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Max Wolfe

MURDER FOR BUSY PEOPLE . . . Between the covers

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The good news is that DS Max Wolfe is back, and the even better news is that, after a long absence, our man is in very good form. As a young uniformed copper, only days out of Hendon Police College, Wolfe was first on the scene at a safe heist in a palatial London villa. All he found was a gaping hole in the wall, two corpses – and a young woman called Emma Moon, a girlfriend of the mobsters who committed the heist. Wolfe put the cuffs on her, she was tried, convicted, and served a long jail term, during which her troubled son committed suicide. Never once, during the whole process, did she utter a word about those who profited from the robbery. Now, she is out, suffering with terminal cancer, but on a ice cold revenge mission to kill as many of her former associates as she can in the brief time she has left.

Old Max Wolfe hands will know that there is an autobiographical strand running through the novels. Parsons’ breakthrough book was Man and Boy, an account of a male single parent. Here, Wolfe brings up his daughter Scout, rather than a son. Both Wolfe and Parsons are lovers of a dog called Stan, and it was sad to see an RIP notice to the real Stan in the frontispiece of this novel.  Max Wolfe lives within sight, sound and smell of the historic meat market known as Smithfield, for centuries the beating heart of a country that loves beef, pork and lamb. Parsons may not have known, when this book was signed off to the printers, that the death knell would be sounded on this historic site. It will, no doubt, be demolished and something trite and anodyne built in its place. This is a purely personal paragraph, as Parsons doesn’t preach, but I think London is gone for us now: pubs are closing at an alarming rate, institutions like the iconic chop house Simpsons of Cornhill lie empty, derelict and vandalised. Philip Larkin was right when he wrote, “And that will be England gone.”

Wolfe juggles several criminal – and personal – issues. He knows that a group of Jack-The-Lad firearms officers have a flat where they abuse young women, wrongly arrested when they flash their warrant cards. The murder of a young woman of the streets, Suzanne, seems unsolvable. On a personal level, he struggles to keep tabs on Scout, his twelve-year-old daughter. She is wilful, disobedient, but highly intelligent. Every single second while he is working, he is worried about where she is, and what she is doing. One by one, the foot soldiers of the  heist succumb, each apparently, to natural causes. Wolfe does, in the end, unmask the killer, but more by accident that intention.

Apart from being a gripping read from the first page to the last, this novel is remarkably prescient. I believe that there are many months between the final edition of a book being sent to the printers, and its appearance on bookshop shelves. Parsons weaves two very recent issues into the warp and wedt of his novel. One is a subtle and reflective elegy on Smithfield and its sanguinary history. Just weeks ago, an enquiry released its findings into the killing of a London criminal at the hands of firearms officers. Parsons lets us know, in excruciating detail, the hell that descends on any officer who fires a fatal shot.

Max Wolfe is both convincing and endearing. He doesn’t always get things right. Here, his judgment of Sarah Moon veers from spot-on to plain-wrong (and back again) several times. For all that certain critics and reviewers turn up their noses at Tony Parsons because of his political views, and the newspapers he has written for, the last pages of this book reveal what I have known ever since I met the man at a publishers’ party. He is observant, fiercely honest, and a deeply sensitive writer. Max Wolfe may be only marginally autobiographical but, like his creator, he only dances to the tunes he hears in his own head, and not those streamed in from elsewhere. Murder For Busy People will be published by Century on 2nd January.

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#TAKEN . . . Between the covers

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OK, so Liam Neeson and Luc Besson got their anti-Albanian-gangster campaign in first, but Tony Parsons’ version has a hashtag, and only two citizens of the Adriatic republic bite the dust during DC Max Wolfe’s latest investigation. So, what do we have? Fans of the previous Max Wolfe novels The Murder Bag (2014) The Slaughterman (2015) The Hanging Club (2017) Die Last (2017) Girl On Fire (2018) can look away for a moment during a quick bio of DC Wolfe. He lives in a flat overlooking Smithfield Market. He is a single parent to daughter Scout (as in To Kill A Mockingbird), and has a dog called Stan, to whom he is devoted. Wife Anne is vaguely in the background, but is more concerned with her looks, career and latest boyfriend than she is about her daughter. The Wolfe household is run by a benevolent Irishwoman called Mrs Murphy.

