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‘A PALE FACE AMONG THE RUSHES’ . . . The death of Alfie Wright (part one)

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Hannah Elizabeth Wright was born on 25 August 1872 to John Wright, an agricultural labourer, and Mary Anne Key in 
Kirkby la Thorpe,  a tiny village a few miles east of Sleaford. The 1881 census recorded 256 souls.

1881 KLT

ewerby

Hannah was the youngest of five 
children, two boys and three girls. Sadly, her mother died when she was four. Her father remarried so she 
was brought up by her stepmother. There were few options for young women ‘of humble birth’ in rural communities in those days. It was either work on the land, or go into service – meaning a live-in position with some wealthy family, either as a cook or a general maid. The census in 1891 shows us that Hannah was working in The Manor House at Ewerby, less than two miles from Kirkby. Her employer was Mr William Andrews, a farmer. The Manor House (left) still stands.

By 1893, she had moved further away to the village of Weston, near Newark. It was here that she began a relationship with a local lad and became pregnant. Alfred Edward Wright was born on 3rd November 1893. He was, by all accounts, a healthy child, but his father quickly disappeared from the scene, and became engaged to another woman. This left Hannah in a dire situation. With no other means of support other than her own work, how was she going to bring up Alfie? A solution – of a kind – was found when a Weston woman called Jane Flear offered to take the boy in – for a price.

We know that by 1895 Hannah was working for a family in Branston, south of Lincoln, and had begun another relationship, with a young man called William Spurr, but she kept Alfie’s existence from him. Hannah had already fallen into arrears with her payments for Alfie, but her problems became worse when she received word from Miss Flear that the price for looking after the little boy was to be raised to three shillings and sixpence each week. Using the Bank of England inflation calculator, that would be nearly £38 In modern money, probably more than Hannah earned each week, given that her food and housing would come with the job.

Jane Flear received this letter (facsimile) from Hannah:

Letter

23AlexHaving traveled to Lincoln on the afternoon of 23rd August, Hannah visited her brother and his wife at their house, 23 Alexandra Terrace. All appeared to well, and on the Sunday evening Hannah even brought her young man, William Spurr, round for tea.

Hannah Wright arrived in Weston on the afternoon of Monday 26th August to collect Alfie. Miss Flear had misgivings about handing over the little boy, and thought that Hannah was in something of a disturbed state. When she went to collect the rest of Alfie’s clothes, Hannah said she didn’t want to take them. The three of them, Jane Flear wheeling Alfie in his pram, set off to walk the two miles to Crow Park station, just outside Sutton on Trent. Hannah and Alfie caught the 6.15 train to Retford. Jane Flear never saw Alfie alive again. Hannah eventually returned to the little terraced house in Alexandra Terrace late on the Monday evening,and explained to Jane and William Wright that her little boy was still in Weston, but she had arranged for someone to adopt him permanently. Jane Wright asked her sister in law if she had discussed the situation with William Spurr, but despite Jane telling her that it was wrong to keep back something so important, Hannah was adamant that he was not to be told. They all retired to bed at 11.30 pm. The next morning, at about 9.30 am, Hannah announced that she was going to visit some friends, and would return later.

IN PART TWO

A CONFESSION
A TRIAL
THE BLACK CAP

CLASSICS REVISITED . . . The Mask of Dimitrios

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The opening part of this book, in geo-political terms, is gloriously old fashioned. Istambul, with its reputation as being the place where east meets west, home of mysterious Levantine traders and treacherous stateless misfits has long since been pensioned off, at least in the world of crime and espionage fiction. It is worth remembering, though, that it was the starting point for Bond’s adventures in From Russia With Love when it was published in 1957, and was still thought to have a suitable ambience when the film was released in 1963.

