1949

BEATTIE CAVENDISH AND THE HIGHLAND HIDEAWAY . . . Between the covers

The book is set in the Britain of 1949. A strange place and no mistake. Strange? We had won the war, hadn’t we? To the victor the spoils? The reality is very different. The country is spent. Exhausted. Food and comfort are as scarce as they were six years earlier. Clement Attlee’s Labour government is trying to rebuild a country brought to its knees by five years of bombs, rationing, death and destruction. International politics and diplomacy are chaotic. America is, on the one hand, busy rounding up the less egregious former Nazi scientists and intelligence agents to work for them while, on the other, fiercely fighting the growing influence of the not-so-avuncular ‘Uncle Joe’ Stalin.

Caught up in this is British intelligence agent Beattie Cavendish. She works for the embryonic ‘listening agency’ GCHQ, and is sent up to Kilbray in the Scottish Highlands, posing as a secretarial instructor, to investigate a suspected leaking of information to the Russians. Readers new to the series will be unaware of Beattie’s recent history, of her time with the resistance in Occupied France, of her older brother, missing presumed dead, and her relationship with the battle-scarred Irish private investigator Corrigan. Rest assured, the author inserts these ‘catch-ups’ into the story smoothly and without disrupting the drive of the narrative.

When she arrives at Kilbray, Beattie expects to be reunited with her paternal uncle Howard, something of a family black sheep, but not unconnected with the intelligence community and international subterfuge. When she arrives at his loch-side cottage, he is not there. It is, however, something of a Marie Celeste situation. Whisky glasses are on the table, and food is in the cupboards. Also AWOL is Commander Henry Swaffer, the officer in charge of Kilbray. Local rumour has it that the thrice-married gentleman has gone on a fling with his latest girlfriend, a young German woman called Klara. That theory is severely tested when a dog-walker (where would crime fiction be without them?) finds Swaffer’s body washed up on the beach. It appears he has been strangled and his body cast into the waves.

Swaffer’s German friend Klara makes herself known to Beattie, but is then fatally stabbed in broad daylight in what appears to be a professional hit, and there is still no sign of uncle Howard. Beattie senses that the answers may lie in a mysterious establishment at Balgowrie, a place known as ‘the cooler’. During the war it was a sinister mix of refuge and prison, a place where agents who had lost their nerve, or escaped from failed missions, were confined. Beattie and Corrigan finally break into Balgowrie, and their invasion precipitates a violent and exciting dénouement.

Ann-Marie Riley also hints at the eternally fraught relationship between Britain and the Irish Republic. Thousands of men from southern Ireland gave their lives for Britain in The Great War, but by 1939, Ireland was resolutely neutral. Or was it? In the real world, men like Corrigan who had fought against the Nazis would be subsequently marginalised and denied pensions. Post 1945, committed Nazis like Célestin Lainé and Otto Skorzeny would be welcomed by the Irish state, and sheltered from the retribution facing fellow former Nazis. Riley isn’t trying to right ancient wrongs. She is merely setting out the sometimes unpleasant aspects of history and they actually happened.

You would be wrong to assume from the alliterative title and the cover graphics that this is a cosy crime story. Yes, Beattie is a perfect ladies’ book-reading-circle heroine. Certainly, there are occasional ‘Boys’ Own’ elements to the story, and perhaps the damaged PI Corrigan – who won his medals and his scares in the sheer hell of Monte Casino – can sometimes be too gung-ho for his own good, but Mary-Jane Riley takes a long hard look at a Britain struggling for identity, self-preservation, and searching for old certainties that have been blown away by the strong winds of a brutal post-war world. Beattie Cavendish and the Highland Hideaway will be published by Allison & Busby on 19th February.

Fancy a mint hardback copy of this book? Make a note of this code, and follow me on social media to enter the competition. UK addresses only, closes 10.00pm 22nd February.

