Robin Blake

HUNGRY DEATH . . . Between the covers

I have become a huge fan of the Cragg and Fidelis books written by Preston-born Robin Blake. They are set in the 1740s in Lancashire, Titus Cragg is the county coroner, and his friend Luke Fidelis is an enterprising and innovative young physician. Hungry Death is the eighth in this excellent series, and to read my reviews of three of the previous books Skin and Bone, Rough Music, and Secret Mischief, click the links.

Cragg is instructed to ride out to a lonely moorland farmhouse, and what he finds surpasses any of the previous horrors his calling requires him to confront. He finds an entire family slaughtered, by whose hand he knows not, unless it was the husband of the house, himself hanging by a strap hooked over a beam. To add even more mystery to the grisly tableau, Cragg learns that the KIdd family were members of a bizarre dissenting cult which encourages its members into acts of brazen sexuality. Then, in a seemingly unconnected incident, the gardener at a nearby mansion, trying to improve the drainage under his hothouse, discovers another body. This corpse may have been in the ground for centuries, as it has been partly preserved by the peat in which it was buried. When Fidelis conducts an autopsy, however, he concludes that the body is that of a young woman, and was probably put in the ground within the last decade or so.

Bodies – dead ones – are central to Titus Cragg’s world. A coroner, then and now, must try to be led, hand in hand, by the dead until the circumstances of their demise is revealed. Sometimes, through his investigations and observations, Cragg (helped by the medical eye of Fidelis) can make the dead talk, but the peat-blackened young woman seems to have little to say. Painstaking and shrewd deduction leads Cragg to believe that she was a servant girl once employed at one of the large households in the area. But who? The girls came and went, changed their names through marriage, and the passing years have cast a shroud of fog over the matter.

Regarding the slaughter at the farmhouse, Cragg discovers that the answer lies in the peculiar – and vengeful – nature of the Eatanswillian sect. I believe Robin Blake has used a little historical license here, as the only mention of the word online that I could find is that of the election in the fictional town of Eatanswill (described so satirically in The Pickwick Papers). The resolution of the case hinges on a note pinned to the door of the farmhouse, apparently written in some kind of code. Cragg hopes that deciphering the code will lead him to the perpetrator of the slaughter.

All is resolved, of course, in the final pages, which are framed around the coroner’s inquest into both cases, and Robin Blake gives us a courtroom drama worthy of anything in the distinguished career of Perry Mason or, more recently Micky Haller. This is a cracking piece of historical crime fiction from the first word to the last, but I have to say the opening chapter was one of the most horrific passages I have read for a long time. Hungry Death is published by Severn House and is available now.

February 24, 2022 0

SECRET MISCHIEF . . . Between the covers

A new Cragg and Fidelis mystery from Robin Blake is always an event, so thank you, Severn House, for the review copy. For those who have yet to meet this pair of 18th century investigators, here’s a quick heads-up. We are in the mid 1700s, in Lancashire, and King George II has not long since led his army in the field to defeat the dastardly French at The Battle of Dettingen. Titus Cragg is the County Coronor, and lives with his wife and son in Preston. His friend Luke Fidelis is a local doctor who is much admired by his patients, but viewed as highly suspect by some of the older medical fraternity in the area. This is the seventh in the series, and you can read my reviews of of a couple of the earlier novels here.

As ever, murder is the word, and a series of deaths in and around the town of Omskirk are linked to an archaic form of business plan for raising money, known as a Tontine. The investment plan was named after Neapolitan banker Lorenzo de Tonti and, to put it simply, was a pot of money where a number of people contributed an equal sum. The money would either be invested, with interest paid to the members, or used to fund capital projects. As time went on, and investors died, the fund became the property of the remaining members, until the last man (or woman) standing hit the jackpot.

Sounds like a good excuse to bump off a few people? Doesn’t it just! The first victim is, comically enough, a prize porker called Geoffrey. When Cragg is called to examine the corpse he thinks his time is being wasted, but when the late pig’s owner – one of the Tontine members – is shot dead a few days later, Cragg realises that the pig took a bullet aimed at his owner, and the shooter came back to finish the job.