Charles Latimer is an English academic who has found that writing thrillers is much more to his liking (and that of his bank manager) than lengthy tracts on political and economic trends in nineteenth century Europe. While in Istanbul he is invited to a house party where he meets Colonel Haki, an officer in some un-named sinister police force. Improbably, Haki is a fan of Latimer’s novels and, when they become better acquainted, Haki reveals a current real-life mystery he is investigating. The corpse of a man known only as Dimitrios – once a big player in the espionage world of the Levant and The Balkans –  is fished out of the sea. Having attended the post mortem, Latimer decides to investigate just who Dimitrios was, and how he came to end up as he did.

Published on the eve of world war two, when previous atrocities would be dwarfed in scale, the novel reminds us of the horrors which took place in the region after the Armistice. The brutal civil war between Turkey and Greece, with the destruction of Smyrna in 1922, the Armenian genocide, and a succession of coups d’états in Bulgaria had left the region rife with intrigue and foreign meddling. By the late 1930s, Europe was desperately ill at ease with itself. Latimer observes:

“So many years. Europe in labour had through its pain seen for an instant a new glory, and then had collapsed to welter again in the agonies of war and fear. Governments had risen and fallen: men and women had worked, had starved, had made speeches, had thought, had been tortured and died. Hope had come and gone, a fugitive in the scented bosom of illusion.”

As he criss-crosses Europe via Athens, Sofia, Geneva, Paris – by train, naturally – Latimer is drawn into the world of a mysterious man known only as Mr Peters, memorably described thus:

“Then Latimer saw his face and forgot about the trousers. There was the sort of sallow shapelessness about it that derives from simultaneous overeating and under sleeping. From above two heavy satchels of flesh peered a pair of blue, bloodshot eyes that seemed to the permanently weeping. The nose was rubbery and indeterminate. It was the mouth that gave the face expression. The lips were pallid and undefined, seeming  thicker than they really were. Pressed together over unnaturally white and regular false teeth, they were set permanently in a saccharine smile.”

The 1944 film of the book took many liberties with the story and, bizarrely, changed the clean-living, rather prim Charles Latimer into a Dutch novelist named Cornelius Leyden, and then compounded the felony by casting Peter Lorre in the role. What they didn’t get wrong, however, was in re-imagining Mr Peters. Check the quote above, and if it isn’t Sydney Greenstreet to the proverbial ‘T’, then I will change my will and donate my worldly wealth to The Jeremy Corbyn Appreciation Society. In his travels, Latimer also meets a rather down-at-heel nightclub manager called La Prevesa:

“The mouth was firm and good-humoured in the loose, raddled flesh about it, but the eyes were humid with sleep and the carelessness of sleep. They made you think of things you had forgotten, of clumsy gilt hotel chairs strewn with discarded clothes and of grey dawn light slanting through closed shutters, of attar of roses and of the musty smell of heavy curtains on brass rings, of the sound of the warm, slow breathing of a sleeper against the ticking of a clock in the darkness”

Quite near the end of the book, Ambler drops a plot bombshell which not only damages Latimer’s own sense of being able to spot a lie when he sees one, but puts him next in line for a drug-dealer’s bullet. He is in Paris, but this is not the city as envisaged by, apparently, Victor Hugo:

“Breathe Paris in. It nourishes the soul.”

Latimer sees a rather different city:

“As his taxi crossed the bridge back to Île de la Cité,
he saw for a moment a panorama of low, black clouds moving quickly in the chill, dusty wind. The long facade of the houses on the Quai de Corse was still and secretive. It was as if each window concealed a watcher. There seemed to be few people about. Paris, in the late autumn afternoon, had the macabre formality of a steel engraving.”

With this book, Ambler created the anvil on which the great spy novels of the final decades of the Twentieth Century were beaten out. As good as they were, neither Le Carré nor Deighton bettered his use of language, and in this relatively short novel, just 264 pages, Ambler set the Gold Standard. This latest edition of the novel is published by Penguin and is available now.