February 17, 2026 0

BRAT FARRAR . . . Between the covers

I imagine that anyone who calls themselves a crime fiction fan will have read Josephine Tey’s The Daughter of Time (1951) which, justifiably, regularly takes its place in the charts whenever anyone produces a list of the top crime novels ever written. I had vaguely heard of her earlier novel Brat Farrar (1949), but until I was sent a copy – by Penguin – as one of their reissued ‘Green’ classics, I had never got round to reading it. Within the first few ages I knew I was in for a treat, at least in terms of style and humour, when I read these lines:

“At this same table had eaten Ashbys who had died of fever in India, of wounds in the Crimea, of starvation in Queensland, of typhoid at the Cape, and of cirrhosis of the liver in the Straits settlements.”

“‘What became of cousin Walter?
‘Oh, he died.’
‘In an odour of sanctity?’
‘No. Carbolic. A workhouse ward, I think.'”

Rather like TDOT, the plot idea of Brat Farrar is very clever, if rather more complex. In the un-named English county where Tey sets the story, there are two neighbouring families, both formerly rather grand. In Clare House the Ledinghams “had been prodigal of their talents and their riches”. Now, the family has more or less destroyed itself and Clare is now a boarding school. The Ashbys still live at Latchetts. The male heir (the parents had been killed in an air crash) was Patrick, but he mysteriously disappeared, believed to have committed suicide by drowning, and now his marginally younger twin brother Simon stands to inherit the family fortunes when he comes of age. A member of the Ledingham family, a struggling actor called Alec Loding, has fortuitously spotted a young man – Brat Farrar – who is the living image of the late Patrick Ashby. He grooms him, and persuades him to assume Patrick’s persona, and reappear on the scene (with a plausible explanation for the false suicide) and claim the Ashby inheritance. Loding’s terms are simple:

“All I want is a cosy little weekly allowance for the rest of my life, so that I can thumb my nose at Equity, and management, and producers who say that I’m always late for rehearsal. And landladies.”

Yes, of course the plot is breathtaking in its implausibility, but that it its design – to make us gasp, and also entertain us with dazzling use of language and sharp social observation. It is also escapist in the best possible way, and for readers in the impoverished and dour times of post-war Britain, a glimpse of a different world. Perhaps a world that, even then, no longer existed, but a world away from austerity flavoured with NHS orange juice and dried milk.

Brat Farrar is an ingenious invention. He is an orphan, and even his name is the result of administrative errors and poor spelling. He has been around the world trying to earn a living in such exotic locations as New Mexico, but has ended up in London, virtually penniless and becomes an easy mark for a chancer like Alec Loding. He is initially reluctant to take art in the scheme, but with Loding’s meticulous coaching – and his own uncanny resemblance to the late Patrick – he convinces the Ashbys that he is the real thing. But – and it is a very large ‘but’ – Brat senses that Simon Ashby has his doubts, and they soon reach a disturbing kind of equanimity. Each knows the truth about the other, but dare not say. The author’s solution to the conundrum is elegant, and the endgame is both gripping and has a sense of natural justice about it.

Josephine Tey was one of the pseudonyms of Elizabeth MacKintosh (1896-1952) Her play, Richard of Bordeaux (written as Gordon Daviot) was celebrated in its day, and was produced by – and starred – John Gielgud. She never married, but a dear friend – perhaps an early romantic attachment – was killed on the Somme in 1916. She remained an enigma – even to friends who thought themselves close – throughout her life. Her funeral was reported thus:

“A small party of mourners, including Gielgud and the actress Dame Edith Evans, gathered at Streatham crematorium in South London on a cold, dreary day to say their farewells. “We talked to Gordon’s sister, whom we were all meeting for the first time,” *Caroline Ramsden recorded, “and she told us that Gordon had only come south from Scotland about a fortnight before, when she had stayed at her Club in Cavendish Square, on her way through London. What she did or thought about during that period was her own affair, never to be shared with anyone…. All her close friends were within easy reach, but she made no contacts—left no messages.”

*Writer, sculptor and racehorse owner, Caroline Ramsden was one of the oldest residents of London’s Primrose Hill ‘village’. Her abiding passions were horse racing and the theatre. Her memoirs encompass over 60 years of English social and cultural life, being a font of pleasure and information not only for racing and theatre enthusiasts, but for anyone who simply enjoys a glimpse of the past.

