery Wooler – officers Bledsoe and Gully – follow one false lead after another, not because they are particularly dim, but rather because they simply don’t have a physical trace of Avery. At the back of their minds is the awful truth that in child abduction cases, if the victim isn’t found alive within the first few hours, then it becomes a hunt for a body.

Shari Lapena describes in grim detail the psychological disintegration of the families involved, the Woolers and the Blanchards, but about two thirds of the way through she lets us know what actually happened to Avery so – in one sense – our suspense and stress are relieved, but our x-ray view of what is going on behind inside the walls of the houses on Connaught Street still allows for a few shocks. In my review of one of Shari Lapena’s earlier novels (click the link below) I used the term Anxiety Porn, and that’s what the Canadian novelist does really well.

BETWEEN THE COVERS . . . The End Of Her

Lapena’s speciality is describing how unfortunate events can tug away at domestic security like a loose thread being insistently pulled from a much-loved cardigan, with the result that the cosy garment disintegrates and becomes unwearable. Everyone Here Is Lying will be published on 6th July by Transworld Digital as a Kindle and Bantam in hardcover.

ON MY SHELF . . . March 2023

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 I WILL FIND YOU by Harlan Coben

It’s the mark of a fine crime writer that they can produce excellent series (in this case my favourite is those books featuring Myron Bolitar) but also create standalone novels, such as this one. Five years ago, David Burroughs began a life sentence for murdering his son Matthew. Burroughs,  wrongly accused and convicted of the murder is rotting away in a maximum-security prison. The world has moved on without him. Then his sister in law, makes a surprise appearance during visiting hours bearing a strange photograph. It’s a holiday shot of a busy amusement park a friend shared with her, and in the background,  is a boy bearing an uncanny resemblance to David’s son. Even though it can’t be, David just knows: Matthew is still alive. Shaken out of his institutional depression, David plans to escape, determined to achieve the impossible – save his son, clear his own name, and discover the real story of what happened. From Grand Central Publishing, this is out now. Click the link below for the Amazon page:


EVERYONE HERE IS LYING by Shari Lapena

Screen Shot 2023-03-20 at 19.55.05Back in 2020 I was thoroughly gripped by Shari Lapena’s The End of Her  and I remember using the term ‘anxiety porn’. It looks as if there is more of the same here.Welcome to Stanhope is regarded as a safe neighbourhood,  and a place for families to live out the American Dream. William Wooler should fit right in there, at least on the surface. But he’s been having an affair, an affair that ends horribly one afternoon at a motel up the road. He returns to his house, devastated and angry, only to find his difficult nine-year-old daughter Avery  home from school unexpectedly. William loses his temper. Hours later, Avery’s family declare her missing. Suddenly Stanhope’s reputation as being a suburban idyll takes a sever hit. William isn’t the only one on his street who’s hiding a lie. As witnesses come forward with information that may or may not be true, the neighbourly and trusting atmosphere starts to fragment, and then disintegrates completely. Everyone Is Lying is published by Bantam and will be available in July.

NO ONE SAW A THING by Andrea Mara

Dublin author Andrea Mara certainly has a thing for those awful parental moments when you think your child may have gone missing. She takes things one stage further here with a chilling account of an apparent abduction. A woman stands on a crowded tube platform in London. Her two little girls jump on the train ahead of her. As she tries to join them, the doors slide shut and the train moves away, leaving her behind. By the time she gets to the next stop, she has convinced herself that everything will be fine. But she soon starts to panic, because there aren’t two children waiting for her on the platform. There’s only one.Has her other daughter got lost? Been taken by a passing stranger? Or perhaps the culprit is closer to home than she thinks? No one is telling the truth, and the longer the search continues, the harder the missing child will be to find. Out in May, this is published by Bantam.