THE DEVIL STONE . . . Between the covers

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Detective Inspectors – and their bosses the DCIs – are hardly a dying breed in crime fiction, so what is distinctive about Christine Caplan, the central figure in Caro Ramsay’s latest book? For starters, she has been demoted from DCI because her previous case involved some evidence mysteriously going ‘walkies’. Her run of bad continues when, after a night out the ballet in Glasgow (she used to be a dancer) she inadvertently becomes involved in a mugging, and the drug-frazzled perpetrator  subsequently dies from falling from his bike. Family-wise, things are not much better. Her husband, Aklan, formerly something of a creative high flyer, has a serious case of depression and rarely leaves his bed. When he does, it’s only to stagger to the sofa where, wrapped in a blanket, he binges on daytime TV. Son Kenny is a ne’er-do-well drug user, flunking college and a bit too handy with mum’s credit card. Daughter Emma is the only glimmer of light. She seems relatively healthy, bright and has something of a future once she finishes her degree.

Things don’t improve for Caplan when she is sent off to the Scottish west coast where, near the village of Cronchie, a multiple murder has taken place. Two teenage boys – “neds”, to use the Scottish slang, have broken into Otterburn House, a mansion belonging to the McGregor family. The intruders get more than they bargained for:

“…jerking the phone, causing the beam to drop suddenly where it caught the ghostly white face staring at the ceiling with nacreous clouded eyes. Unable to stop himself, he looked along. Another face. Then another. Five of them in a row, cheek to cheek. Dried white skin clinging to thin cheekbones, mouths open, teeth bared.”

The lads – one of whom is a devotee of Satanism –  have burgled the house looking for a legendary artifact known as The Devil Stone which, according to the ancient lore, is able to predict impending tragedy. They leg it away from the house as if Old Nick himself is chasing them. They are hospitalised suffering from shock, the police are summoned and a major investigation is triggered.

In charge of the investigation is Detective Chief Inspector Bob Oswald, a highly respected officer just weeks away from retirement. When he goes missing, Caplan finds herself put in charge of the case, rather to her own discomfort and the resentment of the local team. One member of the McGregor family – Adam, a New Age hippy and something of a black sheep – is missing from the gruesome line of corpses, and thus he becomes the main suspect.

When Bob Oswald is finally located dead – in mysterious circumstances – Caplan realises that whatever happened at Otterburn House is part of a much bigger conspiracy, involving the distribution of a dangerous new narcotic known as Snapdragon. While she suspects that a nearby New Age community living on the nearby island of Skone may be involved, another discomforting thought is nagging away at her, and it is the suspicion that someone in the police team is batting for the other side. How far can she trust DC Toni Mackie, a larger-than-life woman, with a slightly cartoonish air about her? And what is to be made of the bumbling DC Craigo, with his strange slow blink, and his lack of social graces?

Already facing a twin-pronged attack on her career, Caplan realises that her relentless determination to solve the Otterburn House mystery has brought her head-to-head with some people who are determined to take her life if she gets in their way.

This edition of The Devil Stone is published by Canongate and is out now.

RUSTED SOULS . . . Between the covers

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First sixLeeds, March 1920. Tom Harper is Chief Constable of the City force and, with just six weeks until his retirement, he is dearly hoping for a quiet ride home for the final furlong of what has been a long and distinguished career. His hopes are dashed, however, when he is summoned to the office of Alderman Ernest Thompson, the combative, blustering – but very powerful – leader of the City Council. Thompson has one last task for Harper, and it is a very delicate one. The politician has fallen a trap that is all too familiar to many elderly men of influence down the years. He has, shall we say, been indiscreet with a beautiful but much younger woman, Charlotte Radcliffe. Letters that he foolishly wrote to her have “gone missing” and now he has an anonymous note demanding money – or else his reputation will be ruined. He wants Harper to solve the case, but keep everything completely off the record. Grim-faced, Harper has little choice but to agree. It is due to Thompson’s support and encouragement that he is ending his career as Chief Constable, with a comfortable pension and an untarnished reputation. He chooses a small group of trusted colleagues, swears them to secrecy, and sets about the investigation.