One by one the Tontine signatories come to sticky ends: one is, apparently, hit by the sail of a windmill; another is found dead on Crosby beach, apparently drowned, but Luke Fidelis conducts a post mortem and finds that the dead man’s body has been dumped on the seashore. Things become even more complex when a reformed ‘lady of the night’, now a maid, is accused of pushing the poor woman into the path of the windmill sail. Cragg is convinced she is innocent, but faces an uphill struggle against a corrupt judge.

Not the least of the charms of these books is the description of Luke Fidelis as a medical man who questions existing – and faulty – medical procedures. There is a melancholy moment when he examines the young daughter of one of Cragg’s relatives, and finds that she is suffering from Consumption and is terminally ill. ‘Consumption’ is, obviously, archaic, but so descriptive of a disease that did, until relatively recent times, almost literally consume its victims.

Titus Cragg gets to the bottom of the mystery eventually, of course, even the investigation has his ship sailing dangerously close to members of his own extended family. Off at a slight tangent, I do love books with a map as part of the frontispiece. What was good enough for the Macmillan editions of Thomas Hardy’s novels is plenty good enough for Robin Blake, too. Another left-field thought: the Cragg and Fidelis tales occupy the same geography as the excellent Henry Christie novels by Nick Oldham (click to read reviews) – just a few centuries earlier.

Secret Mischief is addictive, superbly evocative of its period and, most importantly, a bloody good crime story. Also – and I can’t remember a novel doing so in a long time – it features a cricket match as part of the plot! It is published by Severn House and is available now.

April 15, 2021 0

ROUGH MUSIC . . . Between the covers

Robin Blake (left) introduced us to Preston coroner Titus Cragg and his physician friend Luke Fidelis in A Dark Anatomy back in 2015, and the pair of eighteenth century sleuths are back again with their fifth case, Rough Music.

The title refers to an intriguing custom in English folklore, where people in a community would take to the streets in protest at someone – usually a man or his wife – who had offended them. The unfortunates or – if they were lucky – an effigy of them, would be paraded through the streets to the accompaniment of a cacophony of noise. Francis Grose described it in his Dictionary of the Vulgar Tongue in 1796:

“Saucepans, frying-pans, poker and tongs, marrow-bones and cleavers, bulls horns, etc. beaten upon and sounded in ludicrous processions”.

Devotees of Thomas Hardy will remember one such procession in The Mayor of Casterbridge, where it was known as The Skimmington Ride. Another name for the custom was Charivari. Older readers will recall that the late lamented Punch magazine was subtitled A London Charivari. In Georgian Lancashire, however, the display was known as a Stang Ride, and Rough Music opens with an unfortunate shrewish woman in what was then the tiny village of Accrington, being set upon by a mob who resent the fact that she brow-beats her placid husband. The episode gets out of hand, however, and when Anne Gargrave is finally brought back into her cottage, she is dead.

Titus Cragg with his wife and child have retreated from Preston to escape the ravages of a viral illness which has claimed the lives of many infants. They have fetched up in a rented house in Accrington, then little more than a scattering of houses beside a stream. Cragg is drawn into the investigation of how it was that Anne Gargrave died at the hands of her fellow villagers, but his work is complicated by a feud between two rival squires, a mysterious former soldier who may have assumed someone else’s identity, and the difficulty created by Luke Fidelis becoming smitten by the beguiling – but apparently mistreated – wife of a choleric and impetuous local landowner.

Cragg and Fidelis solve the Gargrave case after a fashion, but their work is just beginning. A disappearance, another three deaths and a mysterious house of ill-repute in Manchester tax their deductive powers to the full, and we are provided with ingenious – but plausible – solutions. The historical background is enthralling, but Blake wears his profound scholarship lightly. Just when I thought the fun was over, the book ends with a chance meeting in a Manchester inn between Cragg and novelist whose most celebrated book was brought to the big screen in 1963, and confirmed stardom on a certain Mr Albert Finney.