Taken#Taken kicks off, appropriately enough, when a young ballet dancer, Jessica Lyle, is snatched from her borrowed car just yards from the gated luxury home she shares with another girl. From here, Wolfe and his alcoholic boss DCI Pat Whitestone face a veritable University Challenge of questions. Their starter-for-ten is to decide if Jessica was actually the intended victim. Although her father is a retired copper who may have run up an impressive list of enemies, isn’t it more likely that Jessica was mistaken for her flatmate, Snezia? After all, Snezia is not only a dancer of a different kind from Jessica (think ‘gentlemen’s’ clubs, tiny thong and shiny pole) but she is the mistress of fabled former gang boss Harry Flowers. Jessica was driving Snezia’s car when she was taken. Isn’t this just another example of the stupidity of hired thugs?

As if Wolfe doesn’t have enough on his plate, he is forced to cover for his boss when she gets herself into a whole world of trouble. He is far from being a stupid man, but makes assumptions about the Lyle abduction which lead him down a succession of dark alleys, with Whitestone’s obsession with nailing Harry Flowers adding more heat than light as he gropes for the truth.

Parsons takes us on a white knuckle ride through London’s gangland, a place where unpredictable violence à la Ronnie Kray is a marketable commodity, and luxury homes on the Essex fringes are paid for by dark deeds committed in the shadows cast by mountains of wrecked cars in scrap dealers’ yards. Lovers of London will be entranced by some of the locations, including a ghostly disused underground station and the spectacular mortuary extravagance of Highgate West cemetery.

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Amid all the thuggery, armed police raids and visits to some of London’s least-visited curiosities, Parsons (above) finds space and time to deal with Wolfe’s tortuous relationship with his estranged wife. The writing here is full of emotional intelligence, sensitivity, perception, and not without pain. Wolfe’s devotion to his daughter, Scout, could not be more of a stark contrast with Anne’s insouciance, and yet there is still a sense that, to paraphrase Bobby McGee’s un-named companion, he would trade all his tomorrows for a single yesterday. Those who are familiar with Parsons’ best-seller Man and Boy will know that he is writing from the heart.

#Taken is published by Cornerstone/Century and will be out as a Kindle on 1st March, and in April as a hardback. If you click on the image below it will take you to a video of Tony Parsons talking about the book, and reading the first chapter.

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COMPETITION . . . Win DIE LAST by Tony Parsons

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“This is compelling stuff from one of our best crime writers, and his anger at the utter disgrace of modern slavery drives the narrative forward. Die Last is a novel that will hook you in and keep you turning the pages right to the end.”

That was the Fully Booked verdict when we reviewed the hardback edition of this novel by London author Tony Parsons. You can read the full review here, but when you’ve done that, how about entering our prize draw to win a mint copy of the forthcoming paperback edition of Die Last?

You have two ways to get your name on the list. Send an email to Fully Booked and put the words DIE LAST as the subject, or go to the Fully Booked Facebook page and simply “like” the post. COMPETITION CLOSES 10.00pm GMT, Sunday 14th January. The links are below.

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if the email link plays up, we’re at fullybooked2016@yahoo.com

 

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DIE LAST … Between the covers …

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Tony Parsons has passionately held political views, and he takes no prisoners in this searing account of how human life has become a mere commodity in the biggest criminal racket ever to infect British society. Worse than drugs, more damaging than financial fraud and with a casualty list that makes the Kray twins and the Richardson brothers look like philanthropists, the trafficking of people into Britain is a growth industry which attracts the investment of evil men and women, and pays guaranteed dividends – in blood money.