He soon has other things to worry about. A quartet of young armed men robs a city centre jewellers, terrifying the staff by firing a shot into the ceiling. They strike again, but this time with fatal consequences. A bystander tries to intervene, and is shot dead for his pains. Many readers will have been following this excellent series for some time, and will know that tragedy has struck the Harper family. Tom’s wife Annabelle has what we know now as dementia, and requires constant care. Their daughter Mary is a widow. Her husband Len is one of the 72000 men who fought and died on the Somme, but have no known grave, and no memorial excep tfor a name on the Thiepval Memorial to The Missing.. Unlike many widows, however, she has been able to rebuild her life, and now runs a successful secretarial agency. Leeds, however, like so many  communities, is no place fit for heroes:

“‘Times are hard.’
“I know,” Harper agreed.
It was there in the bleak faces of the men, the worn-down looks of their wives, the hunger that kept the children thin. The wounded ex-servicemen reduced to begging on the streets. Things hadn’t changed much from when he was young. Britain had won the war but forgotten its own people.”

Last five

Nickson’s descriptions of his beloved Leeds are always powerful, but here he describes a city – like many others – reeling from a double blow. As if the carnage of the Great War were not enough, the Gods had another spiteful trick up their sleeves in the shape of Spanish Influenza, which killed 228000 people across the country. Many people are still wearing gauze masks in an attempt to ward off infection.

The hunt for the jewel robbers and Ernest Jackson’s letters continues almost to the end of the book and, as ever, Nickson tells a damn good crime story; for me however, the focus had long since shifted elsewhere. This book is all about Tom and Annabelle Harper. Weather-wise, spring is definitely in the air, as bushes and trees come back to life after the bareness of winter, but there is a distinctly autumnal air about what is happening on the page. Harper is, like Tennyson’s Ulysses, not the man he was.

We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will.

As he tries to help at the scene of a crime, he reflects:

There was nothing he could do to help here; he was just another old man cluttering up the pavement and stopping the inspector from doing his job.”

As for Annabelle, the lovely, brave and vibrant woman of the earlier books, little is left:

The memories would remain. She’d have them too, but they were tucked away in pockets that were gradually being sewn up. All her past was being stolen from her. And he couldn’t stop the theft.”

This is a magnificent and poignant end to the finest series of historical crime fiction I have ever read. It is published by Severn House and will be available on 5th September. For more about the Tom Harper novels, click this link.

 

TWO FAMILIES, TWO TRAGEDIES. . . The murder of Florence Jackson (part two)

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SO FAR: Grantham man Dick Rowland had seen action in the trenches from 1915 until 1918. Unlike his two brothers, he survived, but was wounded and gassed. Spring 1919 found him back in Grantham, aged 29, just another ex-soldier. He had, however, met and fallen for a Fulbeck girl, Florence Jackson. She was ten years his junior and there, I think, lay the problem. She was pretty, fun-loving and with no shortage of local suitors, not to mention dashing officer types from what was to become Royal Air Force College Cranwell. Florence’s mother thought Dick Rowland too old for her daughter, but she could never have envisaged the events of 31st May 1919. It was the day of Caythorpe Feast, an annual event always held on the last Sunday in May. Dick and Florence were there, with hundreds of other local people both young and old. Dick Rowland had become insanely jealous, and every smile or wave Florence gave to some other young man cut him to the quick. He was particularly vexed when Florence decided to share a fairground ride – the wooden swing-boats with some other chaps.

