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THE VENUS OF SALO . . . Between the covers

tvos spine052 copy

Not for the first time, I am a late arrival at the party. This is the eighth book in a series featuring Wehrmacht soldier, Colonel Martin Bora. We find him in the north of Italy, in October 1944. It is a strange time in Italian  history. The Allies have, at huge cost, breached the various German defensive lines, even the formidable Gothic Line. But winter, with its rain and snow, is not far away, and the  fighting in late 1943/early 1944 was a brutal and sapping experience the Allies are unwilling to repeat. In the far north, there is a last pocket of Fascism. This time line of that eventful period may provide a useful backdrop.

25th July 1943, Mussolini dismissed by KIng Victor Emmanuel III and arrested.
12th September  1943, Mussolini rescued from imprisonment by German special forces.
23rd September 1943, Italian Social Republic created, with its capital at Salò.
29th September 1943, the rest of Italy surrenders to the Allies.
28th October 1943, National Republican Army (Esercito Nazionale Repubblicano) created, loyal to Mussolini.
8th December 1943, Republican National Guard created, loyal to Mussolini.
4th June 1944, Allies enter Rome.
20th July 1944, Hitler survives the von Stauffenberg assassination attempt.
14th October 1944, Rommel commits suicide. Announced as death from complications from an earlier road accident.

Most of the action takes place in and around Salò, a town on the shores of Lake Garda. In the mountains and valleys around, German forces and Italian troops loyal to Mussolini are fighting a savage war against Italian partisan groups. Martin Bora, a veteran of campaigns including a spell on the Eastern Front, has been driven by Gestapo agent Jacob Mengs to Salò, where he is told to investigate the theft of a priceless Titian painting, known as The Venus of Salò. It had been ‘borrowed’ from its owner – Giovanni Pozzi –  a rich Italian textile magnate, and was hanging in the HQ of the local German army commander when thieves created a diversion, and cut it from its canvas.

In the novel, everyone is at each other’s throats. The ENR can’t stand the RNG (see the timeline), the SS and the Gestapo loathe the regular German army, and the German high command have scant respect for their Italian allies. Even the Italian partisans – divided into communist and royalist bands –  are at daggers drawn with each other; both however are contemptuous of local farmers and peasants, especially those they suspect of being collaborators.

As Bora investigates the theft of the painting, there are three deaths which puzzle him. First, a music teacher hangs herself. Then, the maid of a renowned soprano apparently shoots herself with a pistol given to her by an RNG captain, and a seamstress is butchered with a razor-sharp blade. While trying to work out how the three deaths are connected, Bora is entranced by his own flesh and blood ‘Venus’ in the shape of Annie Tedesco, widowed daughter of Giovanni Pozzi. What Bora doesn’t know (but we do, of course) is that all the while he is being set up by the Gestapo and SS. Orchestrated by Jacob Mengs, a dossier of Bora’s apparent disloyalty to the Third Reich is being prepared and, in the wake of the July plot.

Most of the book’s characters are fictional, with the exception of a few more exalted figures (left to right, below), such as SS Obergruppenführer Karl Wolff (Himmler’s adjutant), Marshal Rodolfo Graziani, head of Italian troops loyal to Mussolini, Generalfeldmarschall Albert Kesselring, and top SS man Herbert Kappler.

Fourmen

The notion, in WW2 fiction, of ‘the good German’ as a central character, is certainly not new. Perhaps the best known of these characters is the late Philip Kerr’s Bernie Gunther, but there is also a good series by Luke McCallin featuring Hauptmann Gregor Reinhardt. The ‘good German’ as a concept in real history is much more complex; at a senior level, Rommel was forced to commit suicide over his alleged involvement in the von Stauffenberg plot, and Admiral Wilhelm Canaris, chief of the Abwehr (German Military Intelligence), was hanged for treason by the SS just weeks before Hitler committed suicide. Shamefully, Albert Speer, after his release from prison in 1966, made a decent career – lasting almost twenty years – as a media personality and TV ‘talking head’ on the Nazi era.

Ben Pastor’s brilliant novel is an engaging mix of military history. murder mystery, love affair and a study in pyschopathy. Beyond the fiction, however, she reminds us that, for the Allies, the fighting continued almost to the proverbial eleventh hour – the surrender of German forces was formally accepted on 2nd May 1945. The carnage in Italy cost the German army between 30K – 40K dead. The allies suffered more grievously, with deaths estimated as 60K – 70K. The Venus of Salò is published by Bitter Lemon Press and is out now.