DLHis London copper, DC Max Wolfe, becomes involved when a refrigerated lorry is abandoned on a street in London’s Chinatown. The emergency services breathe a huge sigh of relief when they discover that the truck is not carrying a bomb, but their relaxed mood is short-lived when they break open the doors to discover that the vehicle contains the frozen bodies of twelve young women. The bundle of passports – mostly fake – found in the lorry’s cab poses an instant conundrum. There are thirteen passports, but only twelve girls. Who – and where – is the missing person?

One of the young women shows a flicker of life, and she is rushed off to hospital, but hypothermia has shut down her vital organs beyond resuscitation, and she dies with Max Wolfe at her bedside. He discovers her true identity and vows to bring to justice the people responsible for her death, the people who brought her from poverty in Serbia, the people who promised her that she would find work as a nurse.

The search for the slavers – and the missing girl – takes Wolfe and his colleague Edie Wren to the hell on earth that is the makeshift migrant camp near Dunkerque. They discover a brutal racket run by a group of anarchists posing as voluntary workers, but police attempts to infiltrate the network – whimsically called Imagine – end in tragedy.

Wolfe feels that he has blood on his hands, but this makes him all the more determined, and the deeper he digs, the more convinced he is that someone more powerful and with a much bigger bank balance than the hippies of Imagine is at the heart of the operation. From the mud, despair and violent opportunism of the Dunkerque camp Wolfe follows the trail to millionaire properties in central London and the influential men and women whose lifestyles reek of privilege and wealth.

tony_400x400Max Wolfe certainly gets around for a humble Detective Constable, but he is an engaging character and his home background of the Smithfield flat, young daughter, motherly Irish childminder and adorable pooch make a welcome change from the usual domestic arrangements of fictional London coppers with their neglected wives, alcohol dependency and general misanthropy. Parsons (right)  is clearly angry about many aspects of modern life in Britain, but he is too good to allow his writing to descend into mere polemic. Instead, he uses his passion to drive the narrative and lend credibility to the way his characters behave.

The plot twists cleverly this way and that, and Parsons lays one or two false trails to entice the reader, but in the end, a kind of justice is done. This is compelling stuff from one of our best crime writers, and his anger at the utter disgrace of modern slavery drives the narrative forward. Die Last is a novel that will hook you in and keep you turning the pages right to the end. Your natural disappointment at finishing a terrific book will be tempered by the excellent news that Max Wolfe returns in 2018 with Tell Him He’s Dead. You can grab a copy of Die Last from all good booksellers, or by following this Amazon link.

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PAPERBACK PICK … The Hanging Club

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Tony Parsons has created an intriguing character in the shape of DC Max Wolfe, and Thursday sees the paperback release of his London based thriller, The Hanging Club.

When the video of an apparent execution is posted online, DC Max Wolfe and officers of the Major Incident Team, along with thousands of online viewers, watch in horror as the kitchen stool is kicked out from under the feet of a Pakistani taxi driver, and he chokes to death, swinging by an improvised noose.

thcThe random murder of an innocent man? Not exactly. Mahmud Irani was part of a gang of men who groomed, raped and abused a number of white teenage girls. He served a jail term which many believe was too short, considering his crimes.

Another video surfaces. A handful of masked executioners use the same location, apparently deep underground somewhere. The hanged man? A young city trader who killed a boy cyclist, served a few months in jail, and then returned to his job, which had thoughtfully been kept open for him.

Wolfe and the MIT realise that they have a vigilante group on their hands, and their search for the culprit takes them to some of London’s hidden places, including the eventual location of the hangings. A little research on Google reveals that the surprise underground setting still actually exists, and is in remarkable good state.

The Hanging Club is out on Thursday 23rd February, published by Arrow. Watch out for our forthcoming review of Die Last, the new Max Wolfe story, coming soon.

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