On the swing-boats

Sometime around 10.00pm, Dick and Florence decided to walk home to Fulbeck. That road, now the A607, was known as the Lincoln Road. Many other people were on that road, but they would have been spread out and it was very dark. I have no idea if there was a moon that night, but one man heard something in the darkness as he rode his bicycle up to Fulbeck. He was later to give evidence at a Coroner’s inquest. This a verbatim report from a local newspaper:

Richard James Nelson, dairyman, Welbourn, spoke of visiting Caythorpe feast on Saturday night last. He saw the deceased girl in the swing boats with a man called Edward Knights. He left the feast about 1045. When he had reached Gascoigne’s gate in the parish of Fulbeck a man called out to him:
“Chummy, stop!”
He stopped, and man who was a stranger asked him to fetch a motorcar from the top as there had been a nasty accident. Witness asked him what it was, and he said:
“A girl has tried to cut my throat and now she has cut her own.”
He noticed the man’s throat was cut and bleeding and he also saw the body of the girl lying on the ground just inside the gateway. Witness attempted to go through the gateway towards the girl. but the man pushed him away and told him to get on his bicycle and fetch a motor car. He then rode off for the police.

There is a horrible irony in that the next people to arrive at the scene were none other than Florence’s older sister and her young man.

Laura Emma Jackson, the deceased’s sister, a land worker employed at Fulbeck Heath, said on Saturday night she was at Caythorpe feast where she saw deceased with Dick Rowland who was courting her. They seemed alright together. Witness left the feast at 10:15 and walked towards home with Percy Graves, a friend. When they got to Gascoigne’s gate she saw a man standing there. He said,
“Mr, Mr, come and look what I have done.”
She told Graves not to go as the man was drunk, but the man came towards them holding out his hands and said,
“Is that Laura?”
Witness replied,
“Yes.”
And he then said,
“I am Dick – I have killed your Flo. Another man wanted her. I have tried to kill myself but could not. Go and tell them at home.”
Witness noticed that Roland had blood down the front of his clothing and was bleeding from the throat. She did not notice her sister. She went home and reported the matter to Mr Palethorpe. Rowland was not drunk but seemed to be rather excited. Witness was at the Grantham statute fair on 17th May  with her sister and Rowland. Flo went to speak to some soldiers and Roland asked her to keep an eye on her and watch that she did not go with the soldiers. She told him not to be so silly and that she would not go. Rowland shook his head and remarked,
“Flo’s alright. If I don’t have her I will see no one else does.”
Flo was with the soldiers three or four minutes and then she rejoined Rowland and witness.

The Fulbeck Doctor also gave evidence at the inquest:

Doctors Evidence
Mr Justice Greer

Dick Rowland was arrested for the murder of Florence Ann Jackson. The Coroner recommended that he be charged with murder and the case was sent to the Sleaford Magistrates who agreed, and arranged for Rowland to appear at the Summer Assizes in Lincoln. Rowland’s bizarre defence that somehow Florence had received her fatal wounds in some kind of struggle for the razor was abandoned, and his legal team asked for a postponement of the trial so that further investigations could be carried out into the man’s mental health. This delay was granted, and so it was that Dick Rowland appeared before the Lincoln jurors and judge Mr Justice Greer (left) in November 1919. He was found guilty and sentenced to death despite the jury recommending a merciful punishment. There was an immediate appeal against the death penalty, but that was thrown out, with the appeal judge famously opining that Rowland was no more mad than Othello,(the newspaper managing to mis-spell the village name, and relocate it to Essex}

Othello

So, Dick Rowland sat in his condemned cell awaiting his fate, probably unaware that he had been compared to one of Shakespeare’s greatest tragic characters. Othello, of course, racked with guilt, stabs himself, which is precisely what Rowland claimed he had tried to do on that fateful evening back in May, but he was to have better luck than the Moor.

Reprieve

In the event, it appears that Dick Rowland was released in April 1935. He married, and the records tell us that he died in Cleethorpes in 1954. Had he become unhinged by his wartime service, a victim of what we now call PTSD? Or had his own chilling words – ” If I don’t have her I will see no one else does.” become a dreadful deed? You must make up your own minds. Incidentally, the fatal spot where Florence died is still there for anyone wishing to stand and contemplate.