Brat Farrar is a wonderful book which simply does not date, despite the very different world in which we live. Tey’s prose is often sublime:

“She turned in at on the south porch of the church and found the great oak door still unlocked. The light of the sunset flooded the grey vault with warmth and the whole building held peace as a cup holds water.”

This edition is part of Penguin’s reissue of their ‘Green’ Modern Classics and is available now.

October 26, 2023 0

THE STEN GUN KILLER . . . A brutal murder in 1949 Leamington (2)

SO FAR – It is January 1949. Two men, Edward Sullivan (49) and Gordon Towle (19) have been working on a Leamington building site near what is now Westlea Road. There has been friction between them, with Great War veteran Sullivan (left) apparently sneering at Towle because the latter had not done his bit in the armed forces.

The events of Tuesday 25th January 1949 were to shock and mesmerise local people. At Leamington Police Station on the High Street it was 10.20am, and senior officers Inspector Green and Superintendent Gardner were leaving to carry out a routine inspection, when a burly, broad-shouldered young man entered the station. He was carrying what appeared to be a Sten gun. He said, quite calmly and without drama:
“I have shot a man. I am ill”
Green said, with some incredulity:
“Do you know what you are saying?”
The young man, who identified himself as Gordon Towle, handed the Inspector the Sten gun, along with an empty magazine and a magazine loaded with live 9mm bullets, and said:
“He has been pulling my leg and something came Into my head. I do silly things when I am funny like that. I think I have killed him. He is on the Bury Road estate; go to him. My head went funny and I shot him. I was not in the Army and they got on to me”

Towle was placed in a cell, and the officers took a police car and soon arrived at the building site. There lying in a pool of blood was the body of a man, later identified as Edward Sullivan. Around his body were found no fewer than 24 empty 9 mm. Sten gun cartridge cases – a full magazine holds 28 – and digging operations brought to light more bullets. Some were also found embedded in a nearby timber stack. When the police surgeon Dr. D. F. Lisle Croft arrived and examined the body, he was only able pronounce life extinct.

Events now moved on at pace. Chief Superintendent Alec Spooner, Head of Warwickshire CID was called, but that was a formality; there was little or no detective work required here. The first member of the Sullivan family to be told of the tragedy was son John, home on leave from the army. He had the melancholy task of telling his mother, Katherine Margaret Sullivan, that she was a widow. Above right, Towle is pictured being taken to the preliminary magistrate’s hearing.

In a newspaper report of one of Towle’s appearance before the magistrates, the journalist certainly exercised his imagination. Under a lurid headline headline, he described the scene thus:

“An unusually strong winter sun shone through the stained-glass windows of the Town Hall Council Chamber Wednesday, etching on the floor pattern in deep scarlet and blue. As the minutes went by, the shadow moved slowly and silently across the linoleum, and equally inexorably, quietly and persuasively, Mr. J. F. Claxton (for the Director of Public Prosecutions) outlined the history of the Kingsway Estate shooting on January 25th. Beside policeman, sat 19-year-old Gordon Towle, husband of less than six months, charged with murder. According a statement alleged have been made by him, Towle could no longer stand the taunts of a workmate, and so produced a Sten gun and fired two – or three, for the number is In doubt – bursts into the body of Edward Sullivan (49), Irishman, 6, Swadling Street, Leamington.

A full public gallery heard that Sullivan was killed outright by the ten bullets which entered his body in every vital part. The proceedings were intently listened by his widow and daughter – both in deep mourning – and his son, whose Army battle dress bore, the left arm. a narrow black band. In the afternoon, when only three of the fourteen called to give evidence remained to be heard, the Court had to move into an ante-room to make way for the tea organised by the Church England Zenana Missionary Society.