I have to admit to a not-so-guilty-pleasure taken from reading historical crime fiction, and I can say with some certainty that one of the things Robin Blake does so well is the way he handles the dialogue. No-one can know for certain how people in the eighteenth century- or any other era before speech could be recorded – spoke to each other. Formal written or printed sources would be no more a true indication than a legal document would be today, so it is not a matter of scattering a few “thees” and “thous” around. For me, Robin Blake gets it spot on. I can’t say with authority that the way Titus Cragg talks is authentic, but it is convincing and it works beautifully.

Robin Blake takes us to a pre-industrial rural Lancashire where trout shoal in clear, sweet streams and bees forage on the pure moorland heather, but he doesn’t flinch from the dark side of the idyll; there is prejudice, brutal justice and heartbreak. Rough Music is entrancing, but also a damn fine detective story. It’s published by Severn House, and is out now.

To read a review of an earlier Cragg and Fidelis novel, click the link below.

Skin and Bone

January 6, 2019 0

SKIN AND BONE …Between the covers

Georgian England in the early autumn of 1743. The George in question is Number Two, and earlier in the year he had the distinction of being the last monarch to lead British troops in battle, that being at Dettingen, where an uneasy alliance of British, Austrian and Hanoverian forces – known, bizarrely, as ‘The Pragmatic Army’ – defeated those eternal adversaries, the French.

This, then, is the England of Handel and Hogarth (at least he was English) and the looming threat from the Jacobites north of the border. Author Robin Blake, (left) however resists the easy win of setting his story in the bustle of London. Instead, he takes us to the town of Preston, sitting on the banks of the River Ribble in Lancashire.

Titus Cragg is a lawyer, and the coroner for the town. He is called to investigate a macabre and piteous discovery – that of a tiny baby found at the bottom of a malodorous sludge-filled pit, one of several used by tanners in the town to turn rough animal hides into leather. Once the muck and slurry have been washed away from the infant, Cragg discovers a nasty wound on the back of its head. It takes a more detailed examination by a local physician – Luke Fidelis – to reveal that the little girl did indeed die from violence, but of a much more sinister kind.

The investigations carried out by Cragg and Fidelis reveal a growing schism between the tanners and the wealthy men of property who run the town’s affairs. The leather workers are an inward looking community. This state is mostly driven by the fact that they live and work alongside the noisome waste materials – mostly faeces and urine – which are essential to the tanning process, and therefore most local people literally turn up their noses at the tanners. The burgesses and council-men of Preston, on the other hand, have their eyes on what they believe to be an acre or so of valuable land – ripe for redevelopment – currently occupied by the tannery.

What’s in a name? To answer the ill-fated Juliet, there is always something. Cragg, as his name suggests has something rock-like about him, while Fidelis has a touch of enigma and mystery. Fidelis, the more exotic of the pair, causes suspicion among the bluff Lancastrians of Preston, if only because his modern views and deep knowledge of the science of medicine contrast dramatically with the more superstitious practices of other local doctors. Cragg and Fidelis do eventually discover the truth about the awful death of the baby, but not before Preston is set on its collective ear by another murder and the downfall of one of its most respected residents and his family.

Skin and Bone scores highly in all the categories which make for good historical crime fiction. At its core it has an intriguing and inventive mystery, not just a standard murder parachuted into a period setting. The Georgian details are established without fuss, showmanship or over-anxious dollops of historical fact splashed on the canvas in the name of authenticity. Most importantly, the dialogue is natural and untainted by any attempt to create what the author might imagine to be the vernacular speech of the time. Cragg – and his wife – are likeable and convincing, while Fidelis provides just enough forensic flair to point his friend in the right investigative direction.

This is the fourth Cragg and Fidelis story and it came out in Kindle earlier this year. The hardback is out today, 25th October and the paperback will be out on 3^rd November, You can check further details of this and the previous books at Robin Blake’s own website, or his Amazon author page.