GG watercolour

Incidentally, a local man, Jonathan Wilkinson has written a novel based on the events I have described. It is very well written, and focuses on what the author believes happened in the months and weeks leading up to Florence’s death. It is available from the Fulbeck Craft Centre (07410 968333)

Jealous

I have been researching and writing about historic Lincolnshire murders for some years,and those wishing to find out more about our county’s macabre past should click this link

TWO FAMILIES, TWO TRAGEDIES . . . The murder of Florence Jackson (part one)

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Fulbeck sits amid the hills and hollows of what is known as The Southern Lincolnshire Edge whose most obvious geological feature is the cliff-like ridge which is easy to see when driving along the A17 from Newark. Nearby Leadenham seems to perch on the very edge of this cliff. Fulbeck could almost be mistaken for a Cotswold village, with its abundance of limestone buildings, but most of that stone came from the quarries around Ancaster, just a few miles away. In 1919 the railway ran nearby and there was a station at Caythorpe. These days, the village is bisected by a very busy main road, the A607, which links Leicester and Lincoln. It was just beside this road that the tragedy of the title took place, but our story starts a few years earlier in Grantham, just over ten miles to the south.

The 1911 census shows that at 50 New Street, a tiny terraced house which still stands, lived the Rowland family.

1911 census

There was another brother, Joseph William Rowland, but he had left to join the army, and in 1911 was overseas with 1st Battalion Lincolnshire Regiment. By the time war broke out, he had married and was living in Portsmouth. The Rowland family was to pay a heavy price during that war. Both George Richard – known always as Dick – and brother John answered the call of King and Country. Dick joined the Lincolnshire Regiment but John, although he enlisted in Grantham, would go on to serve with The Seaforth Highlanders.

On 1st July 1916, Joseph Rowland was with the 2nd Battalion Lincolnshire Regiment facing the German front lines at Ovillers.

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The story of that dreadful day is well known, and not strictly relevant to this story, but suffice it say that Joseph Rowland was one of the 20000 British men killed on that day. A letter would have been delivered to 50 New Street, Grantham, initially saying that Joseph was ‘missing’. Another letter would have followed saying that he was ‘missing, presumed dead’. His body was never found, and his name is one of the 72000 engraved on the Thiepval Memorial to the Missing.

Joseph William CWGC

Worse was to follow. Ever anxious to deliver the final crushing blow to the enemy, the British High Command devised yet another huge offensive to punch a hole in German lines. This was to be east of the city of Arras, 20 miles or so north of the Somme killing grounds. The offensive, more properly known as The First Battle of The Scarpe,  began at Easter 1917, in a snow storm. Once again, a death notice would find its way to Grantham. This time, although it would have been of little consolation, a body was found and given a decent burial.

JR Rowland

Dick returned to Grantham in late 1918, apparently unscathed, at least physically, but we know he had been in action since 1915, and had been both gassed and wounded. Once the euphoria at ‘beating the Hun’ had died away, there was little awaiting men like Dick Rowland in a country that should have been – but wasn’t – grateful. He managed to get work at Rustons in Grantham. On a side note, it is worth remembering that it was at the Ruston works in Lincoln that the first tanks were developed, as well as the iconic aircraft known as the Sopworth Camel.

FlorenceNow, though, we must return to Fulbeck. Only a grainy newspaper image of Florence Jackson remains, but it doesn’t take a great leap of imagination to picture a pretty, round-faced girl with a confident gaze for the camera. Once again, the 1911 census is of service. She lived in Fulbeck with her family. Florence would not live to be noted in the 1921 survey. Opportunities for young women of humble birth  in rural communities in those days were limited to farm work, or domestic service. There are suggestions that Florence has been in service at Barkston, or had returned to Fulstow in anticipation of a similar post. At some point she met Dick Rowland, and he was smitten, considering himself deeply in love. He was now 29, with a lifetime of horrors condensed into four years of hell on the Western Front, Florence was just 19, pretty, vibrant and untouched by the death and misery of The Great War.