Only three members of the public, the widow, the daughter and one other lady, remained. Towle, dressed a sports coat and grey flannels, with an open necked cricket shirt, appeared to take a keen interest in all that was being said, but it was noticeable that at the end of the hearing, he blinked and then screwed face as if trying desperately hard to understand what was being said to him. He was asked if he had anything to say or any witnesses to call, and replied, quite firmly “No. sir.” — the only time he spoke throughout the hearing. But as he went to regain his seat, he stumbled little though about to fall. He sat down and heard the formality of his committal for trial at Warwick Assizes”

Gordon Towle’s time in front of Mr Justice Lynskey (left) at the March Assizes in Warwick was short – if far from sweet. Doctors gave evidence that he was quite mad, and he was sentenced to spend the rest of his days in a secure mental unit. The most puzzling matter for me was how Towle came to in possession of a Sten gun. He told the court that he had simply “pinched it” from the local drill hall, (probably the one in Clarendon Terrace) and stole the ammunition – police later found hundreds of live rounds in his house – from “an aerodrome”.

A postscript, which may bring a touch of humour to an otherwise dark tale. I can vouch for the inventive ways Army quartermasters had of “balancing the books.” regarding missing firearms. Back in the day, I taught at a public school in Cambridgeshire. The school Cadet Corps was being wound up, and an old sweat arrived from Waterbeach barracks to take an inventory of the firearms. To his dismay, he discovered that the armoury held one too many Lee Enfield rifles. This sent him into a lather, as it was apparently simple to account for missing guns on an inventory. They could just be written off as damaged or stripped for parts. But one too many? This was serious, and could only be remedied by a couple of squaddies rowing out in a boat one dark night on a local gravel pit, and dropping the offending item over the side, never to be seen again.

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April 1, 2021 3

THE STEN GUN KILLER . . . A brutal murder in 1949 Leamington (1)

Swadling Street in Leamington is an unassuming thoroughfare, with houses which were built on the old Shrubland Estate between the wars. It was named after a Leamington councillor of the 1920s, and in 1931 it boasted twenty addresses. In January 1949, number 6 was occupied by Edward Sullivan. A 49 year-old Irishman and father of six children – three sons and three daughters – he worked as a builder’s labourer. Known to his mates – inevitably – as Paddy – he was working on a council house building project on Westlea Road, which was another between-wars development on what had been the Shrubland Estate.

Just a couple of hundred yards away was Bury Road – again, named after a local civic dignitary – and number 120 was the home of Gordon Towle. He was 19 years old, and lived with his wife Lilian, who he had married just three months earlier. He worked on the same building site as Edward Sullivan. Towle was a Leamington lad, and had earlier applied to join the army, but had been rejected on medical grounds. At the age of 10, he had damaged his head in an accident, and went to hospital to have the wound dressed, but was sent home again during what he remembered as “the bad raids”. There were three air raids on Leamington on 1940. The first, in August, resulted in no casualties, but as a result of subsequent raids in October and November, 7 people were killed. It seems that Towle’s mother had a history of mental illness, and had been taken in care, which resulted in Towle and his two brothers being sent to live with family friends in Rugby.

It’s worth, at this point, to digress slightly and look at what Leamington was like in 1949. The great diaspora of families from the teeming terraces south of High Street up to the new builds in Lillington had yet to happen. Names of WW2 casualties had been added to the town war memorial but, thankfully, not in the number that the stonemasons had been tasked with in 1919. The damage caused by the Luftwaffe bombs in an effort to target Lockheed and Flavels factories had been cleared away and, despite the huge swing away from the Conservative party in the 1945 general election, Leamington still had faith in its pre-war MP, Anthony Eden. I was just 18 months old in 1949, so my memories are totally unreliable but I can tell you that our house in Victoria Street still had gas lighting, a pump in the scullery, and a large ‘copper’ in which water was heated for the weekly bath.

So, back to Edward Sullivan and Gordon Towle. The two men had clearly rubbed each other up the wrong way. Sullivan had mocked Towle for his lack of military service. We know that Sullivan had a son in the British army, and he himself had been a regular soldier with the Royal Army Service Corps during The Great War. He stayed in the army after the Armistice and did a further four years service out in India, returning in 1923. People tend to forget that men from what was to become the Republic of Ireland played a gallant part in The Great War. There were also some who fought for the British in WW2, and they were treated in a shocking manner by the Irish state after the war.