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THE SAVAGE STORM . . . Between the covers

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Soldiers in WW1 sang songs about their war, set to popular melodies and hymn tunes. There is an excellent collection of these in The Long Trail, by John Brophy and Eric Partridge, and parodies like When This Lousy War Is Over are one of the staples of the musical Oh What A Lovely War. There is little evidence that such parodies existed in WW2, but there is one significant exception. In the song D Day Dodgers (sung to the tune of Lili Marlene), soldiers of the 8th Army sing about their time in Italy:

We landed at Salerno, a holiday with pay,
Jerry brought the band out to cheer us on our way
Showed us the sights and gave us tea,
We all sang songs, the beer was free.
To welcome the D-Day Dodgers, way out in Italy

Palermo and Cassino were taken in our stride,
We didn’t go to fight there, we just went for the ride.
Anzio and Sangro were just names,
we only went to look for dames,
For we are the D-Day Dodgers, in sunny Italy.

Screen Shot 2023-10-08 at 19.11.11The song, which has many more verses, was written as a sarcastic response to a statement made – allegedly by the MP Nancy Astor – criticising the 8th Army for not being part of the D Day landings in June 1944.  Historian and broadcaster James Holland (left) has written an account of the Italian Campaign from the invasion of the mainland in September 1943 until the year’s end and, having read it, I can only think that the bitterness of the 8th Army men was more than justified.

The 8th Army and their American allies had defeated the Germans and the Italians in North Africa, and had subsequently forced the Axis defenders out of Sicily in 1943. Mainland Italy is separated from Sicily by The Strait of Messina, just short of two miles wide at its narrowest point, but those two miles posed a severe challenge to the allies.

In his book, Holland stresses a key issue often overlooked in stories of the invasion – the position of the Italian armed forces. Mussolini had been deposed and arrested, the Italian government was in turmoil yet, ostensibly, with a million men under arms, they were still German allies. Would they stay in place to fight the Allies on their beaches, or would Hitler, perpetually feeling let down by the Italians, forcibly disarm them? In fact, the ‘government’ – a vague coalition of Italian royalty, noblemen and opponents of Mussolini emerging from their bunkers had already faced the unpalatable fact that unconditional surrender was the only option open to them., but the key issue was the exact timing of the announcement, and its effect on the Germans. In the event, the Italian navy fled to Malta, there were pockets of heroic resistance to German forces – notably in and around Rome but, sadly the Italian forces behaved in a manner which confirmed popular opinion about the martial qualities of Italians.

There were three major obstacles facing the Allies:
(1) The terrain of Italy was a military defender’s dream with its spine of mountains, and consequent rivers, gorges and hilltop villages – each one turned into a fortress.
(2) In charge of the German Army was Albert Kesselring, one of the most competent and resolute commanders of the Wehrmacht.
(3) The fact that both Churchill and Eisenhower both had, in the backs of their minds, the fact that an invasion of France, planned for the following year, would be the key to defeating Hitler, thus becoming cautious about throwing men and equipment at the Italian campaign.

The first four months of this campaign set a pattern which was to repeated endlessly over the following sixteen months. A German army in retreat, but with total command of the defensive landscape – blowing bridges, mining roads, pouring hell down on the Allied troops from mountain strongholds – and a determination to make British and American soldiers pay a heavy price for every yard of territory gained.

Questions remain. Italy was never going to be ‘the soft under-belly’ of Hitler’s Europe. For me, it has the whiff of The Dardanelles campaign in 1915 – an alternative front, an attempt to attack a perceived weakness, ostensibly a quick victory against a vulnerable opponent. The facts are stark. Hitler’s southern front (via Austria) was never seriously threatened any more than Constantinople and the Black Sea ports were in 1915. Although outside the scope of this book, it is worth noting that the Germans did not finally surrender in Italy until just hours before Hitler committed suicide in his Berlin bunker in April 1945. Holland’s story ends on 31st December 1943, but more – much more – slaughter was still to be endured.

In this book – which makes frequent use of the accounts of men who were there = James Holland exhibits  meticulous research and attention to historical detail, but what sets The Savage Storm well above similar accounts of the campaign is that he recounts his story with the narrative verve of a novelist. He tells a grim tale with sensitivity and compassion, and the story is undiminished by our knowledge that the worst was yet to come. The book is published by Bantam and is available now. The last word should be left in the hands of whoever wrote D Day Dodgers. The final verse sums up the campaign to perfection:

Look around the mountains, in the mud and rain;
You’ll see some scattered crosses, and some that have no name.
Heartbreak and toil and suffering gone,
The boys beneath them slumber on.
These are your D Day Dodgers, who’ll stay out in Italy.

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