Florence 1911

 

IN PART TWO
A courtship
A fatal ride on the swing-boats
Gascoigne’s Gate
The Lincoln Assizes

THE RAGING STORM . . . Between the covers

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Ann Cleeves introduced us to Detective Matthew Venn in The Long Call (2019). Police officers in crime fiction are ten-a-penny, so writers strive to make their creations a bit different, or to have what marketing people call a USP. Venn is married to a creative arts chap called Jonathan. This is, to say the least, an unusual circumstance in the rugged North Devon fishing village of Greystone, where he goes to investigate the mysterious death of a media-savvy – and much televised –  adventurer and sailor called Jem Rosco. Venn is, however, no stranger to Greystone. It is where he was brought up as a member of an exclusive group of evangelical Christians called The Barum Brethren.

Rosco has turned up in Greystone, more or less out of nowhere, although the villagers have seen him often enough on their TV screens. After a few weeks of holding court in the village pub – The Maiden’s Prayer –  Rosco disappears, but is then found dead in a little boat anchored just off-shore, in a violent storm. The local RNLI bring his body back, and then his demise becomes a case for Matthew Venn, based in Barnstaple, the largest town in the area.

This is certainly not one of those ‘murder comes to seaside idyll’ stories. Greystone is a grim little village which is frequently battered by the weather. For Its residents life is something of a struggle; there are few amenities, and employment is hard to come by. With all the skill she displays in her other  novels set by the sea, Ann Cleeves allows the village to develop a rather forbidding character all of its own.

There are several well-drawn local characters, all of whom Venn is forced to consider as he tries to answer the age old question about a mysterious death – “Cui Bono?“. Pub landlord Harry Carter may be every bit of the jovial ‘mine host’ he appears to be, but do shady financial dealings in his past bring him into the web of suspects? Mary Ford is the first woman to be skipper of the local lifeboat, but her life is shot through with anxiety over the future of her son who suffers from a degenerative disease. As a teenager, she had an unrequited passion for Jem Rosco, so has his re-emergence in the village triggered an act of revenge for past slights? Barty Lawson, alcoholic Commodore of the nearby Morrisham Yacht Club,  has bitter memories of the days when Rosco – irreverent, mocking and disrespectful – used his celebrity to belittle him. The hint of an old romance between Rosco and Lawson’s wife Eleanor has further soured the man’s mind but, in a rare sober moment, was he capable of engineering the complex piece of theatre which appears to have framed the discovery of the sailor’s body?

When Lawson’s body is later found shattered at the foot of a towering cliff, Venn wonders if this was the final act of a guilty man, but Ann Cleeve provides a solution to the mystery that is much more elegant – and unexpected.  The Raging Storm is, on one level, a standard whodunnit, and sticks to the standard framework of a police procedural novel, but it is shot through with subtle characterisations, clever plot twists and an abiding sense of deep unease. Published by MacMillan, the book is available now.

THE FINE ART OF UNCANNY PREDICTION . . . Between the covers

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I must confess to not having read anything by Robert Goddard (left) for a few years. Back in the day I enjoyed his James Maxted trilogy, which comprised The Ways of the World (2013), The Corners of the Globe (2014) and The Ends of The Earth (2015), which focused on a young former RAF pilot and his involvement in the political fallout in Europe after the Versailles Conference ended in 1920. I reviewed his standalone novel Panic Room in 2018 (click the link to read what I thought), and I quickly became immersed in his latest novel The Fine Art of Uncanny Prediction. Goddard introduced his unusual Tokyo private detective Umiko Wada in The Fine Art of Invisible Detection (2021). She returns in this novel, which is intricately plotted and rather complex at times. A widow, (her husband died as a result of the 1995 Tokyo Sarin Gas attack) she was once assistant to PI Kozuto Kodaka, but since his death she has shaped the business in her own way.