THE TRAP by Catharine Ryan Howard

There seems to be an abundance of fine women crime writers from Ireland at the moment, but they aren’t all from Dublin. It’s a long time since I read a novel by Cork-based author Catherine Ryan Howard but, inspired by a series of still-unsolved disappearances, The Trap looks to be a winner.A young woman uses herself as bait to try to track down the man who took her sister. The blurb says:

“Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger. It’s the nightmare scenario that every girl is warned about, and she knows the dangers all too well – but what other choice does she have? As they drive, she alternates between fear and relief – one moment thinking he is just a good man doing a good thing, the next convinced he’s a monster. But when he delivers her safely to her destination, she realizes her fears were unfounded. And her heart sinks. Because a monster is what she’s looking for.”

Published by Bantam, The Trap will be out in August

THE LAST SONGBIRD by Daniel Weizman

Back to America for the final novel in this selection, and we are in California. A struggling songwriter and Lyft driver, Adam Zantz’s life changes when he accepts a ride request in Malibu and  he picks up Annie Linden – a fabled 1970s music icon. During that initial ride, the two quickly strike a bond, and  over the next three years, Adam becomes her exclusive driver and Annie listens to his music, encouraging Adam even as he finds himself driving more often than songwriting. When Annie disappears, and her body washes up under a pier – a heartbroken Adam plays detective, only for the cops to believe he was somehow responsible. Desperate to clear his name and discover who killed the one person who believed in his music , Adam digs into Annie’s past. As he spends his days driving around the labyrinth of LA highways, Adam comes to question how well he, or anyone else, knew Annie – if at all. This is published by Melville House and will be out in May.

BETWEEN THE COVERS . . . The End Of Her

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Firstly an apology. I have had this book for some time, and it had languished in my TBR pile, sadly ignored because of other pressing deadlines. I have now read it and, goodness me, if you want a razor sharp examination of people under stress, this is it! I am not sure if  Anxiety Porn is a thing, but The End of Her tugs at the frayed ends of your nerves and insecurities – with a vengeance.

TEOH COVER00smallWe are in the (fictional) town of Aylesford, New York State, and the cast is quite extensive. To start with, I had to go back to the beginning a couple of times to make sure I knew who was who. Central to the story are a married couple, Patrick and Stephanie. They have twin baby girls. Stephanie is Patrick’s second wife, his first having died a few years earlier in a tragic accident. Patrick is in an architectural partnership with Niall, who is married to Nancy. In a different town we have have Cheryl, Gary, and their adopted son Devin. The person who links these families is a woman called Erica Voss.

It is, hopefully, no spoiler to make it clear that Ms Voss is a nasty piece of work, so how does she tie in with the three couples? Back in the day, during Patrick’s first marriage – to the late Lindsey – she and Patrick had an affair which resulted in Erica becoming pregnant. Concealing the fact from Patrick, she gave birth to a son who she effectively sells, outside of normal adoption procedures, to Cheryl and Gary. Now, nine years later, she enters the three families lives like a malignant growth. After applying for a job at the architectural firm, she seduces Niall (for reasons which only become apparent later in the story). She then blackmails Cheryl and Gary, but her trump card is played when she informs Patrick that she has evidence that Lindsey’s death was not an accident, and she is prepared to have the case reopened unless, of course, she is paid to keep her mouth shut.

The sequence of events which caused Lindsey’s death is, apparently ‘a thing’ in places like Colorado, where deep snow is a winter certainty. Preparing to drive to visit Lindsey’s parents, Patrick has gone outside to dig the car out of four feet of snow. He has turned the engine on to warm the car, and while he is digging, the heavily pregnant Lindsey comes outside and sits in the car. The exhaust is, unfortunately, blocked with snow, and the resultant build-up of carbon monoxide inside the car sends Lindsey unconscious, and by the time Patrick has finished his digging, she is dead. The emergency services are called, but to no avail, and after an investigation, the case is closed, and goes on file as a tragic accident.

What happens next is for you to find out. One of Shari Lapena’s many gifts is to use the ploy of the unreliable narrator to great effect. Yes, Erica Voss is clearly a scheming and highly plausible villain, but who else is up to no good? I have to say that I didn’t see the final resolution coming, but is there a happy ending? You can judge for yourself. The End of Her is published by Bantam Press and is available now in all formats.

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