Whatever the reasons for the animosity between Sullivan and Towle, things were about to come to a dramatic and bloody head. Heaven only knows how or why, but Gordon Towle had, secreted in his bedroom a Sten gun and hundred rounds of ammunition. Most lads growing up in the 1950s with access to Commando comics and other bloodthirsty stuff, will have an instant image of what a Sten gun looks like. It was a brutally simple piece of engineering – a sub machine gun designed for destruction rather than accuracy. A full magazine contained 32 rounds of 9mm bullets, and at short range it was a devastating weapon. In part two, we will discover how and why Gordon Towle had a Sten gun in his possession and – more importantly – what he did with it.

PART TWO will go live on Thursday 1st April

March 31, 2021 0

ONE GOOD DEED . . . Between the covers

Aloysius Archer has good cause to remember his parents for most things. Their decency, their love and their determination to do the best for him, certainly. For his Christian name, not so much. He finds that most folk can’t even pronounce it properly, so he is happiest with just Archer. This has not been a problem for the last few years, as residents of the State Penitentiary were not too precious about names. Put inside for a crime he didn’t commit, Archer has served his time, survived, and is out on parole. It is 1949, and he is on a bus heading for Poca City, a metropolis in name only. In reality, it is a parched and fly-blown settlement with a few bars, a handful of stores and diners – and a Probation Office.

rcher served his country with distinction in the war, fighting his way up the spine of Italy, watching his buddies die hard, and wondering about the ‘just cause’ that has trained him to shoot, throttle, stab and maim fellow human beings while, at the same time, preventing him from being at the deathbeds of both parents.

Wearing a cheap suit, regarded as trash by the local people, and with every cause to feel bitter, Archer checks into the Derby Hotel and contemplates the future. His immediate task is to check in with his Probation Officer, Ernestine Crabtree. Quietly impressed by her demeanour – and her physical charm – Archer goes, in spite of his parole restrictions, for a drink in a local bar, The Cat’s Meow

Propping up the bar is a middle-aged roué with a much younger woman on his arm. Hank Pittleman is clearly a big man in Poca City, and he offers Archer what appears to be a simple job – reclaim a fancy car that was held as collateral for a defaulted loan. The Cadillac is currently in the possession of Lucas Tuttle, another local man of property, but a man who seems to have fallen on hard times.

Archer accepts the job, takes an advance on the fee, and sets off on what seems to be a relatively straightforward mission. Truth be told, the Cadillac belongs to Pittleman and Tuttle has it. Archer is tough, capable of extreme violence, so what could be possibly go wrong? As Oscar Wilde wrote:

“The truth is rarely pure and never simple.”

ven before Lucas Tuttle answers the door to Archer’s knock by pointing a cocked Remington shotgun at his unwelcome visitor, Archer has learned that the floozie on Pittleman’s arm in the bar is none other than Jackie, Tuttle’s estranged daughter. Archer finds the coveted motor car hidden away on Tuttle’s ranch, but it has been deliberately torched. Cursing his involvement in this blood feud, Archer’s equilibrium and freedom both take a severe knock when Pittleman’s body is found in a bedroom just along the floor from Archer’s room in The Derby. Thrown into the cells as the obvious suspect, Archer is released when he meets up with Irving Shaw – a serious and competent detective – and convinces him of his innocence.

Pretty much left on his own to solve the case after a violent attempt to silence Jackie, Archer has to summon up very ounce of his military experience and his innate common sense to put himself beyond the reach of the hangman’s noose.

mplausible as it may sound, given the body count – stabbings, shootings, people devoured by hogs – One Good Deed is a wonderfully warm and feel-good kind of novel. Archer is a simple man; brave, thoughtful, compassionate, 99% honest and a convincing blend of frailty and decency. Baldacci (right) is such a skilled storyteller that the pages spin by, and anyone who loves a crime novel where goodness prevails would be mad to miss this. Mr B also gives us a rather unusual romance – for 1949, at least. One Good Deed is published by Macmillan and is available in all formats on 25^th July.