The strange title refers to a Japanese urban legend, which states that an unknown woman known as the Kobe Sensitive –  predicted both the Kobe earthquake in 1995 and the tsunami which caused the Fukushima nuclear disaster 1n 2011. On both occasions she phoned the authorities, and on both occasions she was ignored, or so the story goes. The book spans over 70 years, but in three time frames – the immediate aftermath of Japan’s defeat in WW2, the 1990s and the present day. In the wreckage of 1945 Tokyo we meet Goro Rinzaki, the teenage factotum to the owner of an orphanage. After an accident in the ruins, Rinzaki allows his boss to die, but escapes with the a steel box which was locked in  the orphanage’s safe, and it is Rinzaki who sits at the centre of Goddard’s narrative web like a malevolent spider. What the box contains is integral to the story.

We then switch to the present day where Wada is engaged by businessman Fumito Nagata who wants her to make contact with his estranged son Manjiro. The 1995 time frame begins with the late Kozuto Kodaka being hired by  Terruki Jinno, millionaire chairman of Jinno Construction, to investigate the financial dealings of his recently deceased father – and founder of the company – Arinobu Jinno. If this all sounds complicated, that’s because it most certainly is, but it’s how Goddard pulls the disparate threads together that makes this such an intriguing read.

There is, almost inevitably, an American connection. Clyde Braxton was an American Army officer who was very much a ‘Mr Big’ during the post war occupation, and one of his remits was to monitor a reviving Japanese film industry. By ‘monitor’, I mean that exercised an absolute veto on the subject matter of new films. After leaving the army, he used his (probably ill-gotten) wealth to start a Californian winery, but when his family died in a catastrophic earthquake of he dedicated his time and money to the  possibility of predicting  future disasters, which is where his Japanese connections came good. One of the film-makers who prospered under his authority was none other than Goro Rinzaki. And Rinzaki believes he can offer Bryant the Kobe Sensitive.

As Wado searches for Manjiro Nagata she uncovers a conspiracy that puts her life in danger, as well as the lives of her friends and family. At every turn, both in Tokyo and California – where she goes to try to unravel the mystery – it seems that Goro Rinzaki has strings to pull and people on the inside of all major institutions – the press, the government and industry. We eventually learn what was in the steel box rescued from the ruins in 1945, but along the way Goddard entertains us with an intricate and elegant plot, with Wada – calm, resourceful and courageous – at its very centre. The book is published by Bantam and is available now.
https://www.amazon.co.uk/Fine-Art-Uncanny-Prediction-Between/dp/1787635104/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1693469403&sr=8-1

 

THE WIT AND WISDOM OF BERNIE GUNTHER

PK

Over the thirty years and fourteen books of the series, Philip Kerr’s wonderful antihero Bernie Gunther was never afraid to speak his mind, both to us as readers, and often to the real-life characters – as diverse as Reinhardt Heydrich, William Somerset Maugham and Eva Peron – who peopled the stories. Sometimes he could be profound, sometimes savagely funny, but always observant. Here is a selection of his best lines.

Most of us who love great novels were aware that Philip Kerr was ill, and it was a moment of great sadness when we learned of his death in March 2018. We could not grieve in the full sense of the word. That was for his family. But we could only dream of what other adventures PK could have dreamed up for his magnificent creation, had he been granted more years. As it was, Metropolis – ironically, the book featuring Bernie at his youngest – was published posthumously. The Gunther books will be read as long as people have the desire to learn about 20thC history and the people who – for good or ill – shaped it. Also, as long as there are readers who enjoy a well-turned insult and a melancholy gaze into the human soul, Bernie Gunther will live for ever.

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